NORTH WEST SHORT FILMS SHOWCASED IN THE BIG APPLE
Eight short films made by talented Northwest filmmakers will be screened in New York next week (20/10/03) as part of the regional Transatlantic Express event.
The eight visionary films which were all funded by North West Vision, explore issues of love, death and sex and star celebrities such as the singer Jarvis Cocker and actor Ian Hart (star of Harry Potter). All eight of the films will be shown at Two Boots Pioneer Theatre in New York on Monday the 20th October.
The main aim of Transatlantic Express is to showcase the best in music, fashion, film, TV, and visual arts. It will provide a unique business to business and profiling opportunity for the region’s creative talent.
Alice Morrison, Chief Executive for North West Vision said:
“ I am ecstatic that the talented work of some of the North West’s finest film makers will be shown in New York. Transatlantic Express is a wonderful way in which to showcase the regions creative professionals and we are very proud to be part of it”.
At its heart, Transatlantic Express is a creative industries international trade event that uses the dynamics of the creative industries to generate opportunities in one of the best markets for the UK and Northwest’s products. Combining international trade and export support from Great Merseyside Enterprises (GME), CBI and the British Consulate in New York with a series industry showcases, the project enables the enterprises involved to show off their products to best advantage, with the back up of the experience the trade agencies.
ACME and CIDS, co-ordinate the film/TV element of Transatlantic Express 2003 in consultation with established North West Vision.
North West Vision films being showcased
Screening at 8.00pm on Monday, 20th October at Two Boots Pioneer Theatre, 155 East 3rd Street, New York. For ticket information contact the theatre on (212) 254 3300.
5 WAYS JOHN WAYNE DIDN’T DIE: Pulp frontman Jarvis Cocker plays a hapless, newly wed killer in this offbeat comedy.
SLEEP MY LOVE: The story of an aggrieved tramp, once a loving husband, until a devastating incident tore his life apart.
CANNED MAN: The future - and Kim Mavers is looking for the perfect man so she buys one in a tin. “Just add water for the man of your dreams”.
IN MEMORIAM: The story of a loner, Bernard, trapped in the past since the loss of his wife.
JOURNEY: Ernest, recently widowed, longs to rejoin his wife in their spiritual home in Barbados. But he sees his “journey” can only be achieved by taking his own life.
PUT YOUR COAT ON: Amoré in an anorak. A young girl hits the bright lights of the big city. A bloodstained coat suggests a tragic end or is this just a love story after all?
UNHINGED: Psychiatrist Dr. Snell tries his utmost to rid his patient, Eric (played by Harry Potter star Ian Hart), of his curious fetish.
INCENSE: Film, without words, about secrets in a middle-class, suburban Asian home where a mother, haunted by the past, fills the home with incense smoke to ward off evil.
Thursday, October 16, 2003
Wednesday, October 15, 2003
MAJOR HOLLYWOOD FILM FOR SCOTLAND
A $32m Hollywood movie starring Adrian Brody (The Pianist) and Keira Knightley (Bend it Like Beckham, Pirates of the Caribbean) with George Clooney as one of its producers is set to shoot in Scotland, Frank McAveety Minister for Culture announced at a press conference at Scottish Screen this morning..
The movie entitled "The Jacket", will be directed by John Maybury and is to be produced by international star George Clooney & Steven Soderbergh's Section Eight production company, with Peter Gruber's Mandalay Pictures in association with German production company VIP Medienfonds.
The film which will reaffirm Scotland as a great film-making destination, will be shot in Scotland early in the new year. It is estimated that it will generate around $10m for Scotland's economy and will employ a large film crew, the majority of whom will be recruited in Scotland.
Securing the film for Scotland is a major coup and there is tremendous prestige in having a major film featuring some of Hollywood's biggest names. This will raise Scotland's profile as a place to come and make films, and for movie enthusiasts to visit.
Speaking at the announcement at Scottish Screen Headquarters in Glasgow, Mr McAveety said:
"This news is simply fantastic for Scotland, fantastic for those involved in the film industry in Scotland, and fantastic for filmgoers.
"Scottish Screen and the Glasgow Film Office must be congratulated in their roles in convincing the film's American and German producers that Scotland has everything to offer production companies who are looking for locations to shoot their films.
"There are many spin-offs associated with this film - a large crew recruited in Scotland will be employed for this production, hotels in shoot locations will feel the benefits, and so too will local shops and restaurants.
"But most of all the prestige in providing the backdrop for a Hollywood blockbuster with famous Hollywood stars coming to Scotland, will attract other film companies and convince them that Scotland is a great place come and use our rich and varied film locations."
Steve McIntyre, Chief Executive of Scottish Screen said:
"We are delighted that Scottish Screen along with the Glasgow Film Office have been able to attract this most important film to shoot in Scotland. We look forward to working closely with the producers and the Scottish crew over the next few months."
Councillor Charlie Gordon, of Glasgow City Council added:
"I'm delighted with the important role the Glasgow Film Office has played in bringing this movie to Scotland.
"Since its inception in 1997, the Film Office and Glasgow City Council have provided invaluable logistical and financial support to many feature films and TV dramas.
"Now we're going to have a little bit of Hollywood come to our shores, and we can show the most important market in the film industry just how good we are at this kind of work."
Peter McAleese the UK co-producer said:
"I am truly delighted to be able to bring this project to my adopted home city of Glasgow. I'm looking forward to working closely with both the Glasgow Film Office and Scottish Screen to ensure large numbers of the internationally respected Scottish crew members resident here, along with some of the world's best off-screen support services located in and around
the city, are used to best advantage on this fantastic project.
"If we do our job well I hope this film will lead a charge of productions back into Scotland from Hollywood."
A $32m Hollywood movie starring Adrian Brody (The Pianist) and Keira Knightley (Bend it Like Beckham, Pirates of the Caribbean) with George Clooney as one of its producers is set to shoot in Scotland, Frank McAveety Minister for Culture announced at a press conference at Scottish Screen this morning..
The movie entitled "The Jacket", will be directed by John Maybury and is to be produced by international star George Clooney & Steven Soderbergh's Section Eight production company, with Peter Gruber's Mandalay Pictures in association with German production company VIP Medienfonds.
The film which will reaffirm Scotland as a great film-making destination, will be shot in Scotland early in the new year. It is estimated that it will generate around $10m for Scotland's economy and will employ a large film crew, the majority of whom will be recruited in Scotland.
Securing the film for Scotland is a major coup and there is tremendous prestige in having a major film featuring some of Hollywood's biggest names. This will raise Scotland's profile as a place to come and make films, and for movie enthusiasts to visit.
Speaking at the announcement at Scottish Screen Headquarters in Glasgow, Mr McAveety said:
"This news is simply fantastic for Scotland, fantastic for those involved in the film industry in Scotland, and fantastic for filmgoers.
"Scottish Screen and the Glasgow Film Office must be congratulated in their roles in convincing the film's American and German producers that Scotland has everything to offer production companies who are looking for locations to shoot their films.
"There are many spin-offs associated with this film - a large crew recruited in Scotland will be employed for this production, hotels in shoot locations will feel the benefits, and so too will local shops and restaurants.
"But most of all the prestige in providing the backdrop for a Hollywood blockbuster with famous Hollywood stars coming to Scotland, will attract other film companies and convince them that Scotland is a great place come and use our rich and varied film locations."
Steve McIntyre, Chief Executive of Scottish Screen said:
"We are delighted that Scottish Screen along with the Glasgow Film Office have been able to attract this most important film to shoot in Scotland. We look forward to working closely with the producers and the Scottish crew over the next few months."
Councillor Charlie Gordon, of Glasgow City Council added:
"I'm delighted with the important role the Glasgow Film Office has played in bringing this movie to Scotland.
"Since its inception in 1997, the Film Office and Glasgow City Council have provided invaluable logistical and financial support to many feature films and TV dramas.
"Now we're going to have a little bit of Hollywood come to our shores, and we can show the most important market in the film industry just how good we are at this kind of work."
Peter McAleese the UK co-producer said:
"I am truly delighted to be able to bring this project to my adopted home city of Glasgow. I'm looking forward to working closely with both the Glasgow Film Office and Scottish Screen to ensure large numbers of the internationally respected Scottish crew members resident here, along with some of the world's best off-screen support services located in and around
the city, are used to best advantage on this fantastic project.
"If we do our job well I hope this film will lead a charge of productions back into Scotland from Hollywood."
CALLING ALL BUDDING WRITERS!
North West Vision and the UK Film Council Development Fund, in partnership with the First Film Foundation, are pleased to announce the launch of a new and exciting initiative to develop feature film writers from the North West region.
This is a fantastic opportunity for new writers to receive both script development funding and high quality industry supports, by taking part in an intensive six month programme to develop strong feature film scripts. The final scripts will be submitted to the UK Film Council who will be seeking to option the best scripts for further development.
Helen Bingham, Head of Production at North West Vision said:
“This is a wonderful new scheme in which we want to uncover the hidden talented writers in the North West. We are looking for people that have a secret passion and flair for writing. This scheme will give these talented individuals the chance to unleash their potential with the guidance and support of industry professionals.”
If you want to find out more then please attend one of the workshops in Liverpool, Manchester or Cumbria. North West Vision and First Film Foundation will provide training /advice on how to put together a strong submission. The workshops will cover the fundamentals of what is a synopsis, log line, outline and treatment and will focus on how to turn a great idea into a great proposal and eventually a great script.
If you have a great idea and you are interested in finding out more about the scheme please come along to one of the workshops.
Liverpool City Centre - Tuesday 21st October 2003 (9.30 - 5.30)
Manchester City Centre - Wednesday 22nd October 2003 (9.30 - 5.30)
Kendall, Cumbria - Sunday 16th November 2003 (9.30 - 5.30)
Interested? Want to know more?
Places are limited, so to book your FREE place on one of the above days by sending an email to First Film Foundation at: info@firstfilm.co.uk.
Please note:
First Film Foundation, not North West Vision will be handling all enquires for the workshops. Please contact First Film on Tel: 020 7580 2111 and ask for Jeremy Cliff, Project Co-ordinator.
North West Vision will release the schemes full guidelines and application form on its website next week.
To be eligible to apply you must:
- be interested in writing a feature film
- aged 18 or over
- live or work in the North West Region (Cheshire, Cumbria, Greater Manchester, Lancashire, Merseyside)
- companies or organisations are not eligible
- Students are not eligible
What experience do I have to have to apply?
Applications are only open to writers who have not previously had a feature script commissioned by a UK body. Short film and TV writers will be welcomed.
Who is First Film Foundation?
First Film exists to help new British writers, producers and directors make their first feature film. First Film provides a range of high quality and unique development programmes that give the filmmakers the skills, knowledge, experience and contacts they need to develop a career in the film industry. Website: www.firstfilm.co.uk.
How many workshop places are available?
The workshops in Liverpool and Manchester can take up to 36 participants and the workshop in Kendal will be restricted to a maximum of 15 participants.
When will the Guidelines and Application Form be available?
These will be on North West Vision's website by 15th October 2003
How many writers will be selected?
Initially 20 writers will be selected to undertake individual one to one sessions with a script consultant.
These one to ones will be held in Manchester and Liverpool on December 15th, 16th and 17th December 2003. Then from these 20, 5 writers will be awarded £1,000 each (plus development support) to produce a full treatment. From these 5 treatments two writers will then be selected to produce a first draft. For this they will be awarded £4,500.
How do I apply?
The deadline for submissions will be 1st December 2003. We will ask writers to submit
Log Line (2/3 sentences)
250 word Synopsis
Outline of no more than 2 pages
A writing sample of no more than 10 pages (this could be a short film script or a selection of scenes)
To find out more about what we expect to be submitted book a place onto one of our websites
North West Vision and the UK Film Council Development Fund, in partnership with the First Film Foundation, are pleased to announce the launch of a new and exciting initiative to develop feature film writers from the North West region.
This is a fantastic opportunity for new writers to receive both script development funding and high quality industry supports, by taking part in an intensive six month programme to develop strong feature film scripts. The final scripts will be submitted to the UK Film Council who will be seeking to option the best scripts for further development.
Helen Bingham, Head of Production at North West Vision said:
“This is a wonderful new scheme in which we want to uncover the hidden talented writers in the North West. We are looking for people that have a secret passion and flair for writing. This scheme will give these talented individuals the chance to unleash their potential with the guidance and support of industry professionals.”
If you want to find out more then please attend one of the workshops in Liverpool, Manchester or Cumbria. North West Vision and First Film Foundation will provide training /advice on how to put together a strong submission. The workshops will cover the fundamentals of what is a synopsis, log line, outline and treatment and will focus on how to turn a great idea into a great proposal and eventually a great script.
If you have a great idea and you are interested in finding out more about the scheme please come along to one of the workshops.
Liverpool City Centre - Tuesday 21st October 2003 (9.30 - 5.30)
Manchester City Centre - Wednesday 22nd October 2003 (9.30 - 5.30)
Kendall, Cumbria - Sunday 16th November 2003 (9.30 - 5.30)
Interested? Want to know more?
Places are limited, so to book your FREE place on one of the above days by sending an email to First Film Foundation at: info@firstfilm.co.uk.
Please note:
First Film Foundation, not North West Vision will be handling all enquires for the workshops. Please contact First Film on Tel: 020 7580 2111 and ask for Jeremy Cliff, Project Co-ordinator.
North West Vision will release the schemes full guidelines and application form on its website next week.
To be eligible to apply you must:
- be interested in writing a feature film
- aged 18 or over
- live or work in the North West Region (Cheshire, Cumbria, Greater Manchester, Lancashire, Merseyside)
- companies or organisations are not eligible
- Students are not eligible
What experience do I have to have to apply?
Applications are only open to writers who have not previously had a feature script commissioned by a UK body. Short film and TV writers will be welcomed.
Who is First Film Foundation?
First Film exists to help new British writers, producers and directors make their first feature film. First Film provides a range of high quality and unique development programmes that give the filmmakers the skills, knowledge, experience and contacts they need to develop a career in the film industry. Website: www.firstfilm.co.uk.
How many workshop places are available?
The workshops in Liverpool and Manchester can take up to 36 participants and the workshop in Kendal will be restricted to a maximum of 15 participants.
When will the Guidelines and Application Form be available?
These will be on North West Vision's website by 15th October 2003
How many writers will be selected?
Initially 20 writers will be selected to undertake individual one to one sessions with a script consultant.
These one to ones will be held in Manchester and Liverpool on December 15th, 16th and 17th December 2003. Then from these 20, 5 writers will be awarded £1,000 each (plus development support) to produce a full treatment. From these 5 treatments two writers will then be selected to produce a first draft. For this they will be awarded £4,500.
How do I apply?
The deadline for submissions will be 1st December 2003. We will ask writers to submit
Log Line (2/3 sentences)
250 word Synopsis
Outline of no more than 2 pages
A writing sample of no more than 10 pages (this could be a short film script or a selection of scenes)
To find out more about what we expect to be submitted book a place onto one of our websites
Trilogy of New Liverpool Films Announced
DSTM secure local talent… and Johnny Vegas for their first film production.
Award winning actors Dean Sullivan and Tina Malone have today unveiled enterprising plans to produce a trilogy of short films. With a budget of 50K raised by DSTM through private funding, “Reuben Don’t Take Your Love to Town” is the first of the films to be shot in and around Liverpool over the coming months. Shot on 35mm film and with production values second to none, the films will act as forerunners to a major feature film, currently in development, which will go into production next year.
Written and produced by Tina Malone and directed by Brookside (Channel 4) actor Dean Sullivan, best known for his inspirational portrayal of Jimmy Corkhill, the first of the films “Reuben Don’t Take Your Love to Town” examines the story of a taxi driver desperately seeking to rekindle the lost romance within his marriage. Featuring Neil Fitzmaurice, Louis Emerick, Celia Imrie and Johnny Vegas, the film tackles the universal issues of love, sex, romance and communication and the complex way in which these subjects colour our lives.
Both Dean Sullivan and Tina Malone have very strong associations with Liverpool and have recently formed a production and training Company, DSTM. Their company ethos is to employ the cream of Liverpool actors and crews whilst nurturing the wealth of talent that exists within the region.
Said Tina Malone, “All too often film companies come to Liverpool merely to use it as a double for somewhere else – what we intend to do is show Liverpool in its true light, to display the lavish, sumptuous city of ours with its inspirational architecture and diversity of culture. I am pleased to be working with Dean, an actor and director whom I both respect and admire and look forward to our collaboration on this project”.
Dean Sullivan added, “Having worked primarily in front of the camera for the last eighteen years, I am delighted to have the opportunity to devote my energies to directing these films. It is a most exciting time for the film industry in our city and Tina and I aim to be at its forefront – watch this space!”
DSTM secure local talent… and Johnny Vegas for their first film production.
Award winning actors Dean Sullivan and Tina Malone have today unveiled enterprising plans to produce a trilogy of short films. With a budget of 50K raised by DSTM through private funding, “Reuben Don’t Take Your Love to Town” is the first of the films to be shot in and around Liverpool over the coming months. Shot on 35mm film and with production values second to none, the films will act as forerunners to a major feature film, currently in development, which will go into production next year.
Written and produced by Tina Malone and directed by Brookside (Channel 4) actor Dean Sullivan, best known for his inspirational portrayal of Jimmy Corkhill, the first of the films “Reuben Don’t Take Your Love to Town” examines the story of a taxi driver desperately seeking to rekindle the lost romance within his marriage. Featuring Neil Fitzmaurice, Louis Emerick, Celia Imrie and Johnny Vegas, the film tackles the universal issues of love, sex, romance and communication and the complex way in which these subjects colour our lives.
Both Dean Sullivan and Tina Malone have very strong associations with Liverpool and have recently formed a production and training Company, DSTM. Their company ethos is to employ the cream of Liverpool actors and crews whilst nurturing the wealth of talent that exists within the region.
Said Tina Malone, “All too often film companies come to Liverpool merely to use it as a double for somewhere else – what we intend to do is show Liverpool in its true light, to display the lavish, sumptuous city of ours with its inspirational architecture and diversity of culture. I am pleased to be working with Dean, an actor and director whom I both respect and admire and look forward to our collaboration on this project”.
Dean Sullivan added, “Having worked primarily in front of the camera for the last eighteen years, I am delighted to have the opportunity to devote my energies to directing these films. It is a most exciting time for the film industry in our city and Tina and I aim to be at its forefront – watch this space!”
Monday, October 13, 2003
BAFTA NORTH IN ASSOCIATION WITH THE CITY OF LIVERPOOL, BLACK SCREEN FESTIVAL and ODEON CINEMA PRESENTS...
IMAGES OF CHINA - CHINESE FILM FESTIVAL
BAFTA North in association with the City of Liverpool, Black Screen Festival and Odeon Cinema is proud to present a programme of events featuring a selection of critically acclaimed Chinese films to celebrate Chinese culture.
Thursday 16 October, 7.30pm, Odeon Cinema, London Road, Liverpool:
A SIGH directed by Feng Xiaogang and starring Zhang Guoli, Xu Fan and Liu Bei.
A touching drama that deals with one of China’s most sensitive subjects, adultery. Zhang Guoli plays writer Liang Yazhou, who has been married for ten years with a beautiful six-year-old daughter and appears completely happy with his life. Until one day he meets an intriguingly attractive young woman, Li Xiaodan, his screen writing executive assistant. A passionate affair ensues and Liang is forced to choose between the wife he loves and his impassioned lover.
