<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5104696</id><updated>2012-02-16T11:23:01.822Z</updated><category term='piracy'/><category term='competition'/><category term='buddha'/><category term='Barry Sheene'/><category term='film'/><category term='bradford'/><category term='3D'/><category term='dvd'/><category term='software'/><category term='cinema'/><category term='film festival'/><title type='text'>Talking Pictures -  Film, TV and Media Website</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default?start-index=101&amp;max-results=100'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>698</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5104696.post-5184153621134366056</id><published>2012-02-15T17:38:00.000Z</published><updated>2012-02-15T17:38:31.862Z</updated><title type='text'>Glasgow Film Festival’s groundbreaking partnership with Distrify enables GFF to sell films directly within Facebook</title><content type='html'>&lt;b style="background-color: rgba(255, 255, 255, 0.917969);"&gt;&lt;span style="color: #222222; font-family: arial, sans-serif; font-size: x-small;"&gt;Glasgow, UK, Wednesday 15 February 2012&lt;/span&gt;&lt;/b&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;In a continued partnership with the sharable video-on-demand player inventors Distrify (&lt;/span&gt;&lt;a href="http://www.distrify.com/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.distrify.com&lt;/a&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;), the Festival is featuring a selection of short films from this year's Glasgow Short Film Festival Scottish Competition programme in an online collection. Utilising Distrify's sharable VOD player, a selected film is also featured daily, and available to buy, on both Glasgow Film Festival and Glasgow Short Film Festival's Facebook pages.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;In a pioneering approach to engaging worldwide audiences, the selection includes the Scottish Audience Award-winning&amp;nbsp;&lt;/span&gt;&lt;i style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Philippa and Nancy&lt;/i&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;plus several titles straight after their World or Scottish Premieres during the festival. The films are all available for 99p or less and some are available worldwide. Others have had to limit their availability to preserve premiere status in other territories.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Matt Lloyd, Director of Glasgow Short Film Festival said, “GSFF is thrilled to be joining forces with Distrify to make Scottish films available to a wider audience. As a cutting-edge digital distribution resource for independent filmmakers, based right here in Glasgow, Distrify is a natural ally of GSFF. This initiative marks the start of an exciting partnership dedicated to supporting new Scottish and international filmmakers.”&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Peter Gerard, CEO and founder of Distrify added, “Many people have doubted whether short films can make money, especially online. Thanks to Distrify’s unique tools, which empower new filmmakers to engage audiences through social media, we’ve seen great short films earning thousands of pounds a week. Glasgow Short Film Festival has a reputation for curatorial excellence, so we look forward to how audiences respond to the GSFF’s exclusive collection of shorts.”&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;The VOD collection will be available until 26 February at&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.glasgowfilm.org/festival/channel" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.glasgowfilm.org/festival/&lt;wbr&gt;&lt;/wbr&gt;channel&lt;/a&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;. The majority of the price the films are sold for goes to the filmmakers.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;The featured films can be bought within Facebook at:&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;a href="https://www.facebook.com/glasgowfilmfestival?sk=app_203403406338325" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;https://www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;glasgowfilmfestival?sk=app_&lt;wbr&gt;&lt;/wbr&gt;203403406338325&lt;/a&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;a href="https://www.facebook.com/glasgowshortfilmfestival?sk=app_203403406338325" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;https://www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;glasgowshortfilmfestival?sk=&lt;wbr&gt;&lt;/wbr&gt;app_203403406338325&lt;/a&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5184153621134366056?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.glasgowfilm.org/festival/channel' title='Glasgow Film Festival’s groundbreaking partnership with Distrify enables GFF to sell films directly within Facebook'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5184153621134366056/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5184153621134366056&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5184153621134366056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5184153621134366056'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/glasgow-film-festivals-groundbreaking.html' title='Glasgow Film Festival’s groundbreaking partnership with Distrify enables GFF to sell films directly within Facebook'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-8931144612984696288</id><published>2012-02-15T15:40:00.000Z</published><updated>2012-02-15T15:40:17.433Z</updated><title type='text'>UK’S TOP 20 AMATEUR FILMMAKERS FACE PUBLIC VOTE FOR PLACE AT JAMESON EMPIRE AWARDS</title><content type='html'>&lt;div align="center" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm; text-align: center;"&gt;&lt;span style="font-family: Calibri, sans-serif;"&gt;&lt;span style="font-size: 15px; line-height: 22px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm; text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;Jameson Empire ‘Done in 60 Seconds’ competition launches vote to find the best amateur filmmaker&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;b&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;February 2012&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;&amp;nbsp;– Empire Magazine and Jameson Irish Whiskey are urging the British public to get behind their favourite amateur filmmaker and vote for the best one minute remake in the annual Jameson Empire ‘Done in 60 seconds’ (DISS) competition. Voting on the UK’s top 20 entries is open now until 29&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;February on&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="color: blue; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;&lt;a href="http://www.empireonline.com/awards2012/diss" style="color: #1155cc;" target="_blank"&gt;www.empireonline.com/&lt;wbr&gt;&lt;/wbr&gt;awards2012/diss&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;with the top five selected to attend the DISS Global Final on 23&lt;sup&gt;rd&lt;/sup&gt;&amp;nbsp;March. There, the top 5 finalists from around the world will be selected and invited to attend the&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;2012 Jameson Empire Awards on Sunday 25&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;March.