Film festival gets underway this Wednesday and runs until May 16 in Las Vegas
MAY 10 — As a fan of genre and independent cinema, Chad Clinton Freeman knows how hard it is to weed through everything and find good movies to watch these days. As a filmmaker, he also knows how hard it is to get independent works out for the public to see them. With both of these experiences in mind, Freeman created the Polly Staffle Grindhouse Fest.
The event, which will consist of five days of programming in the tradition of grindhouse theaters with double and triple features each day, gets underway this Wednesday and runs till May 16 at the Sci-Fi Center (2520 State Street) in Las Vegas.
Thirteen films and more than 31 trailers, music videos and shorts will play the PollyGrind, which has been hyped by Vampires.com as “one of the biggest events for grindhouse and trash film lovers this year.”
“This week the cinematic revolution that is known as the PollyGrind begins,” said Freeman, who has been dubbed the "new champion of unabashed B-movie sleaze" by ArrowInTheHead.com. “This festival is being put on in the same spirit as old school grindhouse cinema - no funding and creatively using whatever is available. With that being said, I think the lineup turned out rather nicely and I think everyone that comes out will enjoy what William Powell’s Sci-Fi Center and the PollyGrind have to offer.”
Five features will have world premieres at the event. John R. Hand’s sci-fi arthouse film Scars of Youth opens the festival May 12. The Dead Undead, which stars Luke Goss and was directed by stuntmen Matt Anderson and Edward Conna, world premieres May 13. Creep Creepersin will world premiere his films Vaginal Holocaust, Caged Lesbos A-Go-Go, and Orgy of Blood on May 15.
The films Greg Lamberson’s Slime City Massacre (which stars Debbie Rochon, Lee Perkins and Brooke Lewis), Henry Weintraub’s Melvin, Bruce Dickson’s Red Velvet (Henry Thomas, Kelli Garner and Cristen Coopen), James Pronath’s Horrid, Jen Soska & Sylvia Soska’s Dead Hooker in a Trunk, Alex Pucci’s Frat House Massacre and the anthology Terror Overload (Scarlet Salem, Rachel Grubb and Ari Lehman) will have Las Vegas premieres and the Argentina import Zombie Apocalypse Now: A Zombie Hunter will screen for the first time in the United States.
Five features will have world premieres at the event. John R. Hand’s sci-fi arthouse film Scars of Youth opens the festival May 12. The Dead Undead, which stars Luke Goss and was directed by stuntmen Matt Anderson and Edward Conna, world premieres May 13. Creep Creepersin will world premiere his films Vaginal Holocaust, Caged Lesbos A-Go-Go, and Orgy of Blood on May 15.
The films Greg Lamberson’s Slime City Massacre (which stars Debbie Rochon, Lee Perkins and Brooke Lewis), Henry Weintraub’s Melvin, Bruce Dickson’s Red Velvet (Henry Thomas, Kelli Garner and Cristen Coopen), James Pronath’s Horrid, Jen Soska & Sylvia Soska’s Dead Hooker in a Trunk, Alex Pucci’s Frat House Massacre and the anthology Terror Overload (Scarlet Salem, Rachel Grubb and Ari Lehman) will have Las Vegas premieres and the Argentina import Zombie Apocalypse Now: A Zombie Hunter will screen for the first time in the United States.
“Personally, I think all of these films are great. Otherwise I wouldn’t have programmed them,” Freeman said with a chuckle. “I will say that I’m very pleased I’m getting to open with the world premiere of Scars of Youth and I think the stuff Creep is bringing for Saturday should be a blast. Also, I think Slime City Massacre, The Dead Undead, Dead Hooker in a Trunk and Red Velvet will be crowd favorites.”
Also highlighting the festival will be works from award-winning filmmakers Michael Ramova (four faux trailers and a short), Calvin Lee Reeder (shorts The Rambler and The Snake Mountain Colada), Aaron Mento (shorts Absent and Heathen’s Gate) and Ginnetta Correli (music video Hippodome Mime).
Other short films playing will range from horror (The Bet, Blood Shed, The Red Hours, Depraved, and Hypochondriac), to animated fun (Frankenstien vs. Wolfman in 3D), to film noir (Stiletto), to sci-fi (Babylon 2084), to experimental (Telefone), and even dark comedy (Sis, and Because There Are Things You Never Forget).
Music videos will include Ryen McPherson’s entry Jitterbug (song by Walker Rose), the world premiere of Alvaro de la Hoz’s Long Goodbye (Lazy), David Wanger’s Anatinus (LIGO) Elona’s Warrior (Elona), and Rob Prior and Paul Jenkins’ Get Your Dead On (Scum of the Earth).
The PollyGrind will also feature appearances by actors, actresses, filmmakers and more. Confirmed special guests include Scream Queens Elske McCain and Donna Hamblin, actor Robert C. Sabin of Slime City and Slime City Massacre, comic book legend Everette Hartsoe (Razor), pinup artist Popeye Wong, and filmmakers Creep Creepersin, Alex Pucci, Sean Cain, Shane Ryan, Michael Dunn, Jeffrey Bliss, Aaron Mento, and Jeffrey Blake Palmer.
Vendor tables will open an hour and half before the movie madness begins each night. There will be items for sale, autograph and photograph opportunities, as well as raffles and giveaways.
Various nightly hosts will include spooks-model Jennique Angel, HorrorNews.net managing editor Dai Green, and Heather Wixson of DreadCentral.com, while sponsors of the event are TheGrindHouse.net, MTI Home Video, Sony Creative Software, FootageFirm, Terror Cards, and Dolls and Dead Things.
When the dust settles, the film festival will hand out more than 14 awards, including the top prize dubbed The Biggest Baddest Mother of the PollyGrind. There will also be awards for best use of music, nudity/sexuality, violence/gore, and most outrageous. The audience will also be casting ballots each night to pick their favorite feature, short, music video and trailer.
Tickets for the event are $10 per day. Five day passes and three day passes can be purchased in advance for $40 and $25 at PollyGrind.com or TheSciFiCenter.com.
In anticipation of the event, Ammon Gilbert of ArrowInTheHead.com has called it “a B-movie jamboree of awesomeness” that “only Vegas has the balls to host.” Josh Bell of Las Vegas Weekly said “there's a fine line, certainly, between underground genre weirdness and artistic ambitions, and the festival will no doubt do everything possible to blur it.”
Freeman said he hopes both journalists are right in their predictions, and then some. “Our aim, as has always been the case with PollyStaffle.com, is to celebrate individuality, diversity, creativity and empowerment,” Freeman said. “Hopefully, PollyGrind is a fun and unique experience that honors the darker side of cinema and showcases the work of filmmakers with defiantly independent visions. I also hope it comes off as an intimate educational experience and a networking function for the audience and the filmmakers that will leave everyone wanting to come back for more next year.”
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