Friday 17 October, 6.30pm, Odeon Cinema, London Road, Liverpool:
THE MISSING GUN directed by Chuan Lu and starring Wen Jiang, Shi Liang and Jing Ning. Set in present day rural China, THE MISSING GUN is a fast-paced thriller following small town policeman Ma Shan, who wakes up one morning to discover his gun is missing. Events take a sinister turn when his first love turns up dead and the incriminating bullet appears to have come from his own gun.
Friday 17 October, 1.00pm, Odeon Cinema, London Road, Liverpool:
I AM A FISH directed by Li Honghe and starring Li Lida and Ma Jingwu.
This children’s film tells the story of a young boy, Lu Xiaochun and his peaceful life with his grandfather in a little village by the sea. His serene existence is interrupted by the death of his grandfather and his parents’ decision to send him to school in the big city. Unhappy in his new home, Xiaochun meets an elderly man, Ma Changyu and with his help he finds his spirit again and successfully swims across the Qiongzhou Strait and creates a Guinness record.
For details email BAFTA North:
baftanorth@virgin.net
IMAGES OF CHINA - CHINESE FILM FESTIVAL
BAFTA North in association with the City of Liverpool, Black Screen Festival and Odeon Cinema is proud to present a programme of events featuring a selection of critically acclaimed Chinese films to celebrate Chinese culture.
Thursday 16 October, 7.30pm, Odeon Cinema, London Road, Liverpool:
A SIGH directed by Feng Xiaogang and starring Zhang Guoli, Xu Fan and Liu Bei.
A touching drama that deals with one of China’s most sensitive subjects, adultery. Zhang Guoli plays writer Liang Yazhou, who has been married for ten years with a beautiful six-year-old daughter and appears completely happy with his life. Until one day he meets an intriguingly attractive young woman, Li Xiaodan, his screen writing executive assistant. A passionate affair ensues and Liang is forced to choose between the wife he loves and his impassioned lover.
Friday 17 October, 6.30pm, Odeon Cinema, London Road, Liverpool:
THE MISSING GUN directed by Chuan Lu and starring Wen Jiang, Shi Liang and Jing Ning. Set in present day rural China, THE MISSING GUN is a fast-paced thriller following small town policeman Ma Shan, who wakes up one morning to discover his gun is missing. Events take a sinister turn when his first love turns up dead and the incriminating bullet appears to have come from his own gun.
Friday 17 October, 1.00pm, Odeon Cinema, London Road, Liverpool:
I AM A FISH directed by Li Honghe and starring Li Lida and Ma Jingwu.
This children’s film tells the story of a young boy, Lu Xiaochun and his peaceful life with his grandfather in a little village by the sea. His serene existence is interrupted by the death of his grandfather and his parents’ decision to send him to school in the big city. Unhappy in his new home, Xiaochun meets an elderly man, Ma Changyu and with his help he finds his spirit again and successfully swims across the Qiongzhou Strait and creates a Guinness record.
For details email BAFTA North:
baftanorth@virgin.net
Thursday, October 09, 2003
Top Cowboy
To celebrate 100 Years of Westerns and its own Western Week 13th - 19th October, TCM (Turner Classic Movies) the 2nd rated movie channel in the UK, has commissioned an independent survey to find out exactly which screen cowboy is the UK public’s favourite. Conducted by independent company (IPSOS) in September 2003, the poll reveals that CLINT EASTWOOD is the most favourite western actor with 62% of the votes, followed closely by John Wayne in second with 53% and Steve McQueen third with 31%.
For more visit Top Cowboy.
Who is your favourite cowboy? Are you a Western fan or do you think this genre has hit the duat for good? Let us know by emailing valis23a@aol.com and I'll put the best comments on the website.
To celebrate 100 Years of Westerns and its own Western Week 13th - 19th October, TCM (Turner Classic Movies) the 2nd rated movie channel in the UK, has commissioned an independent survey to find out exactly which screen cowboy is the UK public’s favourite. Conducted by independent company (IPSOS) in September 2003, the poll reveals that CLINT EASTWOOD is the most favourite western actor with 62% of the votes, followed closely by John Wayne in second with 53% and Steve McQueen third with 31%.
For more visit Top Cowboy.
Who is your favourite cowboy? Are you a Western fan or do you think this genre has hit the duat for good? Let us know by emailing valis23a@aol.com and I'll put the best comments on the website.
Monday, October 06, 2003
UK DRIVERS PREFER THE ITALIAN JOB
Motorists in have declared that their favourite car movie of all time is The Italian Job, which was first released over 30 years ago in 1969.
A study of used car buyers reveals that 33% of motorists were most impressed by the classic Michael Caine comedy caper, telling the story of a Gold Bullion raid by cockney criminals in Italy.
The original film was a huge hit in the UK, but when released in the US it fared extremely badly. The English sense of humour probably didn’t help, so it comes as no surprise the much anticipated re-make, at the cinemas now, features American actor, Mark Whalberg (Planet of the Apes) who will play the role of Charlie Crocker. Gang members include Edward Norton (Fight Club), Jason Statham (Lock, Stock and Two Smoking Barrels) and Donald Sutherland.
The research, undertaken by the UK’s second largest motor retailer, CD Bramall revealed that joint second with 18% of the vote were the Herbie films and James Bond’s timeless car chases.
CD Bramall’s marketing director, Neil Addley, said: “The results show that the British public love a car with character. Whether it’s the classic and now very trendy Mini Cooper, a favourite of Madonna’s, a quirky Volkswagen Beetle or a sophisticated Bond car, it just goes to show that we are a nation with taste. While sales don’t necessarily follow movie popularity the car is often a key component of many new movies, including Harry Potter and the new Batman movie staring British actor Christian Bale.
See our review of the original The Italian Job.
Motorists in have declared that their favourite car movie of all time is The Italian Job, which was first released over 30 years ago in 1969.
A study of used car buyers reveals that 33% of motorists were most impressed by the classic Michael Caine comedy caper, telling the story of a Gold Bullion raid by cockney criminals in Italy.
The original film was a huge hit in the UK, but when released in the US it fared extremely badly. The English sense of humour probably didn’t help, so it comes as no surprise the much anticipated re-make, at the cinemas now, features American actor, Mark Whalberg (Planet of the Apes) who will play the role of Charlie Crocker. Gang members include Edward Norton (Fight Club), Jason Statham (Lock, Stock and Two Smoking Barrels) and Donald Sutherland.
The research, undertaken by the UK’s second largest motor retailer, CD Bramall revealed that joint second with 18% of the vote were the Herbie films and James Bond’s timeless car chases.
CD Bramall’s marketing director, Neil Addley, said: “The results show that the British public love a car with character. Whether it’s the classic and now very trendy Mini Cooper, a favourite of Madonna’s, a quirky Volkswagen Beetle or a sophisticated Bond car, it just goes to show that we are a nation with taste. While sales don’t necessarily follow movie popularity the car is often a key component of many new movies, including Harry Potter and the new Batman movie staring British actor Christian Bale.
See our review of the original The Italian Job.
Friday, October 03, 2003
Scenario!
London Film School and the Institut francais Explore Writing For The Screen
Scenario! takes place from 6 to 12 October at the cine lumiere, Institut francais,17 Queeensberry Place, London, SW7 2DT.
Highlights include Stephen Fry talking about his new film Bright Young Things; Richard Jobson talking about his first feature 16 years without alcohol; Hanif Kureshi will discuss his screenwriting career; and, there will be previews and a TV Writing Event.
For more details visit www.lfs.org.uk/scenario.htm
London Film School and the Institut francais Explore Writing For The Screen
Scenario! takes place from 6 to 12 October at the cine lumiere, Institut francais,17 Queeensberry Place, London, SW7 2DT.
Highlights include Stephen Fry talking about his new film Bright Young Things; Richard Jobson talking about his first feature 16 years without alcohol; Hanif Kureshi will discuss his screenwriting career; and, there will be previews and a TV Writing Event.
For more details visit www.lfs.org.uk/scenario.htm
Star Cast At Marrakech Film Festival
Oliver Stone and Jeremy Irons are the star guests at the forthcoming Marrakech Film festival.
The festival, now in its third year, runs from 3 October, 2003 to Wednesday, 8 October, 2003. The event is held under the patronage of the King of Morocco, HM Mohamed V1, and a total 0f 72 films will be screened.
Jeremy Irons will lead the jury to judge the short films category, and German filmmaker Volker Schlondorff (Death of a Salesman, The Tin Drum) will head the feature-length film jury.
Oliver Stone, Sir Ridley Scott and French actor Alain Delon will be honoured at the opening night ceremony on 3 October. Oliver Stone is currently shooting Alexander in Morocco, and Ridley Scott filmed Black Hawk Down here and parts of Gladiator.
The opening night will also feature a tribute to Daniel Toscan du Plantier, who founded the Marrakech Film Festival and died earlier this year.
For details of the festival visit: www.visitmorocco.com
Oliver Stone and Jeremy Irons are the star guests at the forthcoming Marrakech Film festival.
The festival, now in its third year, runs from 3 October, 2003 to Wednesday, 8 October, 2003. The event is held under the patronage of the King of Morocco, HM Mohamed V1, and a total 0f 72 films will be screened.
Jeremy Irons will lead the jury to judge the short films category, and German filmmaker Volker Schlondorff (Death of a Salesman, The Tin Drum) will head the feature-length film jury.
Oliver Stone, Sir Ridley Scott and French actor Alain Delon will be honoured at the opening night ceremony on 3 October. Oliver Stone is currently shooting Alexander in Morocco, and Ridley Scott filmed Black Hawk Down here and parts of Gladiator.
The opening night will also feature a tribute to Daniel Toscan du Plantier, who founded the Marrakech Film Festival and died earlier this year.
For details of the festival visit: www.visitmorocco.com
ASOLOARTFILMFESTIVAL
22-28 September, 2003
Asolo – Montebelluna
GRAN PREMIO ASOLO 2003 TO MARIO MARTONE
The jury of the AsoloArtFilmFestival 2003, with the following members: Vittorio Fagone (President of the jury), Corrado Balest, Luca Massimo Barbero, Giuseppe Barbieri, Fabrizio Borin, has awarded the following prizes after viewing the 59 films in competition:
GRAND PRIZE ASOLO FOR BEST FILM IN COMPETITION to Nella Napoli di Luca Giordano by Mario Martone (Ananas, Italy, 2001).
PRIZE ASOLO FOR BEST FILM ON ART to Orba/Cian by Eduardo López López (Jaime Genovart, Argentina, 2003).
A Special Mention for the following film in the same category: Lluvia by Diego Agudo Pinilla (Emilio Lujan, Spain, 2002).
PRIZE ASOLO FOR BEST FILM ON LIVES OF ARTISTS to Martha Argerich, Evening Talks by Georges Gachot (Georges Gachot/Ideale Audence, France, 2002).
PRIZE ASOLO FOR BEST VIDEO/COMPUTER ART to Gestalt by Thorsten Fleisch (Thorsten Fleisch, Germania, 2003) ex aequo with Regard de pierre by Pierre Yves Cruaud (Pierre Yves Cruaud, France, 2002).
PRIZE ASOLO FOR BEST EXPERIMENTAL PRODUCTION (SCHOOLS) to Roll over Ehrenfeld by Olaf Geuer (Academy of Media Arts Cologne, Germany, 2002).
A Special Mention for the followings films: Aggigma by Giuliano Vece and Petra Biondina Volpe (KHM, Germany, 2002) and to Cocteau Cento by Dan Boord and Luis Valdovino (Luis Valdovino, Fine Arts Department, University of Colorado, USA, 2003).
In addition, the jury has signalled the praiseworthy activity done by the Istituto Statale d’Arte di Urbino “Scuola del Libro” – Section Animation Drawing (2002) which revealed itself to be actively involved in experimenting new audiovisual techniques.
PRIZE GIAN FRANCESCO MALIPIERO FOR BEST SOUND TRACK to Foreign Bodies by Isabelle Birebent (Isabelle Birebent, Germany, 2002).
SPECIAL PRIZE “FLAVIA PAULON”: The Presidency of the Asolo International Art Festival (A.I.A.F.) has instituted this year the Special Prize “Flavia Paulon” entitled to the founder of both the “Festival of Films on Art and the Lives of Artists” (1973) and of the “International Cartoon Festival” (1974) and has assigned it to Mario Verdone for extraordinary and incomparable merits accumulated during over half a century of activity in the fields of historical research, of critical interpretation, of promotion and diffusion of the cinematographic culture.
22-28 September, 2003
Asolo – Montebelluna
GRAN PREMIO ASOLO 2003 TO MARIO MARTONE
The jury of the AsoloArtFilmFestival 2003, with the following members: Vittorio Fagone (President of the jury), Corrado Balest, Luca Massimo Barbero, Giuseppe Barbieri, Fabrizio Borin, has awarded the following prizes after viewing the 59 films in competition:
GRAND PRIZE ASOLO FOR BEST FILM IN COMPETITION to Nella Napoli di Luca Giordano by Mario Martone (Ananas, Italy, 2001).
PRIZE ASOLO FOR BEST FILM ON ART to Orba/Cian by Eduardo López López (Jaime Genovart, Argentina, 2003).
A Special Mention for the following film in the same category: Lluvia by Diego Agudo Pinilla (Emilio Lujan, Spain, 2002).
PRIZE ASOLO FOR BEST FILM ON LIVES OF ARTISTS to Martha Argerich, Evening Talks by Georges Gachot (Georges Gachot/Ideale Audence, France, 2002).
PRIZE ASOLO FOR BEST VIDEO/COMPUTER ART to Gestalt by Thorsten Fleisch (Thorsten Fleisch, Germania, 2003) ex aequo with Regard de pierre by Pierre Yves Cruaud (Pierre Yves Cruaud, France, 2002).
PRIZE ASOLO FOR BEST EXPERIMENTAL PRODUCTION (SCHOOLS) to Roll over Ehrenfeld by Olaf Geuer (Academy of Media Arts Cologne, Germany, 2002).
A Special Mention for the followings films: Aggigma by Giuliano Vece and Petra Biondina Volpe (KHM, Germany, 2002) and to Cocteau Cento by Dan Boord and Luis Valdovino (Luis Valdovino, Fine Arts Department, University of Colorado, USA, 2003).
In addition, the jury has signalled the praiseworthy activity done by the Istituto Statale d’Arte di Urbino “Scuola del Libro” – Section Animation Drawing (2002) which revealed itself to be actively involved in experimenting new audiovisual techniques.
PRIZE GIAN FRANCESCO MALIPIERO FOR BEST SOUND TRACK to Foreign Bodies by Isabelle Birebent (Isabelle Birebent, Germany, 2002).
SPECIAL PRIZE “FLAVIA PAULON”: The Presidency of the Asolo International Art Festival (A.I.A.F.) has instituted this year the Special Prize “Flavia Paulon” entitled to the founder of both the “Festival of Films on Art and the Lives of Artists” (1973) and of the “International Cartoon Festival” (1974) and has assigned it to Mario Verdone for extraordinary and incomparable merits accumulated during over half a century of activity in the fields of historical research, of critical interpretation, of promotion and diffusion of the cinematographic culture.
Thursday, October 02, 2003
BAFTA announce the launch of a new crystal mask
BAFTA UK and BAFTA North have today announced the inauguration of a new crystal mask to be awarded annually within the BAFTA North region. This prestigious award, which is intended to recognise outstanding achievement within the moving image industry, will be bestowed upon a newcomer at one of the major Northern film festivals.
The beautifully crafted mask will be unveiled at an event sponsored by Tower Films by award winning actor and comedian Johnny Vegas, in the presence of a specially invited audience of 200 celebrities, BAFTA supporters and local dignitaries on Friday 10th October 2003, 1.30pm at The World of Glass, St Helens.
Said Michael Attwell, Chairman BAFTA, “The Academy is delighted to initiate this innovative award as a way of recognising and celebrating the excellence of so much talent within the Northern regions.”
Maureen Sinclair, Director, BAFTA North said, “It is fantastic that The Academy is supporting the wealth of talent in the North by way of endorsing this prestigious award. I am extremely excited by this development and anticipate it becoming one of the most highly coveted annual awards in the region”
Steve Marsden, Chief Executive, Tower Films added, “ As a major film finance company based in the North, we are very pleased to be supporting BAFTA North in this way and look forward to our continued association in the future.”
BAFTA UK and BAFTA North have today announced the inauguration of a new crystal mask to be awarded annually within the BAFTA North region. This prestigious award, which is intended to recognise outstanding achievement within the moving image industry, will be bestowed upon a newcomer at one of the major Northern film festivals.
The beautifully crafted mask will be unveiled at an event sponsored by Tower Films by award winning actor and comedian Johnny Vegas, in the presence of a specially invited audience of 200 celebrities, BAFTA supporters and local dignitaries on Friday 10th October 2003, 1.30pm at The World of Glass, St Helens.
Said Michael Attwell, Chairman BAFTA, “The Academy is delighted to initiate this innovative award as a way of recognising and celebrating the excellence of so much talent within the Northern regions.”
Maureen Sinclair, Director, BAFTA North said, “It is fantastic that The Academy is supporting the wealth of talent in the North by way of endorsing this prestigious award. I am extremely excited by this development and anticipate it becoming one of the most highly coveted annual awards in the region”
Steve Marsden, Chief Executive, Tower Films added, “ As a major film finance company based in the North, we are very pleased to be supporting BAFTA North in this way and look forward to our continued association in the future.”
Cliff Richard -The World Tour
There's a whole lot of shakin' goin' on this October when Cliff Richard - The World Tour comes to video courtesy of VCI. Available from 13 October, Cliff Richard's World Tour concert, complete with fly-on-the-wall documentary, is available exclusive to video and is the ultimate authorised souvenir for every Cliff fan.
Packed with previously unseen material and exclusive behind-the-scenes footage, Cliff Richard - The World Tour brings you closer than ever before to the legend himself. Accompany Cliff as he talks you through the highs and lows of being on the road whilst taking you backstage to see all the preparation that goes into making his concerts.
As this special DVD / VHS shows, the world's most eligible 'Bachelor Boy' really enjoys the touring lifestyle, the hotels and the performing. From Belfast to Bangkok, Stavanger to Sydney, Cliff is followed by adoring fans wherever he goes. Prepare to be amazed at the lengths some people will go to just to see Cliff in person!
More than just a documentary, Cliff Richard - The World Tour presents real insight into the star's success. Hear how Cliff deals with the nerves at live concerts, how his performance is powered by the fan's enthusiasm and why he recently took a year off….
Followed by a spectacular, two-hour outdoor concert performance in Napier, New Zealand - It is a fantastic celebration of his greatest hits and his interpretation of all time classics. The concert is an event not to be missed featuring well-loved classics including Devil Woman, We Don't Talk Any More and The Young Ones. Watch Cliff give his all in the last performance of his tour with rock and pop classics from the golden age of music like All Shook Up and What a Wonderful World.
Cliff Richard - The World Tour is available from 13 October 2003 from VCI
VHS RRP: £14.99 Cat No: VC7010
DVD RRP: £19.99 Cat No: VCD0288
Certificate: Exempt
Length: approx. 190 minutes
There's a whole lot of shakin' goin' on this October when Cliff Richard - The World Tour comes to video courtesy of VCI. Available from 13 October, Cliff Richard's World Tour concert, complete with fly-on-the-wall documentary, is available exclusive to video and is the ultimate authorised souvenir for every Cliff fan.
Packed with previously unseen material and exclusive behind-the-scenes footage, Cliff Richard - The World Tour brings you closer than ever before to the legend himself. Accompany Cliff as he talks you through the highs and lows of being on the road whilst taking you backstage to see all the preparation that goes into making his concerts.
As this special DVD / VHS shows, the world's most eligible 'Bachelor Boy' really enjoys the touring lifestyle, the hotels and the performing. From Belfast to Bangkok, Stavanger to Sydney, Cliff is followed by adoring fans wherever he goes. Prepare to be amazed at the lengths some people will go to just to see Cliff in person!
