The premier of Alfred Hitchcock’s rare silent masterpiece, The Ring, recently restored by the BFI National Archive, will be streamed live for the first time ever from London’s Hackney Empire exclusively on The Space www.TheSpace.org on Friday 13th July at 20.00 (GMT). The premiere will be accompanied by a specially commissioned soundtrack composed and performed by award-winning jazz musician Soweto Kinch.
Marking it as a worthy precursor to Scorsese’s Raging Bull, Hitchcock’s melodrama tells the story of a love-triangle between boxer Bob Corby, his sparring partner Jack Sander and Jack’s beautiful wife Mabel. The bouts in the ring become more than gamely sparring, leading up to the championship fight (famously set in the Albert Hall) between the two men for the love of Mabel.
Since its launch in May, digital arts service The Space has become the online destination for film fans everywhere offering a selection of free and on-demand films, whenever you want it and wherever you happen to be, featuringunmissable live events, rare archive material and interactive collections, with new material added every week.
In the run up to the live stream, The Space will feature Hitchcock documentaries including Hitchcock and cinema in the 20s and Hitchcock and the Evolution of Style. There will also be an interview Hitchcock gave to the BBC programme Late Night Line-Up in 1966.
The Space is currently showcasing a selection of first or early films by major British directors, from the BFI archive, including Ridley Scott, Ken Russell and Shane Meadows. And the BFI collection on The Space also celebrates Britain’s emerging filmmakers with a selection of shorts, from quirky animations, shocking comedies and thrilling genre movies to thought-provoking dramas and moving documentaries.
Coming up in July are short films about some of the great artists of the 20th century including Barbara Hepworth, Henry Moore and Francis Bacon, as well as a Peter Greenaway retrospective and films from the GPO film unit also from the BFI National Archive.
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