Jamie Garwood writes:
I go through phases of movie-going, I try to see as much as possible, I try to see a variety of films running the gamut of emotions from laughing to crying, black and white to technicolour, silent to subtitled.
But I always have this ability to miss the boat on must-see movies, I think it started with Titanic. I didnt want to waste 3 1/2 hours of my life waiting to see a boat sink, even though that was the best bit. The same with the Dark Knight, I refused to be cowed into seeing a film that everyone wanted to see - this might be me maintaining my individual streak, or maybe I really liked Batman Begins (which is increasingly underrated) and did not want my expectations ruined. With all due respect, I felt the untimely death of Heath Ledger led to the film being raised onto a platform ages before the correct justification, especially his performance as the Joker, which yes is mind blowing and unbelievable. When i eventually watched Dark Knight, it was on my own in a dark bedroom on a small screen (I think if i had seen it on a huge screen my reaction would have been different), and i was drawn more to Aaron Eckhart's portryal as Harvey Dent, if Ledger had lived it would have been interesting if they would have had a two horse race, because naturally Warner Bros. threw their weight behind a campaign for Ledger to be awarded posthumously for only the 2nd time at the Oscars in terms of acting awards.
And so we come to Avatar, watching the many trailers and tidbits and behind the scenes footage before the film was finally released, I felt like I had watched the film so many times. My first reaction to the trailer was Ferngully meets Dances with Wolves - not an original film but the idea of a cod Disney film mixed with a half decent Western just did not seem to appeal to me.
But after all the adulation, the billions of dollars have gone into it, and after missing out on the Oscars (correctly), James Cameron has returned with a re-release of Avatar with 9 minutes of additional footage making it just that little bit longer.
The film is an amazing spectacle to look at, it paints Pandora as something to yearn for. The forest you will never play in, a wonderment of nature. Whilst the film does smack of parables of imperialism, colonialism, anti-Americanism, pro-Native American/Amazon; once you get past the oblique political subtext the film is a joyride of action adventure. It works as a film to admire, as you can sympathise with the hero immediately, he has lost a loved one (who involved in war has not), he is disabled though no-one uses that word as they are more likely to use paralysed, though i think paralysed means unable to do anything. The hero goes into the Avatar, a construction of the Pandorian race and in a covert op aims to infiltrate the tribe and get them to move on, so the American industry can obtain the rich resource in their forest - replace the coal slash diamond matter for oil and you get the anti-Bush administration feeling here.
Whilst the film is a great action adventure it is the special effects that is the star of the show - why do you think he picked Sam Worthington and Zoe Saldana as his leads, do you think established stars would want to play second fiddle to the FX. There are moments of great beauty, and choosing to watch it on the biggest screen in the UK, the South Bank IMAX does the film the justice it deserves.
So maybe you should sometimes be patient, and if you do not have time to see the film on the big screen initially seek it out on one. Much like I did when I saw 'The Magnificent Seven' on the bfi screen in June. A sight and wonder to behold for certain.
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