More than just a documentary, Cliff Richard - The World Tour presents real insight into the star's success. Hear how Cliff deals with the nerves at live concerts, how his performance is powered by the fan's enthusiasm and why he recently took a year off….
Followed by a spectacular, two-hour outdoor concert performance in Napier, New Zealand - It is a fantastic celebration of his greatest hits and his interpretation of all time classics. The concert is an event not to be missed featuring well-loved classics including Devil Woman, We Don't Talk Any More and The Young Ones. Watch Cliff give his all in the last performance of his tour with rock and pop classics from the golden age of music like All Shook Up and What a Wonderful World.
Cliff Richard - The World Tour is available from 13 October 2003 from VCI
VHS RRP: £14.99 Cat No: VC7010
DVD RRP: £19.99 Cat No: VCD0288
Certificate: Exempt
Length: approx. 190 minutes
Wednesday, October 01, 2003
FILM FANS WARNED 'DON'T FLUSH THE FISH' WITH UK LAUNCH OF FINDING NEMO
After hundreds of children 'liberated' their pet fish down the toilet, following the launch of Finding Nemo in the United States, two environmental organisations are keen to avert a similar catastrophe when the animated blockbuster opens in the UK on 3 October 2003.
"Finding Nemo is a very engaging film, and parents who already have aquariums need to explain to their children that the fish will not survive if they are flushed," says Paul Holthus, president of the Marine Aquarium Council (MAC), a non-profit marine conservation group based in Hawaii. "We also urge parents whose children are inspired by the film to start a saltwater tank, to think carefully before buying tropical marine fish for their children."
To coincide with the premier, the United Nations Environment Programme World Conservation Monitoring Centre, (UNEP-WCMC) in Cambridge, is launching a groundbreaking report, From Ocean to Aquarium: The Global Trade In Marine Ornamentals, which for the first time uses industry data to highlight the most threatened tropical species and makes suggestions and recommendations on their future protection.
Data for the new report has largely come from the Global Marine Aquarium Database, a joint collaborative effort between UNEP-WCMC, the Marine Aquarium Council (MAC) and members of various aquarium trade associations.
Copies of the report are available from the UNEP web site at:
www.unep.org
or at:
http://www.unep-wcmc.org/resources/publications/UNEP_WCMC_bio_series/17.htm
From Ocean to Aquarium is accessible online at www.unep-wcmc.org/marine/GMAD/.
A review of Finding Nemo and more details about the Don't Flush... campaign go to Talking Pictures.
After hundreds of children 'liberated' their pet fish down the toilet, following the launch of Finding Nemo in the United States, two environmental organisations are keen to avert a similar catastrophe when the animated blockbuster opens in the UK on 3 October 2003.
"Finding Nemo is a very engaging film, and parents who already have aquariums need to explain to their children that the fish will not survive if they are flushed," says Paul Holthus, president of the Marine Aquarium Council (MAC), a non-profit marine conservation group based in Hawaii. "We also urge parents whose children are inspired by the film to start a saltwater tank, to think carefully before buying tropical marine fish for their children."
To coincide with the premier, the United Nations Environment Programme World Conservation Monitoring Centre, (UNEP-WCMC) in Cambridge, is launching a groundbreaking report, From Ocean to Aquarium: The Global Trade In Marine Ornamentals, which for the first time uses industry data to highlight the most threatened tropical species and makes suggestions and recommendations on their future protection.
Data for the new report has largely come from the Global Marine Aquarium Database, a joint collaborative effort between UNEP-WCMC, the Marine Aquarium Council (MAC) and members of various aquarium trade associations.
Copies of the report are available from the UNEP web site at:
www.unep.org
or at:
http://www.unep-wcmc.org/resources/publications/UNEP_WCMC_bio_series/17.htm
From Ocean to Aquarium is accessible online at www.unep-wcmc.org/marine/GMAD/.
A review of Finding Nemo and more details about the Don't Flush... campaign go to Talking Pictures.
Golden Horse Film Festival
Taiwan's answer to the Oscars, the 40th Golden Horse Film Festival is running from November to December 2003. Previous winners have included Ang Lee, director of this year's Hulk, who was born in Taiwan in 1954.
The event is great for film fans and it also offers the opportunity to enjoy the natural wonders of Taiwan.
For full details visit:
www.taiwan.net.tw
Taiwan's answer to the Oscars, the 40th Golden Horse Film Festival is running from November to December 2003. Previous winners have included Ang Lee, director of this year's Hulk, who was born in Taiwan in 1954.
The event is great for film fans and it also offers the opportunity to enjoy the natural wonders of Taiwan.
For full details visit:
www.taiwan.net.tw
Tuesday, September 30, 2003
‘CITY OF GOD’ DIRECTOR SUPPORTS ACTION FOR BRAZIL’S CHILDREN
Leading Brazilian director Fernando Meirelles has agreed to support Action for Brazil’s Children Trust (ABC Trust) by attending a special Charity screening of his movie at the Everyman in Hampstead, London on October 8th, 2003.
Following a reception and screening of the film, Meirelles will attend a Question & Answer session, chaired by journalist Ian Hayden-Smith. The Charity’s founder Trustee Jimena Page and CEO Mark Ereira will also answer queries relating to ABC Trust’s work.
Meirelles graduated in architecture before working on TV and then
advertising films. His 02 Filmes studio has become the largest in Brazil and he has won many prizes for his work in commercials. Meirelles directed his first feature film in 1997 and released ‘City of God’ in 2002. Based on Paulo Lins’ best selling novel ‘Cidade de Deus’ the film is shocking, thrilling and often uncomfortably funny. Set in the world’s most notorious slum, it is undeniably one of the most vital and entertaining films of the last decade. The story is based on true characters and charts the story of a young boy, whose ambition is to become a photographer and escape the world
of drug dealing and crime, which has become everyday life for millions of children living on the streets of Brazil.
Meirelles’ experiences working with street children in Rio, many of whom feature in the film, led him to set up a Charity film project, Nos Do Cinema, which is now supported by ABC Trust. Commenting on this, Meirelles said: "I am very excited at the prospect of ABC Trust supporting 'Nos do Cinema'. I have been producing a TV series with the same group of kids who
figured in 'City of Gods' and have had more outstanding results. This is so much more than Charity, this is an investment in new talent and the future! We have kids who will grow into excellent actors, directors and technicians and that is what I'm interested in: quality." Mark Ereira, who will introduce Meirelles on the 8th, said: ‘We’re delighted that Fernando has agreed to help us. ‘City of God’ itself and the local film project he has subsequently set up amply demonstrate his genuine and ongoing commitment.
The philosophy behind Nos do Cinema is in total keeping with our remit, to empower kids off the street and into a meaningful future.”
Meirelles will also attend an MVC/Warner Village screening of ‘City of God’ in Birmingham on Oct 9th to mark the DVD launch. MVC have also organised an in store signing in Chiswick on Oct 10th. These events will also support ABC Trust’s work.
For details of these screenings visit the ABC Trust website.
Leading Brazilian director Fernando Meirelles has agreed to support Action for Brazil’s Children Trust (ABC Trust) by attending a special Charity screening of his movie at the Everyman in Hampstead, London on October 8th, 2003.
Following a reception and screening of the film, Meirelles will attend a Question & Answer session, chaired by journalist Ian Hayden-Smith. The Charity’s founder Trustee Jimena Page and CEO Mark Ereira will also answer queries relating to ABC Trust’s work.
Meirelles graduated in architecture before working on TV and then
advertising films. His 02 Filmes studio has become the largest in Brazil and he has won many prizes for his work in commercials. Meirelles directed his first feature film in 1997 and released ‘City of God’ in 2002. Based on Paulo Lins’ best selling novel ‘Cidade de Deus’ the film is shocking, thrilling and often uncomfortably funny. Set in the world’s most notorious slum, it is undeniably one of the most vital and entertaining films of the last decade. The story is based on true characters and charts the story of a young boy, whose ambition is to become a photographer and escape the world
of drug dealing and crime, which has become everyday life for millions of children living on the streets of Brazil.
Meirelles’ experiences working with street children in Rio, many of whom feature in the film, led him to set up a Charity film project, Nos Do Cinema, which is now supported by ABC Trust. Commenting on this, Meirelles said: "I am very excited at the prospect of ABC Trust supporting 'Nos do Cinema'. I have been producing a TV series with the same group of kids who
figured in 'City of Gods' and have had more outstanding results. This is so much more than Charity, this is an investment in new talent and the future! We have kids who will grow into excellent actors, directors and technicians and that is what I'm interested in: quality." Mark Ereira, who will introduce Meirelles on the 8th, said: ‘We’re delighted that Fernando has agreed to help us. ‘City of God’ itself and the local film project he has subsequently set up amply demonstrate his genuine and ongoing commitment.
The philosophy behind Nos do Cinema is in total keeping with our remit, to empower kids off the street and into a meaningful future.”
Meirelles will also attend an MVC/Warner Village screening of ‘City of God’ in Birmingham on Oct 9th to mark the DVD launch. MVC have also organised an in store signing in Chiswick on Oct 10th. These events will also support ABC Trust’s work.
For details of these screenings visit the ABC Trust website.
Friday, September 26, 2003
17th Leeds International Film Festival
There will be over 200 screenings and events from 2 to 12 October at the Leeds International Film Festival. The Opening Gala features Bright Young Things and on the last day there's a Film Music Gala at Leeds Town Hall. Full details can be found at: www.leedsfilm.com
If you would like to report on this event for Talking Pictures we can supply a press pass. Preference will be given for people who have already written for our website. We cannot pay for travel, accommodation or other expenses but this is a great opportunity to join-in one of the best film festivals in the UK, network with filmmakers, and we'll put your reviews and reports on Talking Pictures. Email me as soon as possible if you would like to attend: valis23a@aol.com
There will be over 200 screenings and events from 2 to 12 October at the Leeds International Film Festival. The Opening Gala features Bright Young Things and on the last day there's a Film Music Gala at Leeds Town Hall. Full details can be found at: www.leedsfilm.com
If you would like to report on this event for Talking Pictures we can supply a press pass. Preference will be given for people who have already written for our website. We cannot pay for travel, accommodation or other expenses but this is a great opportunity to join-in one of the best film festivals in the UK, network with filmmakers, and we'll put your reviews and reports on Talking Pictures. Email me as soon as possible if you would like to attend: valis23a@aol.com
Tuesday, September 23, 2003
MOVIES GET FIRST UK SHOWINGS IN SUPPORT OF INTERNATIONAL ARMS CAMPAIGN
SPUN and SHOTTAS have their first UK showings in October as part of DJ Saved MY Life – a series of nights from AMNESTY INTERNATIONAL and the ICA to highlight their International Arms Campaign.
The impressive movie programme includes an exclusive preview screening of the speed-freak story SPUN, the first feature film from video wunderkind JONAS AKERLUND whose controversial contributions to the art form have included The Prodigy’s “Smack My Bitch Up”, Madonna’s “Ray of Light”/ “American Life” and Robbie Williams’ “Come Undone”.
Also featured is a re-mastered version of FRITZ LANG’s ground-breaking METROPOLIS, LARS VON TRIER’s DANCER IN THE DARK, the Jamaican guns and gangster film SHOTTAS (starring Wyclef Jean, Ky Mani Marley, and Lennox Lewis) and – from Brazil - CIDADE DE DEUS (CITY OF GOD) (same subject, different nation). It’s backed by NOTICIAS DE UNA GUERRA PARTICULAR (NEWS OF A PRIVATE WAR) a documentary that tells the real story of the ghetto-dwellers that inspired CITY OF GOD, co-directed by the film’s director Katia Lund.
The movies play a part in a series of nights at the ICA, that have been curated by JO WHILEY, ZANE LOWE, THE DREEM TEEM, TONY WILSON and VERITY SHARP & FIONA TALKINGTON: all under the umbrella of DJ SAVED MY LIFE.
In addition to this line-up of movies, DJ SAVED MY LIFE also features talks, discussions and major musical acts including THE THRILLS, HUNDRED REASONS, BILLY BRAGG, THE MUSIC and BIG BROVAZ.
DJ SAVED MY LIFE has been conceived to raise funds and awareness for THE INTERNATIONAL ARMS CONTROLS campaign.
AMNESTY is always finding new ways to communicate fundamental human rights messages. Entertainers have played a key, and very active role in promoting AMNESTY causes over the years. DJ SAVED MY LIFE marks a continuation of a great tradition.
Those who were at the first Secret Policeman’s Ball are now a privileged elite: DJ SAVED MY LIFE is a historic event that will open up a new front for AMNESTY as it recruits the next generation of newly-radicalised support.
www.amnesty.org.uk/dj
SPUN and SHOTTAS have their first UK showings in October as part of DJ Saved MY Life – a series of nights from AMNESTY INTERNATIONAL and the ICA to highlight their International Arms Campaign.
The impressive movie programme includes an exclusive preview screening of the speed-freak story SPUN, the first feature film from video wunderkind JONAS AKERLUND whose controversial contributions to the art form have included The Prodigy’s “Smack My Bitch Up”, Madonna’s “Ray of Light”/ “American Life” and Robbie Williams’ “Come Undone”.
Also featured is a re-mastered version of FRITZ LANG’s ground-breaking METROPOLIS, LARS VON TRIER’s DANCER IN THE DARK, the Jamaican guns and gangster film SHOTTAS (starring Wyclef Jean, Ky Mani Marley, and Lennox Lewis) and – from Brazil - CIDADE DE DEUS (CITY OF GOD) (same subject, different nation). It’s backed by NOTICIAS DE UNA GUERRA PARTICULAR (NEWS OF A PRIVATE WAR) a documentary that tells the real story of the ghetto-dwellers that inspired CITY OF GOD, co-directed by the film’s director Katia Lund.
The movies play a part in a series of nights at the ICA, that have been curated by JO WHILEY, ZANE LOWE, THE DREEM TEEM, TONY WILSON and VERITY SHARP & FIONA TALKINGTON: all under the umbrella of DJ SAVED MY LIFE.
In addition to this line-up of movies, DJ SAVED MY LIFE also features talks, discussions and major musical acts including THE THRILLS, HUNDRED REASONS, BILLY BRAGG, THE MUSIC and BIG BROVAZ.
DJ SAVED MY LIFE has been conceived to raise funds and awareness for THE INTERNATIONAL ARMS CONTROLS campaign.
AMNESTY is always finding new ways to communicate fundamental human rights messages. Entertainers have played a key, and very active role in promoting AMNESTY causes over the years. DJ SAVED MY LIFE marks a continuation of a great tradition.
Those who were at the first Secret Policeman’s Ball are now a privileged elite: DJ SAVED MY LIFE is a historic event that will open up a new front for AMNESTY as it recruits the next generation of newly-radicalised support.
www.amnesty.org.uk/dj
Christmas season set to become a DVD Blockbuster
With DVD technology becoming increasingly widespread across Europe (26.4% of Western European households own at least one DVD player, and a growing catalogue of movies and music videos to choose from, more and more families are getting hooked on DVD. This Christmas DVDs are expected to top the whole family’s wish list and Santa’s sack will be bursting with blockbuster titles and a growing variety of reasonably priced DVD players.
As the industry trade association in Europe, the DVD Entertainment Group Europe has compiled the top titles for festive gifts in 2003. By the end of the year more than 1 in 3 Western European homes (38.5%) are expected to have at least one DVD player, up from a fifth of households (20.4%) that did so last year. Christmas is a key point in the sales calendar as, typically, more than a third of DVD titles are sold in the last 12 weeks of the year. As such many families will be gathering round the DVD player this Christmas to watch their children’s favourites as well as the best-loved timeless classics.
With DVD technology becoming increasingly widespread across Europe (26.4% of Western European households own at least one DVD player, and a growing catalogue of movies and music videos to choose from, more and more families are getting hooked on DVD. This Christmas DVDs are expected to top the whole family’s wish list and Santa’s sack will be bursting with blockbuster titles and a growing variety of reasonably priced DVD players.
As the industry trade association in Europe, the DVD Entertainment Group Europe has compiled the top titles for festive gifts in 2003. By the end of the year more than 1 in 3 Western European homes (38.5%) are expected to have at least one DVD player, up from a fifth of households (20.4%) that did so last year. Christmas is a key point in the sales calendar as, typically, more than a third of DVD titles are sold in the last 12 weeks of the year. As such many families will be gathering round the DVD player this Christmas to watch their children’s favourites as well as the best-loved timeless classics.
Underworld is Game
Major movie licence deal announcement
Interactive entertainment industry pioneer Play It announced today the unveiling of an amazing movie licence deal that is sure to take a significant bite out of the interactive entertainment industry's Sony PlayStation®2 market. Due to hit cinemas across the UK on September 19th 2003, 'Underworld'', starring Kate Beckinsale and Scott Speedman, is a dark, sophisticated action movie of blood battles between the mysterious and powerful forces of warrior vampires and werewolves. The PlayStation2 game is due to hit UK stores in the weeks surrounding the movie launch.
Mark Cale, president of Play It said: "With strong action sequences, a thrilling storyline and charismatic characters, 'Underworld'' the game, is destined to cause a bloodbath at retail as consumers fight to be the first to play. We are delighted with this prestigious licence acquisition."
Game features:
'Underworld' the game - to be released by Play It (www.justplayit.com) is a 3rd person action shooter set in a 3D rendered environment featuring: Hand to hand combat, ranged weapons, Vampire abilities and Werewolf powers to master, action packed missions and fighting above and below the gothic cityscape.
Movie release 19th September 2003 www.entertheunderworld.com
Major movie licence deal announcement
Interactive entertainment industry pioneer Play It announced today the unveiling of an amazing movie licence deal that is sure to take a significant bite out of the interactive entertainment industry's Sony PlayStation®2 market. Due to hit cinemas across the UK on September 19th 2003, 'Underworld'', starring Kate Beckinsale and Scott Speedman, is a dark, sophisticated action movie of blood battles between the mysterious and powerful forces of warrior vampires and werewolves. The PlayStation2 game is due to hit UK stores in the weeks surrounding the movie launch.
Mark Cale, president of Play It said: "With strong action sequences, a thrilling storyline and charismatic characters, 'Underworld'' the game, is destined to cause a bloodbath at retail as consumers fight to be the first to play. We are delighted with this prestigious licence acquisition."
Game features:
'Underworld' the game - to be released by Play It (www.justplayit.com) is a 3rd person action shooter set in a 3D rendered environment featuring: Hand to hand combat, ranged weapons, Vampire abilities and Werewolf powers to master, action packed missions and fighting above and below the gothic cityscape.
Movie release 19th September 2003 www.entertheunderworld.com
Thursday, September 18, 2003
The Times bfi London Film Festival
22 October to 6 November 2003
"The only important showcase for International Cinema in Britain" Barry Norman
"The most anticipated fortnight in the London filmgoers' year" Neil Norman, Evening Standard
"It's the Joan Bakewell of cinema, the thinking fan's crumpet." James Christopher, The Times
In 2002, the Festival attracted 110,000 public admissions, together with 600 film industry delegates and 580 national and international press and media. Now entering its 47th year, The Times bfi London Film Festival promises to surpass the record-breaking success and acclaim enjoyed in previous years. With more than 300 films from over 45 countries, the Festival presents the very best of new film from the entire spectrum of world cinema.
In addition to an impressive roster of film premieres, many of which are introduced by the film's director, producer or stars, the extensive schedule of Festival activities include prestigious Opening and Closing Night Galas, industry and public forums, education events, lectures and celebrity interviews.
For online information go to:
http://www.lff.org.uk
22 October to 6 November 2003
"The only important showcase for International Cinema in Britain" Barry Norman
"The most anticipated fortnight in the London filmgoers' year" Neil Norman, Evening Standard
"It's the Joan Bakewell of cinema, the thinking fan's crumpet." James Christopher, The Times
In 2002, the Festival attracted 110,000 public admissions, together with 600 film industry delegates and 580 national and international press and media. Now entering its 47th year, The Times bfi London Film Festival promises to surpass the record-breaking success and acclaim enjoyed in previous years. With more than 300 films from over 45 countries, the Festival presents the very best of new film from the entire spectrum of world cinema.
In addition to an impressive roster of film premieres, many of which are introduced by the film's director, producer or stars, the extensive schedule of Festival activities include prestigious Opening and Closing Night Galas, industry and public forums, education events, lectures and celebrity interviews.
For online information go to:
http://www.lff.org.uk
Script Released
Prelude2Cinema is releasing the original script "The Darkest Night in Heaven" by Emmy winning writer Alex P. Michaels. The story is about a detective who places his sanity and his teenage daughter's life in jeopardy when he baby-sits a wealthy business man's whorish teenage daughter.
To pick up a copy, go to
http://www.cafeshops.com/prelude2cinema.7619351
The opening scene from the book can be read at
http://www.prelude2cinema.com/Alex_Michaels_Home_Site/APM-Scripts-Sides/DNiH-scenes.htm
Prelude2Cinema is releasing the original script "The Darkest Night in Heaven" by Emmy winning writer Alex P. Michaels. The story is about a detective who places his sanity and his teenage daughter's life in jeopardy when he baby-sits a wealthy business man's whorish teenage daughter.
To pick up a copy, go to
http://www.cafeshops.com/prelude2cinema.7619351
The opening scene from the book can be read at
http://www.prelude2cinema.com/Alex_Michaels_Home_Site/APM-Scripts-Sides/DNiH-scenes.htm
Tuesday, September 16, 2003
£6 MILLION BOOST FOR FILM AND TV MAKERS IN CAPITAL OF CULTURE
Britain’s new ‘Capital of Culture 2008’ is celebrating again after securing six million pounds to develop and strengthen the vibrant and thriving Film, TV and Media Industry in Merseyside.
Liverpool, the Hollywood of the North, has been given the massive cash injection from the Merseyside Objective One programme. North West Vision, the TV, Film and Moving image agency for England’s Northwest successfully bid for the money and will use it to develop and encourage new talent and build strong businesses in Merseyside.
Liverpool is already recognised as the most film friendly city in the UK and is currently doubling up as New York for the remake of the film ‘Alfie’ starring Jude Law. The money will ensure that the local industry is developed to reinforce and build on the already strong reputation.
North West Vision will create two hundred and seventeen jobs as a result of investing in local companies and innovative TV programmes and films. The funding will also be used to encourage strong partnerships and co-production whilst working with local industry broadcasters, new and existing companies and new talent.
Steve Morrison, Chair of North West Vision, Former Chief Executive of Granada PLC, and new owner of Chrysalis TV, said:
“TV and Film industries are built on creativity but they need the money to grow. North West Vision the studio for new talent, has now got a fantastic opportunity to invest in ground breaking new projects and provide opportunities for local people”.
The main aims of the Merseyside Film and TV programme are:
To invest in the production of major local and co-produced TV, feature films, drama, entertainment and documentary in Merseyside to grow a sustainable Film and TV industry and create jobs.
To work with the Liverpool Film Office, to develop the crew, facilities and filming infrastructure in Merseyside.
To assist local companies in the script and development stage.
To attract production companies into Merseyside to work with indigenous production companies and to use the crew and facilities of the region and realise the additional spend in the local economy.
To develop the talent through short film, and regional TV programming.
To use the return on funds to reinvest in, and continue, the project in the same way.
Sue Woodward, Creative Director of Capital of Culture, said:
"This is a valuable boost to the film industry on Merseyside and will help encourage and develop the creative talent that already exists here. We now have a real chance to strengthen what we have at the moment and help grow the film and television sector, creating jobs and putting the city firmly on the movie making map."
Funding for the initiative is also being invested by the UK Film Council (£497,000), Liverpool City Council (£290,000), Granada TV (£270,000), North West Vision (£63,000) and the private Sector (£2,550,000).
Britain’s new ‘Capital of Culture 2008’ is celebrating again after securing six million pounds to develop and strengthen the vibrant and thriving Film, TV and Media Industry in Merseyside.
Liverpool, the Hollywood of the North, has been given the massive cash injection from the Merseyside Objective One programme. North West Vision, the TV, Film and Moving image agency for England’s Northwest successfully bid for the money and will use it to develop and encourage new talent and build strong businesses in Merseyside.
Liverpool is already recognised as the most film friendly city in the UK and is currently doubling up as New York for the remake of the film ‘Alfie’ starring Jude Law. The money will ensure that the local industry is developed to reinforce and build on the already strong reputation.
North West Vision will create two hundred and seventeen jobs as a result of investing in local companies and innovative TV programmes and films. The funding will also be used to encourage strong partnerships and co-production whilst working with local industry broadcasters, new and existing companies and new talent.
Steve Morrison, Chair of North West Vision, Former Chief Executive of Granada PLC, and new owner of Chrysalis TV, said:
“TV and Film industries are built on creativity but they need the money to grow. North West Vision the studio for new talent, has now got a fantastic opportunity to invest in ground breaking new projects and provide opportunities for local people”.
The main aims of the Merseyside Film and TV programme are:
To invest in the production of major local and co-produced TV, feature films, drama, entertainment and documentary in Merseyside to grow a sustainable Film and TV industry and create jobs.
To work with the Liverpool Film Office, to develop the crew, facilities and filming infrastructure in Merseyside.
To assist local companies in the script and development stage.
To attract production companies into Merseyside to work with indigenous production companies and to use the crew and facilities of the region and realise the additional spend in the local economy.
To develop the talent through short film, and regional TV programming.
To use the return on funds to reinvest in, and continue, the project in the same way.
Sue Woodward, Creative Director of Capital of Culture, said:
"This is a valuable boost to the film industry on Merseyside and will help encourage and develop the creative talent that already exists here. We now have a real chance to strengthen what we have at the moment and help grow the film and television sector, creating jobs and putting the city firmly on the movie making map."
Funding for the initiative is also being invested by the UK Film Council (£497,000), Liverpool City Council (£290,000), Granada TV (£270,000), North West Vision (£63,000) and the private Sector (£2,550,000).
Monday, September 15, 2003
Shooting People In New York
Shooting People is for the independent filmmaking community and is coming to New York this September. New York filmmakers can sign up now (free) at:
http://ny.shootingpeople.org
Shooting People has been running in Britain for 5 years and been a massive word-of-mouth success with over 26,000 members and over 250 new members joining each and every week. They join to connect with other filmmakers, crew up, debate latest innovations, swap stuff, offer tips, form creative partnerships - all collated and sent out in a daily email.
Set up by and for filmmakers, Shooting People is for directors, producers, actors, writers, cinematographers, DV operators, animators, documentary makers, crew, editors, composers, festival organisers etc. Essentially it is for anyone who is working in independent filmmaking in New York.
Shooting People will also connect its communities in New York and Britain, allowing the members of each to read and post to the other’s email bulletins in order to open up links, co-productions, advice and other collaboration between filmmakers on both sides of the Atlantic.
Shooting People is for the independent filmmaking community and is coming to New York this September. New York filmmakers can sign up now (free) at:
http://ny.shootingpeople.org
Shooting People has been running in Britain for 5 years and been a massive word-of-mouth success with over 26,000 members and over 250 new members joining each and every week. They join to connect with other filmmakers, crew up, debate latest innovations, swap stuff, offer tips, form creative partnerships - all collated and sent out in a daily email.
Set up by and for filmmakers, Shooting People is for directors, producers, actors, writers, cinematographers, DV operators, animators, documentary makers, crew, editors, composers, festival organisers etc. Essentially it is for anyone who is working in independent filmmaking in New York.
Shooting People will also connect its communities in New York and Britain, allowing the members of each to read and post to the other’s email bulletins in order to open up links, co-productions, advice and other collaboration between filmmakers on both sides of the Atlantic.
SLIDE SHOW HOUSE
See where the first public film show was put on by the Lumière brothers, when the University opens its doors for London Open House on Sunday 21 September, 2003.
The film show took place on 20 February 1896 at Regent Street Polytechnic, now part of the university. Brothers Auguste and Louis Lumiere demonstrated their cinematograph, the first successful machine that could show moving photographs to an audience, which they had invented the previous year.
You will also be able to see the site of one of England's earliest public swimming baths - now an impressive social space called the Deep End, with original ironwork and tiling - as well as one of London's oldest revolving doors.
Tours of the building, which take about 50 minutes, are held at 2pm and 3.30pm. There is also an exhibition and a slide show.
This event is part of London Open House weekend on 20 and 21 September, which provides free public access to hundreds of buildings of architectural and community interest in London. See www.londonopenhouse.org.
To book a place, please contact Hilary Robinson on 020 7911 5101 (mornings only, or leave a message), email: MDAdmin@wmin.ac.uk.
If you go Talking Pictures would welcome a report on your visit, email us at valis23a@aol.com.
See where the first public film show was put on by the Lumière brothers, when the University opens its doors for London Open House on Sunday 21 September, 2003.
The film show took place on 20 February 1896 at Regent Street Polytechnic, now part of the university. Brothers Auguste and Louis Lumiere demonstrated their cinematograph, the first successful machine that could show moving photographs to an audience, which they had invented the previous year.
You will also be able to see the site of one of England's earliest public swimming baths - now an impressive social space called the Deep End, with original ironwork and tiling - as well as one of London's oldest revolving doors.
Tours of the building, which take about 50 minutes, are held at 2pm and 3.30pm. There is also an exhibition and a slide show.
This event is part of London Open House weekend on 20 and 21 September, which provides free public access to hundreds of buildings of architectural and community interest in London. See www.londonopenhouse.org.
To book a place, please contact Hilary Robinson on 020 7911 5101 (mornings only, or leave a message), email: MDAdmin@wmin.ac.uk.
If you go Talking Pictures would welcome a report on your visit, email us at valis23a@aol.com.
Monday, September 08, 2003
North West Goes Hollywood For Alfie
British heartthrob Jude Law is currently in the Northwest filming a remake of Alfie, the hit film that originally starred Michael Caine.
The team of dedicated staff at the Manchester and Liverpool Film Offices have been working extremely hard to find the Hollywood Film makers first class filming locations in the North West that could double up as New York and they have succeeded!
Fantastic teams of set designers have now transformed the back streets of Manchester and Liverpool to resemble present day New York.
Filming on the Manchester set, which is located in the Northern Quarter, starts tomorrow and the designers are running around putting the last minute touches to the set.
Alice Morrsion, Chief Executive for North West Vision, the Regional Screen Agency that runs the Film Offices, said:
“This is a great boost for the North West. The filming will not only increase the profile of the region but it will also create jobs for local people and investment in the local economy. I am proud of the extremely professional way that the Manchester and Liverpool Film Offices have worked with the local City Councils and the Film Company to co-ordinate the filming”.
The Hollywood production team are estimated to spend over £1.5million in the region during their six days of filming here, with the majority of money being spent on accommodation, transport and food.
British heartthrob Jude Law is currently in the Northwest filming a remake of Alfie, the hit film that originally starred Michael Caine.
The team of dedicated staff at the Manchester and Liverpool Film Offices have been working extremely hard to find the Hollywood Film makers first class filming locations in the North West that could double up as New York and they have succeeded!
Fantastic teams of set designers have now transformed the back streets of Manchester and Liverpool to resemble present day New York.
Filming on the Manchester set, which is located in the Northern Quarter, starts tomorrow and the designers are running around putting the last minute touches to the set.
Alice Morrsion, Chief Executive for North West Vision, the Regional Screen Agency that runs the Film Offices, said:
“This is a great boost for the North West. The filming will not only increase the profile of the region but it will also create jobs for local people and investment in the local economy. I am proud of the extremely professional way that the Manchester and Liverpool Film Offices have worked with the local City Councils and the Film Company to co-ordinate the filming”.
The Hollywood production team are estimated to spend over £1.5million in the region during their six days of filming here, with the majority of money being spent on accommodation, transport and food.
Tuesday, August 26, 2003
Afterlife Goes From Edinburgh to L.A. via London
The New Found Film, Afterlife, a Gabriel Films productions supported by Scottish TV, Grampian TV and Scottish Screen received news today that it will appear at the prestigious American Film Institute International Film Festival in November.
Afterlife, which collected three awards over the last weekend, the EIFF Audience Award and two Herald Angel Awards, will also appear at the London Film Festival on Friday 31 October at the Odeon in Leicester Square.
Commenting on the film's continuing success, Sandy Ross Managing Director of Scottish TV said:
"We are delighted at the response and the attention it received at the Edinburgh International Film Festival and from that the buzz the film has created. It is a tribute to the quality of the film and the film-makers who produced it."
The New Found Film, Afterlife, a Gabriel Films productions supported by Scottish TV, Grampian TV and Scottish Screen received news today that it will appear at the prestigious American Film Institute International Film Festival in November.
Afterlife, which collected three awards over the last weekend, the EIFF Audience Award and two Herald Angel Awards, will also appear at the London Film Festival on Friday 31 October at the Odeon in Leicester Square.
Commenting on the film's continuing success, Sandy Ross Managing Director of Scottish TV said:
"We are delighted at the response and the attention it received at the Edinburgh International Film Festival and from that the buzz the film has created. It is a tribute to the quality of the film and the film-makers who produced it."
Double delight for Scottish TV at Edinburgh International Film Festival 2003
Scottish TV has double cause for celebration today as two of it's talent schemes, 'New Found Films and This Scotland', for film and documentary makers, picked up top awards at this year's Edinburgh International Film Festival.
In the first instance, The Audience Award, given to the film which has had the most impact and gained the biggest number of votes from the public, went to Afterlife the New Found Film, from first time feature director Alison Peebles. Afterlife tells the heart-warming and moving story of a young journalist on the brink of a career breakthrough who is forced to re-assess his values in the light of a family crisis. The film, funded by, Scottish
TV, Grampian TV and Scottish Screen introduced to the screen young Down's Syndrome actress Paula Sage, acting alongside the established talent of Kevin McKidd and Shirley Henderson. Sir Sean Connery attended a screening of the film and was visibly moved by the story and the remarkable performances from the cast. Kevin and Paula each received the additional honour of being presented with a Herald Angel for their performances.
Secondly, She Toon the Bingo City, a 'This Scotland' documentary, has won the prestigious Grierson Prize for Documentary at the Edinburgh International Film Festival.
She Toon - the Bingo City looks at Dundee, considered the bingo capital of Scotland and the women play the game. Women in Dundee were traditionally regarded as the breadwinners due to the economic situation there and this brilliant short documentary reflects the part women have played in Dundee's development.
Directed by talented young director Craig Collinson for Nobles Gate the documentary triumphed over a strong field of contenders to win the coveted prize.
Executive producer for Scottish TV & Grampian TV, Henry Eagles commented.
"This is marvellous news for both the broadcasters and Scottish Screen. My fellow Executive producer from Scottish Screen, Becky Lloyd and I were most impressed with the quality of this film and we are delighted that its originality has been recognised by the Grierson jury. It proves that fine documentary making is alive and thriving in Scotland, the country of its originator John Grierson. We are absolutely delighted."
She Toon- The Bingo City, will be transmitted as part of the This Scotland documentary strand, on Scottish TV and Grampian TV in the autumn.
Sandy Ross Managing Director of Scottish TV said:
"Naturally we are delighted that both productions teams behind these ventures have seen their efforts rewarded. These awards are a vindication of the depth and breadth of production talent that resides here in Scotland, and given the right opportunity, which these schemes present, can flourish and produce world-class films and documentaries."
Scottish TV has double cause for celebration today as two of it's talent schemes, 'New Found Films and This Scotland', for film and documentary makers, picked up top awards at this year's Edinburgh International Film Festival.
In the first instance, The Audience Award, given to the film which has had the most impact and gained the biggest number of votes from the public, went to Afterlife the New Found Film, from first time feature director Alison Peebles. Afterlife tells the heart-warming and moving story of a young journalist on the brink of a career breakthrough who is forced to re-assess his values in the light of a family crisis. The film, funded by, Scottish
TV, Grampian TV and Scottish Screen introduced to the screen young Down's Syndrome actress Paula Sage, acting alongside the established talent of Kevin McKidd and Shirley Henderson. Sir Sean Connery attended a screening of the film and was visibly moved by the story and the remarkable performances from the cast. Kevin and Paula each received the additional honour of being presented with a Herald Angel for their performances.
Secondly, She Toon the Bingo City, a 'This Scotland' documentary, has won the prestigious Grierson Prize for Documentary at the Edinburgh International Film Festival.
She Toon - the Bingo City looks at Dundee, considered the bingo capital of Scotland and the women play the game. Women in Dundee were traditionally regarded as the breadwinners due to the economic situation there and this brilliant short documentary reflects the part women have played in Dundee's development.
Directed by talented young director Craig Collinson for Nobles Gate the documentary triumphed over a strong field of contenders to win the coveted prize.
Executive producer for Scottish TV & Grampian TV, Henry Eagles commented.
"This is marvellous news for both the broadcasters and Scottish Screen. My fellow Executive producer from Scottish Screen, Becky Lloyd and I were most impressed with the quality of this film and we are delighted that its originality has been recognised by the Grierson jury. It proves that fine documentary making is alive and thriving in Scotland, the country of its originator John Grierson. We are absolutely delighted."
She Toon- The Bingo City, will be transmitted as part of the This Scotland documentary strand, on Scottish TV and Grampian TV in the autumn.
Sandy Ross Managing Director of Scottish TV said:
"Naturally we are delighted that both productions teams behind these ventures have seen their efforts rewarded. These awards are a vindication of the depth and breadth of production talent that resides here in Scotland, and given the right opportunity, which these schemes present, can flourish and produce world-class films and documentaries."
Friday, August 22, 2003
IT GIRL A HIT
Alex P. Michaels' short "The IT girl" gets 3 and a half stars on a Film Threat Review of the SHORTKUTZ – VOLUME III
"Some strange happenings are going on here, but it’s definitely
different and that’s the cool part.
To read the review, go to
http://www.filmthreat.com/Reviews.asp?Id=4872
and scroll down to "The IT girl."
You can purchase a copy of the DVD at
http://www.shortkutzdvd.com/catalogue.htm
For more news on Prelude2Cinema, Alex Michaels and the IT girl, go to:
www.prelude2cinema.com
Alex P. Michaels' short "The IT girl" gets 3 and a half stars on a Film Threat Review of the SHORTKUTZ – VOLUME III
"Some strange happenings are going on here, but it’s definitely
different and that’s the cool part.
To read the review, go to
http://www.filmthreat.com/Reviews.asp?Id=4872
and scroll down to "The IT girl."
You can purchase a copy of the DVD at
http://www.shortkutzdvd.com/catalogue.htm
For more news on Prelude2Cinema, Alex Michaels and the IT girl, go to:
www.prelude2cinema.com
Thursday, August 21, 2003
HITCHCOCK UNVEILED at GAINSBOROUGH STUDIOS
A Hitchcock Season in association with the British Film Institute (bfi) 16 September - 8 October 2003
This autumn Gainsborough Studios in association with the British Film Institute, will be hosting a Hitchcock Season - a series of film screenings and events. The occasion celebrates Gainsborough’s long association with British filmmaking and its new incarnation as a residential development and cultural centre.
The season begins with Anthony Minghella, Chairman of the British Film Institute, unveiling a specially commissioned sculpture by the artist Antony Donaldson. “Master of Suspense” is a massive bust of Hitchcock’s head which at three storeys high, aims to capture the size and drama of the cinema screen and Hitchcock himself. It also acts as a homage to the many famous directors and actors who passed through Gainsborough’s doors during the 1930s when it was dubbed “Hollywood on the Canal”.
Tuesday 16th September, 6-8pm - “Master of Suspense” unveiled by Anthony Minghella, Chairman of the British Film Institute
FILM SCREENINGS
The three films chosen have rarely been screened in public since their original release. Drawn from various stages of Hitchcock’s career, the films are all set in London and explore recurring themes of serial murders, wrongly accused men and the power of the mob.
Wednesday 1st October 7.30pm - The Lodger (1926),100mins approx. Silent - accompanied by live music. A young man is wrongly suspected of being a serial murderer. Can he prove his innocence before he is attacked by a dangerous gang of vigilantes hunting the killer?
Thursday 2nd October 7.30pm - Sabotage (1936), 77 mins
Alfred Hitchcock once described suspense as a bomb that the audience knows will explode but can do nothing to stop. Sabotage takes this metaphor literally building suspense and tension right to the final breath-taking conclusion of the film.
Tuesday 7th October 7.30pm - Frenzy (1972), 116 mins
Hitchcock’s second to last film, Frenzy was the first film he had made in London for 20 years. Like The Lodger, Frenzy explores themes of mistaken identity, serial murderers and reflects the prevailing sexual and political attitudes of 1970s Britain.
Wednesday 8th October 7.30pm - Talk by Jack Cardiff. The acclaimed cinematographer worked with Hitchcock on The Skin Game (1931), Under Capricorn (1949), and will no doubt provide a fascinating insight into the great director’s working methods as well as his own long career in the film industry.
There are 250 complimentary tickets available for each event which can obtained by sending your name, address, daytime telephone number and film name to:
stephen@gainsboroughstudios.co.uk
Gainsborough Studios - 1 Poole Street, London, N1
Nearest Tube - Old Street or Angel
A Hitchcock Season in association with the British Film Institute (bfi) 16 September - 8 October 2003
This autumn Gainsborough Studios in association with the British Film Institute, will be hosting a Hitchcock Season - a series of film screenings and events. The occasion celebrates Gainsborough’s long association with British filmmaking and its new incarnation as a residential development and cultural centre.
The season begins with Anthony Minghella, Chairman of the British Film Institute, unveiling a specially commissioned sculpture by the artist Antony Donaldson. “Master of Suspense” is a massive bust of Hitchcock’s head which at three storeys high, aims to capture the size and drama of the cinema screen and Hitchcock himself. It also acts as a homage to the many famous directors and actors who passed through Gainsborough’s doors during the 1930s when it was dubbed “Hollywood on the Canal”.
Tuesday 16th September, 6-8pm - “Master of Suspense” unveiled by Anthony Minghella, Chairman of the British Film Institute
FILM SCREENINGS
The three films chosen have rarely been screened in public since their original release. Drawn from various stages of Hitchcock’s career, the films are all set in London and explore recurring themes of serial murders, wrongly accused men and the power of the mob.
Wednesday 1st October 7.30pm - The Lodger (1926),100mins approx. Silent - accompanied by live music. A young man is wrongly suspected of being a serial murderer. Can he prove his innocence before he is attacked by a dangerous gang of vigilantes hunting the killer?
Thursday 2nd October 7.30pm - Sabotage (1936), 77 mins
Alfred Hitchcock once described suspense as a bomb that the audience knows will explode but can do nothing to stop. Sabotage takes this metaphor literally building suspense and tension right to the final breath-taking conclusion of the film.
Tuesday 7th October 7.30pm - Frenzy (1972), 116 mins
Hitchcock’s second to last film, Frenzy was the first film he had made in London for 20 years. Like The Lodger, Frenzy explores themes of mistaken identity, serial murderers and reflects the prevailing sexual and political attitudes of 1970s Britain.
Wednesday 8th October 7.30pm - Talk by Jack Cardiff. The acclaimed cinematographer worked with Hitchcock on The Skin Game (1931), Under Capricorn (1949), and will no doubt provide a fascinating insight into the great director’s working methods as well as his own long career in the film industry.
There are 250 complimentary tickets available for each event which can obtained by sending your name, address, daytime telephone number and film name to:
stephen@gainsboroughstudios.co.uk
Gainsborough Studios - 1 Poole Street, London, N1
Nearest Tube - Old Street or Angel
Wednesday, August 20, 2003
See acclaimed new short films online free
From today, film fans will be now be able to see the world’s very best film shorts thanks to a new section on the Tiscali UK web site.
Each month, the site http://www.tiscali.co.uk/entertainment/shortfilms
will show two exclusive short films that can’t be seen anywhere else on the web. The films will be available for the month to stream on demand and those accessing the site will also be able to critique and discuss the films with fellow shorts fans.
The site, which has been developed in partnership with short film specialists BritShorts, will introduce two new shorts per month and is designed to take short films to a wider broadband audience while also inspiring a new generation of film makers.
The First Films
1) The Brixtonian (Directed by Josh and Misha, UK)
The Brixtonian is a spoof documentary about a white trustafarian who wants to be black. The film follows the protagonist around the mean streets of Brixton, and features interviews with his parents in their plush Surrey home. The film was a big-hit at the Raindance Film Festival.
2) Sixth Scent (Directed by Petrina Buckley, Australia)
According to writer, producer and director Petrina Buckley, Sixth Scent is “a comic tale about the laws of karma at work in the superficial world of love and lust in the big city”. Winner of the Alternative Film festival in Italy 2003, the film also picked up the Platinum Award at the Worldfest in Houston and the Best Actress Award at the Mikrokino Fest.
Richard Ayers, Tiscali’s Portal Director says, “We’ve worked closely with BritShorts to produce an exciting site that will give film fans on the Internet the chance to see the cream of international short film making.”
From today, film fans will be now be able to see the world’s very best film shorts thanks to a new section on the Tiscali UK web site.
Each month, the site http://www.tiscali.co.uk/entertainment/shortfilms
will show two exclusive short films that can’t be seen anywhere else on the web. The films will be available for the month to stream on demand and those accessing the site will also be able to critique and discuss the films with fellow shorts fans.
The site, which has been developed in partnership with short film specialists BritShorts, will introduce two new shorts per month and is designed to take short films to a wider broadband audience while also inspiring a new generation of film makers.
The First Films
1) The Brixtonian (Directed by Josh and Misha, UK)
The Brixtonian is a spoof documentary about a white trustafarian who wants to be black. The film follows the protagonist around the mean streets of Brixton, and features interviews with his parents in their plush Surrey home. The film was a big-hit at the Raindance Film Festival.
2) Sixth Scent (Directed by Petrina Buckley, Australia)
According to writer, producer and director Petrina Buckley, Sixth Scent is “a comic tale about the laws of karma at work in the superficial world of love and lust in the big city”. Winner of the Alternative Film festival in Italy 2003, the film also picked up the Platinum Award at the Worldfest in Houston and the Best Actress Award at the Mikrokino Fest.
Richard Ayers, Tiscali’s Portal Director says, “We’ve worked closely with BritShorts to produce an exciting site that will give film fans on the Internet the chance to see the cream of international short film making.”
Monday, August 18, 2003
Lord of the Rings Exhibition a Great Success
The Lord of the Rings Motion Picture Trilogy - The Exhibition has sold more advance tickets than the hugely successful Bond and Star Trek exhibitions put together.
The unprecedented demand means that while some tickets will be available at the door when the Science Museum exhibition opens on 16 September, advanced booking is now strongly advised to avoid disappointment.
The eagerly awaited family exhibition arrives before the final instalment of the film trilogy and will be the only chance for European fans to explore for themselves the fantastic world created for The Lord of the Rings films. It closes on 11 January 2004.
Hundreds of artefacts from the movies including models, armoury and animatronics will feature alongside interactive computer and mechanical demonstrations of the cutting-edge technology used to bring the story to life.
The fascinating exhibition will transport visitors into the world of
Middle-earth, allowing them to become Hobbit-sized, see prosthetics and props including Hobbit feet and the contact lenses used to give the Orcs their unique look, giant models including Hobbiton Mill and Treebeard, and a dazzling array of armour and costumes from the films.
The exhibition culminates with a face-to-face encounter with the central icon from the films - the One Ring itself.
Tickets can be pre-booked on 0870 870 4868 between 8.30am and 6pm (booking fee applies) or at www.sciencemuseum.org.uk
No cameras, mobile phones or bags of any kind or are permitted inside this exhibition. We recommend that visitors leave these items at home. Although photography is not allowed, visitors can buy a souvenir photo of themselves transformed to the size of a Hobbit in the interactive scaling area.
Ticket Prices:
Monday - Friday: Adults £9.95, Children/Concessions £6.95
Saturday - Sunday: Adults £11.95, Children/Concessions £8.95
The Lord of the Rings Motion Picture Trilogy - The Exhibition has sold more advance tickets than the hugely successful Bond and Star Trek exhibitions put together.
The unprecedented demand means that while some tickets will be available at the door when the Science Museum exhibition opens on 16 September, advanced booking is now strongly advised to avoid disappointment.
The eagerly awaited family exhibition arrives before the final instalment of the film trilogy and will be the only chance for European fans to explore for themselves the fantastic world created for The Lord of the Rings films. It closes on 11 January 2004.
Hundreds of artefacts from the movies including models, armoury and animatronics will feature alongside interactive computer and mechanical demonstrations of the cutting-edge technology used to bring the story to life.
The fascinating exhibition will transport visitors into the world of
Middle-earth, allowing them to become Hobbit-sized, see prosthetics and props including Hobbit feet and the contact lenses used to give the Orcs their unique look, giant models including Hobbiton Mill and Treebeard, and a dazzling array of armour and costumes from the films.
The exhibition culminates with a face-to-face encounter with the central icon from the films - the One Ring itself.
Tickets can be pre-booked on 0870 870 4868 between 8.30am and 6pm (booking fee applies) or at www.sciencemuseum.org.uk
No cameras, mobile phones or bags of any kind or are permitted inside this exhibition. We recommend that visitors leave these items at home. Although photography is not allowed, visitors can buy a souvenir photo of themselves transformed to the size of a Hobbit in the interactive scaling area.
Ticket Prices:
Monday - Friday: Adults £9.95, Children/Concessions £6.95
Saturday - Sunday: Adults £11.95, Children/Concessions £8.95
Friday, August 15, 2003
MINISTER LAUNCHES SECOND ‘NEW EUROPE FILM SEASON’ TO TACKLE KNOWLEDGE GAP ON EU EXPANSION 9 September, 2003
The second ‘New Europe Film Season’ is a rare opportunity for the public to see a programme of critically acclaimed films from future EU countries. This showcase for under represented talent aims to boost awareness of the countries involved, by celebrating their achievements in film and highlighting the rich diversity they will bring to the EU.
Denis MacShane, Minister for Europe, will launch the ‘New Europe Film Season’ on 9 September at the Foreign Office. The season will then tour City Screen’s Picturehouse cinemas in London, Edinburgh, Brighton and Liverpool during September and October.
The films include Vizontele, which drew the largest crowds ever for a feature film in Turkey, Blind Spot (Slovenia) by award winning director Hanna AW Slak which has most recently been well received at the Edinburgh Festival and Good Hands (Estonia/Latvia), described as a ‘bona fide jewel from an unexpected source’.
Tony Jones, Director of City Screen, said: “City Screen is delighted to be working with the Foreign and Commonwealth Office to present an exciting and varied selection of films. This season is a great opportunity to celebrate the quality and diversity of the continent’s film culture.”
Recent research shows that nearly half of the UK public cannot name a single one of the 13 countries in line to join the EU.
Denis MacShane said: Europe’s biggest ever expansion is less than a year away. This will mark the unification of Europe after decades of division. It will bring economic, social and cultural benefits to us all. Awareness of this historic event is growing, but still very low. We have a responsibility to make sure everyone in Britain is aware of our future neighbours and what difference they can make to our lives - and we to theirs.
“The New Europe Film Season will give people in cities around the UK the chance to appreciate the breadth of film-making talent across Europe. We share a long and great history with our future neighbours. They have a proud cultural heritage and have made major contributions to our own cultural development. What better way is there to celebrate the diversity and talent across Europe than through film?”
The second ‘New Europe Film Season’ is a rare opportunity for the public to see a programme of critically acclaimed films from future EU countries. This showcase for under represented talent aims to boost awareness of the countries involved, by celebrating their achievements in film and highlighting the rich diversity they will bring to the EU.
Denis MacShane, Minister for Europe, will launch the ‘New Europe Film Season’ on 9 September at the Foreign Office. The season will then tour City Screen’s Picturehouse cinemas in London, Edinburgh, Brighton and Liverpool during September and October.
The films include Vizontele, which drew the largest crowds ever for a feature film in Turkey, Blind Spot (Slovenia) by award winning director Hanna AW Slak which has most recently been well received at the Edinburgh Festival and Good Hands (Estonia/Latvia), described as a ‘bona fide jewel from an unexpected source’.
Tony Jones, Director of City Screen, said: “City Screen is delighted to be working with the Foreign and Commonwealth Office to present an exciting and varied selection of films. This season is a great opportunity to celebrate the quality and diversity of the continent’s film culture.”
Recent research shows that nearly half of the UK public cannot name a single one of the 13 countries in line to join the EU.
Denis MacShane said: Europe’s biggest ever expansion is less than a year away. This will mark the unification of Europe after decades of division. It will bring economic, social and cultural benefits to us all. Awareness of this historic event is growing, but still very low. We have a responsibility to make sure everyone in Britain is aware of our future neighbours and what difference they can make to our lives - and we to theirs.
“The New Europe Film Season will give people in cities around the UK the chance to appreciate the breadth of film-making talent across Europe. We share a long and great history with our future neighbours. They have a proud cultural heritage and have made major contributions to our own cultural development. What better way is there to celebrate the diversity and talent across Europe than through film?”
Tuesday, August 12, 2003
JVC displays HD images for ground-breaking The Actors Cut acting course
JVC is providing a DLA-QX1 projector to screen high definition images of a unique two-week Equity film-acting course named The Actors Cut. The course is to be led by distinguished actor, Denis Lawson and is co-ordinated by the Scottish Actors Studio. The course will commence on Monday, August 11th to Sunday, August 23rd at the Sadler's Wells Theatre.
Twenty professional actors will be given the once in a lifetime opportunity to gain practical experience, rehearse and perform leading film scripts, observed by other actors and industry professionals. The actors will be working with a professional film crew and world-renowned director of photography, Robin Vidgeon (Tomb Raiders, Fly 2, Memphis Belle).
During the course, actors will be filmed in HD. Assessment and critique of performance will be played back with the QX1 projecting on to a 20x30 ft screen in the main theatre at Sadlers Well's Theatre. The QXGA projector from JVC Professional has a resolution of 2048 x 1536 pixels and an extended contrast of more than 1000:1 and matches and exceeds the current quality
achieved by 35mm film. With an outstanding brightness of 7000 ANSI lumens, the DLA-QX1G projector delivers clear, sharp and film-like HD detail on a large screen. Situated in the audience will be two JVC colour plasma monitors. These monitors will mirror the images projected by the QX1.
"The course is a first of its kind to be run anywhere in the world. It is providing not only free training to professionals, it is the first course to be shot and critiqued in HD. We have had an overwhelming response from young and budding actors and are very pleased to have JVC on board" comments Andrew Byatt, Director, Scottish Actors Studio.
JVC is providing a DLA-QX1 projector to screen high definition images of a unique two-week Equity film-acting course named The Actors Cut. The course is to be led by distinguished actor, Denis Lawson and is co-ordinated by the Scottish Actors Studio. The course will commence on Monday, August 11th to Sunday, August 23rd at the Sadler's Wells Theatre.
Twenty professional actors will be given the once in a lifetime opportunity to gain practical experience, rehearse and perform leading film scripts, observed by other actors and industry professionals. The actors will be working with a professional film crew and world-renowned director of photography, Robin Vidgeon (Tomb Raiders, Fly 2, Memphis Belle).
During the course, actors will be filmed in HD. Assessment and critique of performance will be played back with the QX1 projecting on to a 20x30 ft screen in the main theatre at Sadlers Well's Theatre. The QXGA projector from JVC Professional has a resolution of 2048 x 1536 pixels and an extended contrast of more than 1000:1 and matches and exceeds the current quality
achieved by 35mm film. With an outstanding brightness of 7000 ANSI lumens, the DLA-QX1G projector delivers clear, sharp and film-like HD detail on a large screen. Situated in the audience will be two JVC colour plasma monitors. These monitors will mirror the images projected by the QX1.
"The course is a first of its kind to be run anywhere in the world. It is providing not only free training to professionals, it is the first course to be shot and critiqued in HD. We have had an overwhelming response from young and budding actors and are very pleased to have JVC on board" comments Andrew Byatt, Director, Scottish Actors Studio.
JVC introduces hand-held professional HD camcorder into European market
JVC is pleased to announce the world's first professional hand-held
camcorder with complete HD recording capabilities: the JY-HD10E. Programme makers on a limited budget, in such industries as events, education, broadcast, medical, corporate communications, advertising, and government, can now produce in high definition without having to invest significantly in new equipment.
This single CCD (1.18 million pixel, 16:9) professional camcorder offers the unique ability to record at various resolution modes. Bundled with the camera is MPEG Edit StudioTM Pro LE v1.0, a complete non-linear editing (NLE) software package that permits easy, frame-accurate editing of MPEG-2 footage. This complete editing package has been developed by KDDI.
Additional facilities make the JY-HD10E a total package with a wealth of features that makes the recording, editing, and archiving process very simple. JVC has introduced an optical image stabilizer system, which turns on and off at the flick of a switch, so videographers can capture quality images even in the most rugged conditions. The camcorder also comes complete with a high definition lens.
John Carpenter, general manager, marketing services comments,
"Traditionally, the cost to produce in HD has been prohibitive for most video professionals. JVC has responded to their needs by developing this compact, new, HD professional camcorder that enables them to embark on the growing European HD production market.
He adds, "The introduction of this camcorder further solidifies our position as the leading provider of innovative, professional video equipment in the digital age."
www.jvcproeurope.com
JVC is pleased to announce the world's first professional hand-held
camcorder with complete HD recording capabilities: the JY-HD10E. Programme makers on a limited budget, in such industries as events, education, broadcast, medical, corporate communications, advertising, and government, can now produce in high definition without having to invest significantly in new equipment.
This single CCD (1.18 million pixel, 16:9) professional camcorder offers the unique ability to record at various resolution modes. Bundled with the camera is MPEG Edit StudioTM Pro LE v1.0, a complete non-linear editing (NLE) software package that permits easy, frame-accurate editing of MPEG-2 footage. This complete editing package has been developed by KDDI.
Additional facilities make the JY-HD10E a total package with a wealth of features that makes the recording, editing, and archiving process very simple. JVC has introduced an optical image stabilizer system, which turns on and off at the flick of a switch, so videographers can capture quality images even in the most rugged conditions. The camcorder also comes complete with a high definition lens.
John Carpenter, general manager, marketing services comments,
"Traditionally, the cost to produce in HD has been prohibitive for most video professionals. JVC has responded to their needs by developing this compact, new, HD professional camcorder that enables them to embark on the growing European HD production market.
He adds, "The introduction of this camcorder further solidifies our position as the leading provider of innovative, professional video equipment in the digital age."
www.jvcproeurope.com
Monday, August 11, 2003
ASOLOARTFILMFESTIVAL
22 - 28 SETTEMBRE 2003
Asolo - Montebelluna
Among the 363 films representing 31 countries, 59 works were admitted to the competition.
The 2003 edition of the AsoloArtFilmFestival will be held in Asolo, at the Teatro E. Duse and at the Centro Culturale La Fornace as well as in Montebelluna, at the Cinema Italia Eden, from 22 to 28 September. The festival is divided into four sections: Films on Art, Artists’ Lives, Video/Computer Art, Experimental Productions made by recognised film schools, special secondary schools and universities.
In addition to the prestigious GRAN PREMIO ASOLO for the best cinematographic work and to the PREMIO SPECIALE GIAN FRANCESCO MALIPIERO for the best sound track, the international Jury will award the following prizes to the four categories:
Premio Asolo For the best film on art
Premio Asolo For the best film on artists’ lives
Premio Asolo For the best video/computer art work
Premio Asolo For the best experimental production
AsoloArtFilmFestival website:
www.asolofilmfestival.it
22 - 28 SETTEMBRE 2003
Asolo - Montebelluna
Among the 363 films representing 31 countries, 59 works were admitted to the competition.
The 2003 edition of the AsoloArtFilmFestival will be held in Asolo, at the Teatro E. Duse and at the Centro Culturale La Fornace as well as in Montebelluna, at the Cinema Italia Eden, from 22 to 28 September. The festival is divided into four sections: Films on Art, Artists’ Lives, Video/Computer Art, Experimental Productions made by recognised film schools, special secondary schools and universities.
In addition to the prestigious GRAN PREMIO ASOLO for the best cinematographic work and to the PREMIO SPECIALE GIAN FRANCESCO MALIPIERO for the best sound track, the international Jury will award the following prizes to the four categories:
Premio Asolo For the best film on art
Premio Asolo For the best film on artists’ lives
Premio Asolo For the best video/computer art work
Premio Asolo For the best experimental production
AsoloArtFilmFestival website:
www.asolofilmfestival.it
PINK PICTURES PLAY PROUD IN MANCHESTER
Gay and lesbian cinema is set to make its mark amongst a summer of frivolity in the north at the 3rd Manchester Lesbian & Gay Film Festival.
After the last two phenomenally successful annual events, this year’s line-up of 23 films boasts a heady mix of groundbreaking drama, riotous comedy, touching love stories and glorious camp classics.
With all eyes on Manchester this summer, UCI Cinemas hope to contribute to the success of the city’s first Europride by subsidising the entry price for all films in the festival to just £2.95.
Once again, Manchester landmark UCI thefilmworks will welcome a cross section of locals and visitors to experience the cream of gay and lesbian film, some of which will be screened for the first time in the city.
Highlights of this year’s festival include a wild selection of the very best new lesbian and gay films from across the globe and two sexy packages of short films, highlighting a commitment to new filmmakers and the short film industry. Camp dazzling classics like Victor/Victoria and Cabaret are back on the big screen, alongside a lesbian literary coupling of The Hours and Mrs Dalloway.
The festival programme includes stunning new features like Blue Gate Crossing, Suddenly, Luster, and Food of Love. Enjoying an exclusive preview at the festival, Camp is one film tipped for box office success when the “Fame meets Beaches” comedy-musical gets a nationwide release in September.
The two-week film-fest is the longest of its kind in the UK and opens on Friday 15th August with a spectacular, star-studded gala screening of Mango Soufflé. The following night sees legendary flop Showgirls treated to a glam-and-glitter screening, with anyone dressed in ‘showgirls’ couture receiving free entry to the film.
Pre-release buzz has already started around the festival’s closing film Party Monster, the true story of New York clubbing legend Michael Alig, starring Macaulay Culkin, Chloe Sevigny and Marilyn Manson. The two-week festival will come to a close with an exclusive Party Monster-themed club event at the popular Canal Street lounge bar Poptastic Barbelow on Thursday 28 August.
Andrew Woodyatt, Film Marketing Manager at UCI Cinemas, comments:
“The films featured will entertain, thrill, shock, provoke discussion and show the world exactly what queer cinema has to offer.
“We couldn’t be happier with the selection we’ve secured and we’re hoping that both visitors and Mancunians alike will support the festival and enable us to return to the city year after year.”
Gay and lesbian cinema is set to make its mark amongst a summer of frivolity in the north at the 3rd Manchester Lesbian & Gay Film Festival.
After the last two phenomenally successful annual events, this year’s line-up of 23 films boasts a heady mix of groundbreaking drama, riotous comedy, touching love stories and glorious camp classics.
With all eyes on Manchester this summer, UCI Cinemas hope to contribute to the success of the city’s first Europride by subsidising the entry price for all films in the festival to just £2.95.
Once again, Manchester landmark UCI thefilmworks will welcome a cross section of locals and visitors to experience the cream of gay and lesbian film, some of which will be screened for the first time in the city.
Highlights of this year’s festival include a wild selection of the very best new lesbian and gay films from across the globe and two sexy packages of short films, highlighting a commitment to new filmmakers and the short film industry. Camp dazzling classics like Victor/Victoria and Cabaret are back on the big screen, alongside a lesbian literary coupling of The Hours and Mrs Dalloway.
The festival programme includes stunning new features like Blue Gate Crossing, Suddenly, Luster, and Food of Love. Enjoying an exclusive preview at the festival, Camp is one film tipped for box office success when the “Fame meets Beaches” comedy-musical gets a nationwide release in September.
The two-week film-fest is the longest of its kind in the UK and opens on Friday 15th August with a spectacular, star-studded gala screening of Mango Soufflé. The following night sees legendary flop Showgirls treated to a glam-and-glitter screening, with anyone dressed in ‘showgirls’ couture receiving free entry to the film.
Pre-release buzz has already started around the festival’s closing film Party Monster, the true story of New York clubbing legend Michael Alig, starring Macaulay Culkin, Chloe Sevigny and Marilyn Manson. The two-week festival will come to a close with an exclusive Party Monster-themed club event at the popular Canal Street lounge bar Poptastic Barbelow on Thursday 28 August.
Andrew Woodyatt, Film Marketing Manager at UCI Cinemas, comments:
“The films featured will entertain, thrill, shock, provoke discussion and show the world exactly what queer cinema has to offer.
“We couldn’t be happier with the selection we’ve secured and we’re hoping that both visitors and Mancunians alike will support the festival and enable us to return to the city year after year.”
Friday, August 01, 2003
SPELLBOUND FILM GALA
CELEBRATING THE LEGACY OF HITCHCOCK:SCREENING AND PANEL DISCUSSION
AUGUST 13TH 2003
To celebrate the 104th birthday of revered director, Alfred Hitchcock, County Hall Gallery is holding a special screening of the
1945 classic Spellbound (starring Ingrid Bergman and Gregory Peck) followed by a discussion panel on the film.
Expert comment and analysis will be provided by Emma Cochrane (Contributing Editor, Empire), Charles Barr (Author of
Vertigo), and Simon Hunter (Director of modern thriller, Lighthouse).
County Hall Gallery is the permanent home of the monumental canvas Spellbound, a Dalί painting commissioned for the
dream sequences in the movie and a highlight of the Dalí Universe exhibition, Europe’s most important surrealist
collection.
Film Gala – Spellbound (1945, Alfred Hitchcock)
- August 13th 2003
- Doors open 7pm, Screening 8pm
- Tickets £16.95 at County Hall Gallery Box Office (Limited availability) or on www.ticketweb.co.uk
A SPECIAL SCREENING
Visitors will be given the opportunity to see the film in the special screening room at County Hall Gallery, accompanied by
a private viewing of the Dalί Universe exhibition and Spellbound canvas, as well as a complimentary bar and nibbles.
In addition, a special panel of experts have been brought together to discuss the film and its director. Charles Barr will
chair the event looking at how Spellbound fits into Hitchcock’s career, referring to his interests in psychology and art,
notably modern art. Emma Cochrane will be examining the history and myths surrounding the film itself - throwing in
some movie trivia about the making of the film.
ABOUT SPELLBOUND
This Oscar-nominated masterpiece was the first film to explore psychoanalysis in mainstream Hollywood cinema.
When the head of a mental asylum retires and is replaced with the renowned Dr Edwards (Gregory Peck), it soon
becomes apparent he is an imposter and amnesiac. Ingrid Bergman plays the psychiatrist who falls in love with Edwards
and who eventually risks everything to run away with him to help solve the dark mystery that surrounds the mysterious
doctor.
Hitchcock commissioned Dalí to design the magnificent Spellbound canvas for the dream sequence for the film, as well
as the sets featuring a bizarre set of tables and chairs with human legs.
CELEBRATING THE LEGACY OF HITCHCOCK:SCREENING AND PANEL DISCUSSION
AUGUST 13TH 2003
To celebrate the 104th birthday of revered director, Alfred Hitchcock, County Hall Gallery is holding a special screening of the
1945 classic Spellbound (starring Ingrid Bergman and Gregory Peck) followed by a discussion panel on the film.
Expert comment and analysis will be provided by Emma Cochrane (Contributing Editor, Empire), Charles Barr (Author of
Vertigo), and Simon Hunter (Director of modern thriller, Lighthouse).
County Hall Gallery is the permanent home of the monumental canvas Spellbound, a Dalί painting commissioned for the
dream sequences in the movie and a highlight of the Dalí Universe exhibition, Europe’s most important surrealist
collection.
Film Gala – Spellbound (1945, Alfred Hitchcock)
- August 13th 2003
- Doors open 7pm, Screening 8pm
- Tickets £16.95 at County Hall Gallery Box Office (Limited availability) or on www.ticketweb.co.uk
A SPECIAL SCREENING
Visitors will be given the opportunity to see the film in the special screening room at County Hall Gallery, accompanied by
a private viewing of the Dalί Universe exhibition and Spellbound canvas, as well as a complimentary bar and nibbles.
In addition, a special panel of experts have been brought together to discuss the film and its director. Charles Barr will
chair the event looking at how Spellbound fits into Hitchcock’s career, referring to his interests in psychology and art,
notably modern art. Emma Cochrane will be examining the history and myths surrounding the film itself - throwing in
some movie trivia about the making of the film.
ABOUT SPELLBOUND
This Oscar-nominated masterpiece was the first film to explore psychoanalysis in mainstream Hollywood cinema.
When the head of a mental asylum retires and is replaced with the renowned Dr Edwards (Gregory Peck), it soon
becomes apparent he is an imposter and amnesiac. Ingrid Bergman plays the psychiatrist who falls in love with Edwards
and who eventually risks everything to run away with him to help solve the dark mystery that surrounds the mysterious
doctor.
Hitchcock commissioned Dalí to design the magnificent Spellbound canvas for the dream sequence for the film, as well
as the sets featuring a bizarre set of tables and chairs with human legs.
SPELLBOUND FILM GALA
CELEBRATING THE LEGACY OF HITCHCOCK:SCREENING AND PANEL DISCUSSION
AUGUST 13TH 2003
To celebrate the 104th birthday of revered director, Alfred Hitchcock, County Hall Gallery is holding a special screening of the
1945 classic Spellbound (starring Ingrid Bergman and Gregory Peck) followed by a discussion panel on the film.
Expert comment and analysis will be provided by Emma Cochrane (Contributing Editor, Empire), Charles Barr (Author of
Vertigo), and Simon Hunter (Director of modern thriller, Lighthouse).
County Hall Gallery is the permanent home of the monumental canvas Spellbound, a Dalί painting commissioned for the
dream sequences in the movie and a highlight of the Dalí Universe exhibition, Europe’s most important surrealist
collection.
Film Gala – Spellbound (1945, Alfred Hitchcock)
- August 13th 2003
- Doors open 7pm, Screening 8pm
- Tickets £16.95 at County Hall Gallery Box Office (Limited availability) or on www.ticketweb.co.uk
A SPECIAL SCREENING
Visitors will be given the opportunity to see the film in the special screening room at County Hall Gallery, accompanied by
a private viewing of the Dalί Universe exhibition and Spellbound canvas, as well as a complimentary bar and nibbles.
In addition, a special panel of experts have been brought together to discuss the film and its director. Charles Barr will
chair the event looking at how Spellbound fits into Hitchcock’s career, referring to his interests in psychology and art,
notably modern art. Emma Cochrane will be examining the history and myths surrounding the film itself - throwing in
some movie trivia about the making of the film.
ABOUT SPELLBOUND
This Oscar-nominated masterpiece was the first film to explore psychoanalysis in mainstream Hollywood cinema.
When the head of a mental asylum retires and is replaced with the renowned Dr Edwards (Gregory Peck), it soon
becomes apparent he is an imposter and amnesiac. Ingrid Bergman plays the psychiatrist who falls in love with Edwards
and who eventually risks everything to run away with him to help solve the dark mystery that surrounds the mysterious
doctor.
Hitchcock commissioned Dalí to design the magnificent Spellbound canvas for the dream sequence for the film, as well
as the sets featuring a bizarre set of tables and chairs with human legs.
CELEBRATING THE LEGACY OF HITCHCOCK:SCREENING AND PANEL DISCUSSION
AUGUST 13TH 2003
To celebrate the 104th birthday of revered director, Alfred Hitchcock, County Hall Gallery is holding a special screening of the
1945 classic Spellbound (starring Ingrid Bergman and Gregory Peck) followed by a discussion panel on the film.
Expert comment and analysis will be provided by Emma Cochrane (Contributing Editor, Empire), Charles Barr (Author of
Vertigo), and Simon Hunter (Director of modern thriller, Lighthouse).
County Hall Gallery is the permanent home of the monumental canvas Spellbound, a Dalί painting commissioned for the
dream sequences in the movie and a highlight of the Dalí Universe exhibition, Europe’s most important surrealist
collection.
Film Gala – Spellbound (1945, Alfred Hitchcock)
- August 13th 2003
- Doors open 7pm, Screening 8pm
- Tickets £16.95 at County Hall Gallery Box Office (Limited availability) or on www.ticketweb.co.uk
A SPECIAL SCREENING
Visitors will be given the opportunity to see the film in the special screening room at County Hall Gallery, accompanied by
a private viewing of the Dalί Universe exhibition and Spellbound canvas, as well as a complimentary bar and nibbles.
In addition, a special panel of experts have been brought together to discuss the film and its director. Charles Barr will
chair the event looking at how Spellbound fits into Hitchcock’s career, referring to his interests in psychology and art,
notably modern art. Emma Cochrane will be examining the history and myths surrounding the film itself - throwing in
some movie trivia about the making of the film.
ABOUT SPELLBOUND
This Oscar-nominated masterpiece was the first film to explore psychoanalysis in mainstream Hollywood cinema.
When the head of a mental asylum retires and is replaced with the renowned Dr Edwards (Gregory Peck), it soon
becomes apparent he is an imposter and amnesiac. Ingrid Bergman plays the psychiatrist who falls in love with Edwards
and who eventually risks everything to run away with him to help solve the dark mystery that surrounds the mysterious
doctor.
Hitchcock commissioned Dalí to design the magnificent Spellbound canvas for the dream sequence for the film, as well
as the sets featuring a bizarre set of tables and chairs with human legs.
Tuesday, July 29, 2003
Hull Film Festival
Hull International Short Film Festival (15-19 October 2003) is the leading short film event in the North. This year organisers are preparing a bold new project: Festival Market.
In the context of the third Hull film festival, featuring screenings and events of some of the best short film around the globe, organisers have developed a two-day market platform to engage and address the key issues facing short film production and distribution.
The Festival Market will pull together key industry players to debate the big questions about the short film's role in the UK film industry. What are the industry perceptions and approaches to the short? Is it just a training ground for emerging filmmakers, a calling card for wannabe feature directors? How do these approaches compromise the capacity of the short film as a creative platform? Is the 10-minute straitjacket a formula for
success or is it endangering the whole of short film production?
The Festival Market will also feature: presentations on regional industry developments, information on training opportunities, exciting new company initiatives, exhibitions and literature exchange and screenwriting masterclasses.
For more information visit their website at:
www.hullfilm.co.uk
Hull International Short Film Festival (15-19 October 2003) is the leading short film event in the North. This year organisers are preparing a bold new project: Festival Market.
In the context of the third Hull film festival, featuring screenings and events of some of the best short film around the globe, organisers have developed a two-day market platform to engage and address the key issues facing short film production and distribution.
The Festival Market will pull together key industry players to debate the big questions about the short film's role in the UK film industry. What are the industry perceptions and approaches to the short? Is it just a training ground for emerging filmmakers, a calling card for wannabe feature directors? How do these approaches compromise the capacity of the short film as a creative platform? Is the 10-minute straitjacket a formula for
success or is it endangering the whole of short film production?
The Festival Market will also feature: presentations on regional industry developments, information on training opportunities, exciting new company initiatives, exhibitions and literature exchange and screenwriting masterclasses.
For more information visit their website at:
www.hullfilm.co.uk
Monday, July 28, 2003
The 12th Chichester Film Festival
21st August - 7th September 2003
The South Coast Cinematic Event of the Year
Festival Booking opens Monday 4th August at 11am...
The Film Festival is the highlight of the Chichester Cinema’s calendar and we are hoping to build on last years success, when over 5,000 people came to see films during the 18 days of the Festival.
This year, we are very proud to open and close the 12th Chichester Film Festival with two important UK productions - Jim Sheridan’s moving In America (21st August) and the hilarious Calendar Girls. (7th September). Sandwiched between these two prestigious films will be over 70 films, including 12 UK premieres and 25 previews of world cinema including: From Australia (the much anticipated Ned Kelly), UK (The Four Features), East-Asia (The Grudge) and the US (Gods and Generals).
There will be retrospectives of the work of leading film-makers (Luchino Visconti and Bertrand Tavernier), as well as themed programming such as the Anthony Minghella Triple Bill and a look at the four films based on Patricia Highsmith’s Ripley books. A series of discussions and Q&A sessions with visiting producers, directors and actors will support the programming. There will also be a repeat of the highly successful International Short Film Competition.
Previews
Angel on the Right (Tadjikistan)
Bad Guy (South Korea)
Black and White (Aus)
Blind Spot: Hitler’s Secretary (Austria)
Blue Gate Crossing (Taiwan)
The Boy David Story (UK)
Calendar Girls (UK)
Crackerjack (Aus)
Food of Love (Spain/Germany)
Holes (US)
House of 1000 Corpses (US)
Jeremy Hardy v Israeli Army (UK)
Love You Baby (Spain)
Luster (US)
The Man Who Sued God (Aus)
Ma Vie (France)
Mango Soufflé (India)
Raising Victor Vargas (US)
Scorched (US)
Small Cuts (France)
Spellbound (US)
The Three Marias (Brazil)
Time of the Wolf (France)
Together With You (China)
Winged Migration (France)
Special Events
Selective retrospectives on LUCHINO VISCONTI
and BERTRAND TAVERNIER
17th London Lesbian and Gay
Film Festival on Tour
East-Asian Cinema
late night eXtreme cinema
World Cinema
Previews and Premieres
Family Matinees
Ripley’s Talents
Anthony Minghella Triple Bill
Discussions, talks and personal
appearances of filmmakers
International Short Film Competition
Premieres
Camp (US)
Crimson Gold (Iran)
Cypher (US)
The Grudge (Japan)
Horse Play (Aus)
The Hours of the Day (Spain)
In America (UK)
Ned Kelly (Aus)
Take Away (Aus)
Triggerman (UK)
Wilbur (UK)
Young Adam (UK)
For more information go to:
www.chichestercinema.org
Box Office: 01243 786650
21st August - 7th September 2003
The South Coast Cinematic Event of the Year
Festival Booking opens Monday 4th August at 11am...
The Film Festival is the highlight of the Chichester Cinema’s calendar and we are hoping to build on last years success, when over 5,000 people came to see films during the 18 days of the Festival.
This year, we are very proud to open and close the 12th Chichester Film Festival with two important UK productions - Jim Sheridan’s moving In America (21st August) and the hilarious Calendar Girls. (7th September). Sandwiched between these two prestigious films will be over 70 films, including 12 UK premieres and 25 previews of world cinema including: From Australia (the much anticipated Ned Kelly), UK (The Four Features), East-Asia (The Grudge) and the US (Gods and Generals).
There will be retrospectives of the work of leading film-makers (Luchino Visconti and Bertrand Tavernier), as well as themed programming such as the Anthony Minghella Triple Bill and a look at the four films based on Patricia Highsmith’s Ripley books. A series of discussions and Q&A sessions with visiting producers, directors and actors will support the programming. There will also be a repeat of the highly successful International Short Film Competition.
Previews
Angel on the Right (Tadjikistan)
Bad Guy (South Korea)
Black and White (Aus)
Blind Spot: Hitler’s Secretary (Austria)
Blue Gate Crossing (Taiwan)
The Boy David Story (UK)
Calendar Girls (UK)
Crackerjack (Aus)
Food of Love (Spain/Germany)
Holes (US)
House of 1000 Corpses (US)
Jeremy Hardy v Israeli Army (UK)
Love You Baby (Spain)
Luster (US)
The Man Who Sued God (Aus)
Ma Vie (France)
Mango Soufflé (India)
Raising Victor Vargas (US)
Scorched (US)
Small Cuts (France)
Spellbound (US)
The Three Marias (Brazil)
Time of the Wolf (France)
Together With You (China)
Winged Migration (France)
Special Events
Selective retrospectives on LUCHINO VISCONTI
and BERTRAND TAVERNIER
17th London Lesbian and Gay
Film Festival on Tour
East-Asian Cinema
late night eXtreme cinema
World Cinema
Previews and Premieres
Family Matinees
Ripley’s Talents
Anthony Minghella Triple Bill
Discussions, talks and personal
appearances of filmmakers
International Short Film Competition
Premieres
Camp (US)
Crimson Gold (Iran)
Cypher (US)
The Grudge (Japan)
Horse Play (Aus)
The Hours of the Day (Spain)
In America (UK)
Ned Kelly (Aus)
Take Away (Aus)
Triggerman (UK)
Wilbur (UK)
Young Adam (UK)
For more information go to:
www.chichestercinema.org
Box Office: 01243 786650
Over £1million awarded to talented North West film makers
The North West’s most promising film makers, scriptwriters and media development organisations are celebrating after being awarded over £1million funding through North West Vision.
Since April 2002 North West Vision the TV, Film and Moving image Development Agency for englandsnorthwest has received 291 lottery applications with 93 being successful. The funding from lottery funding and treasury money has been a tremendous benefit to the region not just for film makers but for businesses and cultural organisation’s with filming production generating millions for the local economy.
Of the total £1million, £530,000 has been allocated to key partner organisations, including the Cornerhouse in Manchester; WFA based in Trafford and First Take in Liverpool. Filmmakers and creative media cultural organisations have benefited from the remaining £470,000.
In the recent round of lottery funding over £140,000 was awarded to 27 out of a total of 106 applicants. The money will be spent making innovative films, organising exciting media events, and diverse film festivals. To date the funding has been a fantastic way of helping to develop and promote the creative talent in the region and put the North West on the International Media map.
Alice Morrison, Chief Executive for North West Vision said:
“The wealth of talent that we have in the North West is overwhelming and North West Vision is extremely proud to be able to offer exciting opportunities and support for new and emerging film makers in the region. North West Vision is passionate about the region as a media destination and a vibrant, innovative cultural centre. The growth of the film making industry will have a positive knock on effect on the sustainable growth of the media industry and tourism and business development in the North West as a whole”.
Brief Information on recent round of allocated Funding
Promising Manchester Producer Mike Ogden has set up a number of challenging short film projects for North West Vision over the past year. Mike who is originally from Salford has been working in TV for over ten years. Since making his first award winning short film ‘Me, You and the Dead’ for North West Vision in 2002, Mike has gone on to full time directing for Mersey TV. His current projects for North West Vision include ‘Small World’ a film about a group of semi unrelated characters who sort out their lives through a self help book and ‘Pots and Pans’ a comedy that explores the feelings of friendship and childhood.
‘Script top Screen is a Liverpool based pro-active project that North West Vision is proud to support. It is run by BAFTA North and will run a series of events that pull together the creative teams of the North West’s best Network drama’s such as Clocking Off and Cops, to show clips and discuss the creative process when getting a programme from script to screen.
Kendal Mountain Film Festival is one of the best Film Festivals in the world. It attracts hundreds of visitors from all over the world. This year’s festival will celebrate the 50th anniversary of the first ascent of Everest with many guests from the mountain climbing profession. The festival will screen features, shorts, documentaries, IMAX and will run an education programme. The BBC and North West Media will run the ‘Filming Extreme’ film school. This is an annual event at which the BBC provides workshops and support to encourage young and aspiring filmmakers to explore any mountain subjects, culture, sport and the environment.
All funded projects and events are set in a variety of North West locations including Greater Manchester, Merseyside, Cumbria, Cheshire and Lancashire.
The North West’s most promising film makers, scriptwriters and media development organisations are celebrating after being awarded over £1million funding through North West Vision.
Since April 2002 North West Vision the TV, Film and Moving image Development Agency for englandsnorthwest has received 291 lottery applications with 93 being successful. The funding from lottery funding and treasury money has been a tremendous benefit to the region not just for film makers but for businesses and cultural organisation’s with filming production generating millions for the local economy.
Of the total £1million, £530,000 has been allocated to key partner organisations, including the Cornerhouse in Manchester; WFA based in Trafford and First Take in Liverpool. Filmmakers and creative media cultural organisations have benefited from the remaining £470,000.
In the recent round of lottery funding over £140,000 was awarded to 27 out of a total of 106 applicants. The money will be spent making innovative films, organising exciting media events, and diverse film festivals. To date the funding has been a fantastic way of helping to develop and promote the creative talent in the region and put the North West on the International Media map.
Alice Morrison, Chief Executive for North West Vision said:
“The wealth of talent that we have in the North West is overwhelming and North West Vision is extremely proud to be able to offer exciting opportunities and support for new and emerging film makers in the region. North West Vision is passionate about the region as a media destination and a vibrant, innovative cultural centre. The growth of the film making industry will have a positive knock on effect on the sustainable growth of the media industry and tourism and business development in the North West as a whole”.
Brief Information on recent round of allocated Funding
Promising Manchester Producer Mike Ogden has set up a number of challenging short film projects for North West Vision over the past year. Mike who is originally from Salford has been working in TV for over ten years. Since making his first award winning short film ‘Me, You and the Dead’ for North West Vision in 2002, Mike has gone on to full time directing for Mersey TV. His current projects for North West Vision include ‘Small World’ a film about a group of semi unrelated characters who sort out their lives through a self help book and ‘Pots and Pans’ a comedy that explores the feelings of friendship and childhood.
‘Script top Screen is a Liverpool based pro-active project that North West Vision is proud to support. It is run by BAFTA North and will run a series of events that pull together the creative teams of the North West’s best Network drama’s such as Clocking Off and Cops, to show clips and discuss the creative process when getting a programme from script to screen.
Kendal Mountain Film Festival is one of the best Film Festivals in the world. It attracts hundreds of visitors from all over the world. This year’s festival will celebrate the 50th anniversary of the first ascent of Everest with many guests from the mountain climbing profession. The festival will screen features, shorts, documentaries, IMAX and will run an education programme. The BBC and North West Media will run the ‘Filming Extreme’ film school. This is an annual event at which the BBC provides workshops and support to encourage young and aspiring filmmakers to explore any mountain subjects, culture, sport and the environment.
All funded projects and events are set in a variety of North West locations including Greater Manchester, Merseyside, Cumbria, Cheshire and Lancashire.
Friday, July 25, 2003
The Futurist Cinema Company presents
MOVING CONVERSATIONS
STAND UP TO CELLULOID
Six Moving Conversations about comedy followed by a classic comedy feature 4,7,11,14,18,21 August, 6.30pm, Warner Village Cinema, Edinburgh.
Moving Conversations is making six appearances at this year's Edinburgh Festival Fringe. Each night we will have three different comedians (some local, some from out of town) who will identify their essential comedy movies and discuss the finer points of stand up comedy i.e. how to cope with abusive punters or how to deliver a contemporary routine without swearing.
The comedy line-up includes:
Gordon Southern [BBC1’s Stand Up Show & R4’s Cheese Shop]
Noel James [Skitzaphrantic]
Will Smith [Will Smith is Much Obliged]
Stephen Grant [Stephen Grant’s Route 1]
The 'classic' (and we use the word advisedly) movies on show are as follows:
4th Le Diner de Cons (1998)
7th Being John Malkovitch (1999)
11th Blazing Saddles (1974)
14th Groundhog Day (1993)
18th Wayne's World (1992)
21st Ferris Buellers Day Off (1986)
Tickets cost a Fringetastic £7.50 (£5.50 concession) and can be obtained at the Fringe box office or via the Warner Village Cinema (Tel: 0131 557 3964).
Note that we are running a 2 for 1 offer on the 4th and a group discount applies for those purchasing 10 tickets or more for any of the shows.
MOVING CONVERSATIONS
STAND UP TO CELLULOID
Six Moving Conversations about comedy followed by a classic comedy feature 4,7,11,14,18,21 August, 6.30pm, Warner Village Cinema, Edinburgh.
Moving Conversations is making six appearances at this year's Edinburgh Festival Fringe. Each night we will have three different comedians (some local, some from out of town) who will identify their essential comedy movies and discuss the finer points of stand up comedy i.e. how to cope with abusive punters or how to deliver a contemporary routine without swearing.
The comedy line-up includes:
Gordon Southern [BBC1’s Stand Up Show & R4’s Cheese Shop]
Noel James [Skitzaphrantic]
Will Smith [Will Smith is Much Obliged]
Stephen Grant [Stephen Grant’s Route 1]
The 'classic' (and we use the word advisedly) movies on show are as follows:
4th Le Diner de Cons (1998)
7th Being John Malkovitch (1999)
11th Blazing Saddles (1974)
14th Groundhog Day (1993)
18th Wayne's World (1992)
21st Ferris Buellers Day Off (1986)
Tickets cost a Fringetastic £7.50 (£5.50 concession) and can be obtained at the Fringe box office or via the Warner Village Cinema (Tel: 0131 557 3964).
Note that we are running a 2 for 1 offer on the 4th and a group discount applies for those purchasing 10 tickets or more for any of the shows.
OFT REVIEWS FILM DISTRIBUTORS ORDERS AND UNDERTAKINGS
Orders covering the distribution of films are to be reviewed by the OFT.
The Orders and undertakings followed reports by the then Monopolies and Mergers Commission (now the Competition Commission) and were designed to remedy restrictions on competition. These reviews are the beginning of a programme of reviews of Orders and undertakings imposed under the monopoly provisions of the Fair Trading Act 1973.
The OFT has a duty to keep such orders and undertakings under review.
Film Orders
The film Orders resulted from MMC monopoly reports in 1983 and 1994 into the supply of films in cinemas, which found that a number of practices of the large distributors and cinema chains restricted
competition.
The Orders ban exclusive agreements between distributors and cinemas which cover more than one film, and prevent distributors from imposing lengthy minimum exhibition periods on cinemas.
The review is expected to be completed by April 2004.
Full details of the Film Orders were given in DTI press notice
96/942 issued on 16 December 1996.
PUBLIC enquiries: 0845 7224499 enquiries@oft.gov.uk OFT reports and consumer information leaflets are available free from: OFT, PO Box 366, Hayes UB3 1XB 0870 6060321 oft@eclogistics.co.uk
Orders covering the distribution of films are to be reviewed by the OFT.
The Orders and undertakings followed reports by the then Monopolies and Mergers Commission (now the Competition Commission) and were designed to remedy restrictions on competition. These reviews are the beginning of a programme of reviews of Orders and undertakings imposed under the monopoly provisions of the Fair Trading Act 1973.
The OFT has a duty to keep such orders and undertakings under review.
Film Orders
The film Orders resulted from MMC monopoly reports in 1983 and 1994 into the supply of films in cinemas, which found that a number of practices of the large distributors and cinema chains restricted
competition.
The Orders ban exclusive agreements between distributors and cinemas which cover more than one film, and prevent distributors from imposing lengthy minimum exhibition periods on cinemas.
The review is expected to be completed by April 2004.
Full details of the Film Orders were given in DTI press notice
96/942 issued on 16 December 1996.
PUBLIC enquiries: 0845 7224499 enquiries@oft.gov.uk OFT reports and consumer information leaflets are available free from: OFT, PO Box 366, Hayes UB3 1XB 0870 6060321 oft@eclogistics.co.uk
Thursday, July 24, 2003
Afterlife (New Found Films)
At the Edinburgh International Film Festival 2003
Afterlife is a beautifully crafted, delightfully scripted film from first time feature-film makers Gabriel Films.
Written by Andrea Gibb, directed by Alison Peebles and produced by Catherine Aitken, the film stars Kevin McKidd, Lindsay Duncan, Shirley Henderson and introducing newcomer Paula Sage.
The film is centred around a young determined, cut-throat journalist, Kenny (McKidd), who is on the verge of a major career breakthrough. His date with destiny and America, is interrupted by a trip home during Easter to visit his mother May (Duncan), after she suffers a fall and injures herself, and his sister Roberta (Sage) who has Downs Syndrome.
Two very different siblings. Two very different lives. But everything is about to change when tragedy strikes and they are forced to reassess their future lives.
Afterlife (World Premiere) Tuesday 19 August - 8.30pm at UGC Fountain Park, Dundee Street, Edinburgh, EH11.
Afterlife (Repeat public performance) Thursday 21 August - 8.30pm at location above.
At the Edinburgh International Film Festival 2003
Afterlife is a beautifully crafted, delightfully scripted film from first time feature-film makers Gabriel Films.
Written by Andrea Gibb, directed by Alison Peebles and produced by Catherine Aitken, the film stars Kevin McKidd, Lindsay Duncan, Shirley Henderson and introducing newcomer Paula Sage.
The film is centred around a young determined, cut-throat journalist, Kenny (McKidd), who is on the verge of a major career breakthrough. His date with destiny and America, is interrupted by a trip home during Easter to visit his mother May (Duncan), after she suffers a fall and injures herself, and his sister Roberta (Sage) who has Downs Syndrome.
Two very different siblings. Two very different lives. But everything is about to change when tragedy strikes and they are forced to reassess their future lives.
Afterlife (World Premiere) Tuesday 19 August - 8.30pm at UGC Fountain Park, Dundee Street, Edinburgh, EH11.
Afterlife (Repeat public performance) Thursday 21 August - 8.30pm at location above.
Friday, July 18, 2003
ONCE UPON A TIME IN THE MIDLANDS
A contemporary British comedy with a western twist, Once Upon a Time in the Midlands is available to buy on video and DVD from 29 September by FilmFour/VCI. The third feature film from the industry respected, Midlands-born director Shane Meadows features an all-star Brit cast including Robert Carlyle, Ricky Tomlinson, Kathy Burke and Rhys Ifans. This critically acclaimed movie also packs in hilarious cameos from Vanessa Feltz, Vic Reeves and Bob Mortimer.
Set in a Midlands suburb, this comedy drama is a poignant insight into the lives of live-in partners Dek and Shirley. Together they look after Marlene, Shirley's only daughter by first-love and all round jack-the-lad Jimmy (Robert Carlyle).
The film starts with dull Dek proposing to Shirley live on 'Face to Feltz'. Jimmy sees the proposal on TV and it isn't long before he rides into town to win back the love of his life…little does he know he faces a real, pistols-at-dawn, family standoff.
Baseball bats and Ford Sierras replace rifles and wagons in this story of lost love, honesty and revenge, but as with all great Westerns, good triumphs over evil to win the day - all to the sound of a country-style, guitar-twanging sound-track!
First released to cinemas nationwide in September 2002, Once Upon a Time in the Midlands, was nominated for the Grand Prix Asturias at the 2002 Gijon International Film Festival. It is released on video and DVD from 29 September. Presented as a Double Disk set, the DVD also incorporates, early rehearsal footage, 'Once Upon A Time Around Britain' a hilarious video-diary/documentary on the film's promotional tour, the full 'Face To Feltz' episode, deleted scenes and much more.
A contemporary British comedy with a western twist, Once Upon a Time in the Midlands is available to buy on video and DVD from 29 September by FilmFour/VCI. The third feature film from the industry respected, Midlands-born director Shane Meadows features an all-star Brit cast including Robert Carlyle, Ricky Tomlinson, Kathy Burke and Rhys Ifans. This critically acclaimed movie also packs in hilarious cameos from Vanessa Feltz, Vic Reeves and Bob Mortimer.
Set in a Midlands suburb, this comedy drama is a poignant insight into the lives of live-in partners Dek and Shirley. Together they look after Marlene, Shirley's only daughter by first-love and all round jack-the-lad Jimmy (Robert Carlyle).
The film starts with dull Dek proposing to Shirley live on 'Face to Feltz'. Jimmy sees the proposal on TV and it isn't long before he rides into town to win back the love of his life…little does he know he faces a real, pistols-at-dawn, family standoff.
Baseball bats and Ford Sierras replace rifles and wagons in this story of lost love, honesty and revenge, but as with all great Westerns, good triumphs over evil to win the day - all to the sound of a country-style, guitar-twanging sound-track!
First released to cinemas nationwide in September 2002, Once Upon a Time in the Midlands, was nominated for the Grand Prix Asturias at the 2002 Gijon International Film Festival. It is released on video and DVD from 29 September. Presented as a Double Disk set, the DVD also incorporates, early rehearsal footage, 'Once Upon A Time Around Britain' a hilarious video-diary/documentary on the film's promotional tour, the full 'Face To Feltz' episode, deleted scenes and much more.
Thursday, July 17, 2003
AsoloArtFilmFestival
Asolo – Montebelluna
22 – 28 September 2003
Three hundred and sixty-three films representing thirty-one countries. This is the extraordinary result of participation in the third AsoloArtFilmFestival, launched in the wake of the Asolo Festival Internazionale del Film sull’Arte e di Biografie d’Artista which was in turn founded way back in 1973 by Flavia Paulon.
This is highly satisfying both to promoters and organisers.
The AsoloArtFilmFestival will take place in Asolo, at the Teatro E. Duse, and Montebelluna, at the Cinema Italia Eden, from 22 to 28 September 2003.
The works submitted have been undergoing selection for more than a month, in what is no easy task given the high overall quality.
The organising body, under the artistic direction of Anna Maria Cerrato, has set the end of July for listing the definitive selection of works to be admitted to the competition.
For details go to:
www.asolofilmfestival.it
Asolo – Montebelluna
22 – 28 September 2003
Three hundred and sixty-three films representing thirty-one countries. This is the extraordinary result of participation in the third AsoloArtFilmFestival, launched in the wake of the Asolo Festival Internazionale del Film sull’Arte e di Biografie d’Artista which was in turn founded way back in 1973 by Flavia Paulon.
This is highly satisfying both to promoters and organisers.
The AsoloArtFilmFestival will take place in Asolo, at the Teatro E. Duse, and Montebelluna, at the Cinema Italia Eden, from 22 to 28 September 2003.
The works submitted have been undergoing selection for more than a month, in what is no easy task given the high overall quality.
The organising body, under the artistic direction of Anna Maria Cerrato, has set the end of July for listing the definitive selection of works to be admitted to the competition.
For details go to:
www.asolofilmfestival.it
Moving Conversations
Edinburgh based ‘itinerant’ cinema operator, The Futurist, is to offer its acclaimed Moving Conversations events at the Warner Village cinema in Edinburgh. Moving Conversations offer a lively panel discussion about a range of subjects, before showing a main feature movie. The Futurist has already partnered with the Royal Museum and the Filmhouse to cover topics such as the Scottish video games industry, personal recollections of the Nazi holocaust, acting and journalism. Now the Futurist has teamed up with
Warner Village to offer a series of these events, initially turning its
sights on comedy and technology...
The Futurist Cinema Company presents
MOVING CONVERSATIONS
WARNER VILLAGE CINEMA, EDINBURGH, 6.30pm, 24th JULY 2003
SPAMMERS & SPOOLS
Moving Conversations, the popular panel discussion with a twist, dips its toes into the world of computers and technology on 24th July at the Warner Village Cinema in Greenside Place, Edinburgh. Scottish technology gurus such as David Farquhar from Interactive University, Dr Aydin Kurt Elli from edNET, Tracey Ward from MX Alliance and Ian Preece from The National Trust for Scotland will each choose a film that represents the best or the worst
of technology. These movies will be impossible to predict, however the choice will be backed up by an impassioned and eloquent argument. The debate will be followed by a showing of the digital cinema masterpiece, Russian Ark - a unique journey through time and Russian history and the first entirely unedited, single take, full-length feature film. All for a mere £6.50 (£5.50 conc).
This is guaranteed to be one technology bubble bursting with goodness and value.
Tickets can be purchased on the door, in advance at the Warner Village box office (Tel 0131 557 3964) or via the automated booking number 0870 2406020.
The Futurist Cinema Company presents
MOVING CONVERSATIONS
STAND UP TO CELLULOID
Six Moving Conversations about comedy followed by a classic comedy feature 4,7,11,14,18,21 August, 6.30pm, Warner Village Cinema, Edinburgh Moving Conversations is making six appearances at this year's Edinburgh Festival Fringe. Each night we will have three different comedians (some local, some from out of town) who will identify their essential comedy movies and discuss the finer points of stand up comedy i.e. how to cope with abusive punters or how to deliver a contemporary routine without swearing.
The comedy line-up includes:
Gordon Southern [BBC1’s Stand Up Show & R4’s Cheese Shop]
Noel James [Skitzaphrantic]
Will Smith [Will Smith is Much Obliged]
Stephen Grant [Stephen Grant’s Route 1]
The 'classic' (and we use the word advisedly) movies on show are as follows:
4th Le Diner de Cons (1998)
7th Being John Malkovitch (1999)
11th Blazing Saddles (1974)
14th Groundhog Day (1993)
18th Wayne's World (1992)
21st Ferris Buellers Day Off (1986)
Tickets cost a Fringetastic £7.50 (£5.50 concession) and can be obtained at the Fringe box office or via the Warner Village Cinema (Tel: 0131 557 3964).
Note that we are running a 2 for 1 offer on the 4th and a group discount applies for those purchasing 10 tickets or more for any of the shows.
For more information on Moving Conversations and The Futurist visit
www.futuristcinema.com
Edinburgh based ‘itinerant’ cinema operator, The Futurist, is to offer its acclaimed Moving Conversations events at the Warner Village cinema in Edinburgh. Moving Conversations offer a lively panel discussion about a range of subjects, before showing a main feature movie. The Futurist has already partnered with the Royal Museum and the Filmhouse to cover topics such as the Scottish video games industry, personal recollections of the Nazi holocaust, acting and journalism. Now the Futurist has teamed up with
Warner Village to offer a series of these events, initially turning its
sights on comedy and technology...
The Futurist Cinema Company presents
MOVING CONVERSATIONS
WARNER VILLAGE CINEMA, EDINBURGH, 6.30pm, 24th JULY 2003
SPAMMERS & SPOOLS
Moving Conversations, the popular panel discussion with a twist, dips its toes into the world of computers and technology on 24th July at the Warner Village Cinema in Greenside Place, Edinburgh. Scottish technology gurus such as David Farquhar from Interactive University, Dr Aydin Kurt Elli from edNET, Tracey Ward from MX Alliance and Ian Preece from The National Trust for Scotland will each choose a film that represents the best or the worst
of technology. These movies will be impossible to predict, however the choice will be backed up by an impassioned and eloquent argument. The debate will be followed by a showing of the digital cinema masterpiece, Russian Ark - a unique journey through time and Russian history and the first entirely unedited, single take, full-length feature film. All for a mere £6.50 (£5.50 conc).
This is guaranteed to be one technology bubble bursting with goodness and value.
Tickets can be purchased on the door, in advance at the Warner Village box office (Tel 0131 557 3964) or via the automated booking number 0870 2406020.
The Futurist Cinema Company presents
MOVING CONVERSATIONS
STAND UP TO CELLULOID
Six Moving Conversations about comedy followed by a classic comedy feature 4,7,11,14,18,21 August, 6.30pm, Warner Village Cinema, Edinburgh Moving Conversations is making six appearances at this year's Edinburgh Festival Fringe. Each night we will have three different comedians (some local, some from out of town) who will identify their essential comedy movies and discuss the finer points of stand up comedy i.e. how to cope with abusive punters or how to deliver a contemporary routine without swearing.
The comedy line-up includes:
Gordon Southern [BBC1’s Stand Up Show & R4’s Cheese Shop]
Noel James [Skitzaphrantic]
Will Smith [Will Smith is Much Obliged]
Stephen Grant [Stephen Grant’s Route 1]
The 'classic' (and we use the word advisedly) movies on show are as follows:
4th Le Diner de Cons (1998)
7th Being John Malkovitch (1999)
11th Blazing Saddles (1974)
14th Groundhog Day (1993)
18th Wayne's World (1992)
21st Ferris Buellers Day Off (1986)
Tickets cost a Fringetastic £7.50 (£5.50 concession) and can be obtained at the Fringe box office or via the Warner Village Cinema (Tel: 0131 557 3964).
Note that we are running a 2 for 1 offer on the 4th and a group discount applies for those purchasing 10 tickets or more for any of the shows.
For more information on Moving Conversations and The Futurist visit
www.futuristcinema.com
Tuesday, July 15, 2003
bfi pays tribute to film critic and broadcaster Alexander Walker
The British Film Institute today paid tribute to former bfi governor Alexander Walker whose death was announced this morning.
bfi Chairman Anthony Minghella said: "Alexander Walker's contribution to the appreciation and understanding of British film was unique.
"He was passionate about film and that love affair with cinema was clear in everything he wrote.
"He was much more than a film critic. He was a champion for quality cinema in this country. As a broadcaster, commentator and film historian he had no equal. He was a good friend and sometime critic of the bfi. As a former governor he had strong views about the future of film and the work of the Institute. It is to his credit that he never shied away from expressing his views which were always informed."
He added: "The London film world and British cinema are a smaller and less colourful place without him."
bfi Director Amanda Nevill added: " I am sure I speak for everyone at the bfi when I say we are saddened that we have lost such a substantial figure in the cinema world.
"He was film."
She added: "Part of the landscape of film culture has gone with his passing and British cinema is the poorer as a result.
"His association with the British Film Institute goes back a long way. He was a former member governor of the bfi and was never shy to express his views about the organisation and its direction. Throughout, he was a tenacious, determined and vocal advocate for film in this country and although not always a fan, was a supporter of the work of the British Film Institute.
"He was passionate about the movies and had an unrivalled knowledge of Hollywood and the classic years of British and American cinema.
"This is a loss not only to British newspapers and film criticism but to everyone who loves film in this country."
In 'Dietrich' by Malene Sheppard Skaerved (Haus Publishing, 2003) it notes that Marlene hated biographers and covered her edition of Walker's book 'Dietrich' (Harper & Row, 1984) with scribbled notes. She accuses him of lying and writes on one page 'Rot, Rot. Bullshit, double Bullshit.' So he obviously made an impact with her!
The British Film Institute today paid tribute to former bfi governor Alexander Walker whose death was announced this morning.
bfi Chairman Anthony Minghella said: "Alexander Walker's contribution to the appreciation and understanding of British film was unique.
"He was passionate about film and that love affair with cinema was clear in everything he wrote.
"He was much more than a film critic. He was a champion for quality cinema in this country. As a broadcaster, commentator and film historian he had no equal. He was a good friend and sometime critic of the bfi. As a former governor he had strong views about the future of film and the work of the Institute. It is to his credit that he never shied away from expressing his views which were always informed."
He added: "The London film world and British cinema are a smaller and less colourful place without him."
bfi Director Amanda Nevill added: " I am sure I speak for everyone at the bfi when I say we are saddened that we have lost such a substantial figure in the cinema world.
"He was film."
She added: "Part of the landscape of film culture has gone with his passing and British cinema is the poorer as a result.
"His association with the British Film Institute goes back a long way. He was a former member governor of the bfi and was never shy to express his views about the organisation and its direction. Throughout, he was a tenacious, determined and vocal advocate for film in this country and although not always a fan, was a supporter of the work of the British Film Institute.
"He was passionate about the movies and had an unrivalled knowledge of Hollywood and the classic years of British and American cinema.
"This is a loss not only to British newspapers and film criticism but to everyone who loves film in this country."
In 'Dietrich' by Malene Sheppard Skaerved (Haus Publishing, 2003) it notes that Marlene hated biographers and covered her edition of Walker's book 'Dietrich' (Harper & Row, 1984) with scribbled notes. She accuses him of lying and writes on one page 'Rot, Rot. Bullshit, double Bullshit.' So he obviously made an impact with her!
Tuesday, July 08, 2003
Promoting British Talent
The British Independent Film Awards, which last year won the Hollis
Sponsorship Award for Best Low Budget Sponsorship and The Raindance Film Festival, are working with Transmission Inc. Ltd to secure a three year title sponsorship deal.
Although separate projects, both events are intrinsically linked and form the cornerstone of new talent in independent British Film Making. Transmission Inc. Ltd is working with the in-house team to put together a package aimed at building a long-term relationship with a commercial partner whilst promoting British talent in filmmaking.
In its sixth year, the British Independent Film Awards continue to grow in size and stature, filling an important niche in the UK and Independent filmmaking calendar. Over-subscribed for the last five years, this is the UK's fastest growing film event.
This year will also see the introduction of the Best British Feature
Documentary. The organisers feel this is a welcome addition to the current categories, highlighting and publicising an important educational and prolific genre of British independent filmmaking.
The British Independent Film Awards, which last year won the Hollis
Sponsorship Award for Best Low Budget Sponsorship and The Raindance Film Festival, are working with Transmission Inc. Ltd to secure a three year title sponsorship deal.
Although separate projects, both events are intrinsically linked and form the cornerstone of new talent in independent British Film Making. Transmission Inc. Ltd is working with the in-house team to put together a package aimed at building a long-term relationship with a commercial partner whilst promoting British talent in filmmaking.
In its sixth year, the British Independent Film Awards continue to grow in size and stature, filling an important niche in the UK and Independent filmmaking calendar. Over-subscribed for the last five years, this is the UK's fastest growing film event.
This year will also see the introduction of the Best British Feature
Documentary. The organisers feel this is a welcome addition to the current categories, highlighting and publicising an important educational and prolific genre of British independent filmmaking.
Award-winning South African film Amandla added to respectFilm festival
AMANDLA! A Revolution In Four-Part Harmony (2003)
Lee Hirsch/South Africa/2003/103mins/certificate tbc
Curzon Mayfair - Tuesday 15 July 6.30pm £8.50
38 Curzon Street Mayfair London W1J 7TY, 020 7495 0500 www.curzoncinemas.com
tube: Green Park/Hyde Park Corner
The power of song to communicate, motivate, console, unite and, ultimately, beget change: that ideal, gloriously realized, lies at the heart of director Lee Hirsch's inspiring feature-film documentary Amandla! A Revolution In Four-Part Harmony.
Winner of the Audience Award and Freedom of Expression Award at the 2002 Sundance Film Festival, Amandla! tells the story of black South African freedom music and reveals the central role it played in the long battle against apartheid. The first film to specifically consider the music that sustained and galvanized black South Africans for more than 40 years, Amandla!'s focus is on the struggle's spiritual dimension, as articulated and embodied in song. It is unlike any other film yet made on the subject of apartheid, and an electrically expressive portrait of South African life then and now.
AMANDLA! A Revolution In Four-Part Harmony (2003)
Lee Hirsch/South Africa/2003/103mins/certificate tbc
Curzon Mayfair - Tuesday 15 July 6.30pm £8.50
38 Curzon Street Mayfair London W1J 7TY, 020 7495 0500 www.curzoncinemas.com
tube: Green Park/Hyde Park Corner
The power of song to communicate, motivate, console, unite and, ultimately, beget change: that ideal, gloriously realized, lies at the heart of director Lee Hirsch's inspiring feature-film documentary Amandla! A Revolution In Four-Part Harmony.
Winner of the Audience Award and Freedom of Expression Award at the 2002 Sundance Film Festival, Amandla! tells the story of black South African freedom music and reveals the central role it played in the long battle against apartheid. The first film to specifically consider the music that sustained and galvanized black South Africans for more than 40 years, Amandla!'s focus is on the struggle's spiritual dimension, as articulated and embodied in song. It is unlike any other film yet made on the subject of apartheid, and an electrically expressive portrait of South African life then and now.
Monday, July 07, 2003
The Lord of the Rings Motion Picture Trilogy - The Exhibition
This is a unique visitor experience based on the famous films, opens at the Science Museum on 16 September 2003.
The family exhibition arrives before the eagerly awaited final instalment of the film trilogy and will be the only chance for European fans to explore for themselves the fantastic world created for The Lord of the Rings films.
Hundreds of artefacts from the movies including models, armoury and animatronics will feature alongside interactive computer and mechanical demonstrations of the cutting-edge technology used to bring the story to life.
The fascinating exhibition includes:
* Demonstrations of special effects, including the combining of 'real' and 'digital' action and CGI (computer-generated-image technology)
* A scaling interactive allowing visitors to become Hobbit sized in a scene from The Fellowship of the Ring - and then buy a print of themselves
* A display on prosthetics including Hobbit feet, Orc teeth and the contact lenses used to give the Orcs their unique look
* Giant models including Hobbiton Mill, Treebeard and a cave troll
* An 'armour corridor' featuring weapons belonging to Arwen, Gandalf, Frodo, and Aragorn
Ø Outfits including Arwen's riding costume, Galadriel's stunning dress, and Gandalf's robes
Visitors will be transported into the world of Middle-earth where they will be met by Frodo and his Hobbit companions, the wizards, the Black Riders, the cultures of Middle-earth and the fearsome warriors - all in the authentic costumes created for the films.
The Lord of the Rings Motion Picture Trilogy - The Exhibition will enable visitors to experience first hand some of the awe-inspiring special effects used to make the blockbuster films.
Head of the Science Museum, Jon Tucker, said: "This excellent exhibition provides a unique behind-the-scenes look at the science and technology which made the film trilogy possible - from the computer generated special effects to the development of the complex animatronics that created such stunning results."
The exhibition culminates with a face-to-face encounter with the central icon from the films - the One Ring itself.
· Due to the expected demand for tickets to see this exhibition, tickets can be pre-booked on 0870 870 4868.
· The Science Museum will be running a series of adult and family events during the autumn half term and Christmas holidays investigating traditional and state-of-the-art filmmaking techniques.
Exhibition
16 September 2003 to 11 January 2004
Ticket Prices
Monday - Friday: Adults £9.95, Children/Concessions £6.95
Saturday - Sunday: Adults £11.95, Children/Concessions £8.95
Information and booking line
0870 870 4868
This is a unique visitor experience based on the famous films, opens at the Science Museum on 16 September 2003.
The family exhibition arrives before the eagerly awaited final instalment of the film trilogy and will be the only chance for European fans to explore for themselves the fantastic world created for The Lord of the Rings films.
Hundreds of artefacts from the movies including models, armoury and animatronics will feature alongside interactive computer and mechanical demonstrations of the cutting-edge technology used to bring the story to life.
The fascinating exhibition includes:
* Demonstrations of special effects, including the combining of 'real' and 'digital' action and CGI (computer-generated-image technology)
* A scaling interactive allowing visitors to become Hobbit sized in a scene from The Fellowship of the Ring - and then buy a print of themselves
* A display on prosthetics including Hobbit feet, Orc teeth and the contact lenses used to give the Orcs their unique look
* Giant models including Hobbiton Mill, Treebeard and a cave troll
* An 'armour corridor' featuring weapons belonging to Arwen, Gandalf, Frodo, and Aragorn
Ø Outfits including Arwen's riding costume, Galadriel's stunning dress, and Gandalf's robes
Visitors will be transported into the world of Middle-earth where they will be met by Frodo and his Hobbit companions, the wizards, the Black Riders, the cultures of Middle-earth and the fearsome warriors - all in the authentic costumes created for the films.
The Lord of the Rings Motion Picture Trilogy - The Exhibition will enable visitors to experience first hand some of the awe-inspiring special effects used to make the blockbuster films.
Head of the Science Museum, Jon Tucker, said: "This excellent exhibition provides a unique behind-the-scenes look at the science and technology which made the film trilogy possible - from the computer generated special effects to the development of the complex animatronics that created such stunning results."
The exhibition culminates with a face-to-face encounter with the central icon from the films - the One Ring itself.
· Due to the expected demand for tickets to see this exhibition, tickets can be pre-booked on 0870 870 4868.
· The Science Museum will be running a series of adult and family events during the autumn half term and Christmas holidays investigating traditional and state-of-the-art filmmaking techniques.
Exhibition
16 September 2003 to 11 January 2004
Ticket Prices
Monday - Friday: Adults £9.95, Children/Concessions £6.95
Saturday - Sunday: Adults £11.95, Children/Concessions £8.95
Information and booking line
0870 870 4868
Tuesday, July 01, 2003
GERRY ANDERSON AND THE THUNDERBIRDS MOVIE
Gerry Anderson, creator of the original Thunderbirds series, has issued the following statement regarding the Thunderbirds Movie that is currently in production by Working Title Films at Pinewood Studios:
"A number of journalists I have spoken to, are under the impression that I am both involved with and supporting this feature film.
For the record, I would like to clarify my position with regards to the Thunderbirds Film, once and for all.
I was not approached by anyone, either before or at the outset of production of this movie, to be creatively involved. As a result I know very little about the film. I have not seen the script and have made it my business not to attempt to find out about it - despite the close physical proximity of filming to the facility that I am setting up for the creation of the new Captain Scarlet TV series.
I have a good relationship with the film's Director, Jonathan Frakes, whose previous work I rate highly, however, I am certainly in no position to endorse the film - or otherwise - and I would like this to be clearly understood."
Gerry Anderson, creator of the original Thunderbirds series, has issued the following statement regarding the Thunderbirds Movie that is currently in production by Working Title Films at Pinewood Studios:
"A number of journalists I have spoken to, are under the impression that I am both involved with and supporting this feature film.
For the record, I would like to clarify my position with regards to the Thunderbirds Film, once and for all.
I was not approached by anyone, either before or at the outset of production of this movie, to be creatively involved. As a result I know very little about the film. I have not seen the script and have made it my business not to attempt to find out about it - despite the close physical proximity of filming to the facility that I am setting up for the creation of the new Captain Scarlet TV series.
I have a good relationship with the film's Director, Jonathan Frakes, whose previous work I rate highly, however, I am certainly in no position to endorse the film - or otherwise - and I would like this to be clearly understood."
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