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;DISS ambassador and BAFTA Rising Star nominee Chris O’Dowd&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;,&lt;b&gt;&amp;nbsp;&lt;/b&gt;spoke of his support for the competition and the opportunity it gives young aspiring film-makers:&amp;nbsp;&lt;i&gt;“Done in 60 Seconds is a great way for amateur filmmakers to show-case their talent in the film world.&amp;nbsp; This is a truly brilliant opportunity for film enthusiasts to show off their creativity and editing skills.&amp;nbsp; I would love to have had something like this when I was starting out; Jameson and Empire have created something truly unique and exciting for promising filmmakers.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;For the last four years Empire Magazine, in association with Jameson, has annually held the ‘Done in 60 Seconds’ competition. The competition gives amateur film fans around the world the chance to remake any film of their choice in no more than 60 seconds.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;The shortlist of 20 film enthusiasts, selected from more than 90 initial entries in the UK by Empire magazine, will battle it out to secure one of five UK places at the Jameson Empire ‘Done in 60 Seconds’ Global Final. A panel of judges, headed up by Chris O’Dowd, will select the best five entries at the Final and these five finalists will all attend the star-studded Jameson Empire Awards on Sunday 25&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;March, where the DISS 2012 winner will be announced and rub shoulders with the stars of big screen as they receive their award on stage.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;Jameson UK Brand Manager, Evgenia Matthews&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;added&lt;b&gt;:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: Calibri, sans-serif; font-size: 11pt; line-height: 22px;"&gt;“Jameson has built a strong connection with the world of film over the last few years, starting with the creation of the Jameson Short Film Award, the Jameson Dublin International Film Festival, the Independent Spirit awards, Jameson Cult Film Club and finally the Jameson Empire Awards.&amp;nbsp; We are extremely passionate about the world of film and therefore supporting an award such as ‘Done in 60 Seconds’ really gives budding amateur filmmakers a platform to showcase their talent to the world, which is truly unique.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 6pt; margin-left: 0cm; margin-right: 0cm;"&gt;Any other budding film-makers out there can log-on to the&amp;nbsp;&lt;b&gt;Jameson Empire Done in 60 Seconds Film Academy&lt;/b&gt;&amp;nbsp;to learn top movie-making tips from the stars:&amp;nbsp;&lt;a href="" style="color: #1155cc;"&gt;www.jamesonwhiskey.com/DISS&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-8931144612984696288?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.jamesonwhiskey.com/DISS' title='UK’S TOP 20 AMATEUR FILMMAKERS FACE PUBLIC VOTE FOR PLACE AT JAMESON EMPIRE AWARDS'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/8931144612984696288/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=8931144612984696288&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8931144612984696288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8931144612984696288'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/uks-top-20-amateur-filmmakers-face.html' title='UK’S TOP 20 AMATEUR FILMMAKERS FACE PUBLIC VOTE FOR PLACE AT JAMESON EMPIRE AWARDS'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-1007775551577287066</id><published>2012-02-15T15:38:00.000Z</published><updated>2012-02-15T15:38:25.876Z</updated><title type='text'>Star Wars™ The Phantom Menace™:</title><content type='html'>&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The Expanded Visual Dictionary&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Published 19th January        Price: £14.99&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Since the release of the first film in 1977, Star Wars has captivated audiences worldwide. The Star Wars experience gains new dimension this year as Star Wars: Episode I The Phantom Menace 3D arrives in cinemas. Star Wars The Phantom Menace: The Expanded Visual Dictionary is the definitive guide to the first chapter of the galactic story of Darth Vader.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Using photography from Lucasfilm’s extensive archives, the book is broken down into astonishing detail, listing the Jedi, Sith, creatures, weapons, costumes and equipment of Episode I. Every character, from Anakin Skywalker and Darth Maul to the humble pit droid is thoroughly analysed, providing unparalleled detail, touching on everything from comlinks and lightsabers to Watto’s junkyard.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;This updated version provides 40 extra pages of content and enhanced design to excite Star Wars fans of any age and serves as the perfect accompaniment to the film’s eye-popping images and classic thrills.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Also from DK:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;LEGO® STAR WARS™ MINIFIGURES ULTIMATE STICKER COLLECTION&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Publishing on 1st March           &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Priced £7.99 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Packed with 1000 re-usable full-colour stickers, this collection features the most popular minifigures from the magical world of LEGO Star Wars. Learn all about brave Jedi, sneaky Sith, determined Rebels, terrifying bounty hunters and many more exciting characters.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Read the fun, bite-size captions about different heroes and villains from Star Wars and search for the matching stickers, which you can use again and again.  With activity spreads and a bright and exciting design, this new sticker book brings the characters to life and is sure to captivate LEGO Star Wars fans.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The sticker collection also includes stickers of new minifigures to be released in 2012. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-1007775551577287066?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/1007775551577287066/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=1007775551577287066&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1007775551577287066'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1007775551577287066'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/star-wars-phantom-menace.html' title='Star Wars™ The Phantom Menace™:'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-4398302737860381245</id><published>2012-02-15T14:58:00.000Z</published><updated>2012-02-15T14:58:20.769Z</updated><title type='text'>THE PROMOTION</title><content type='html'>&lt;h2 align="center"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div align="center"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;‘&lt;/i&gt;&lt;b&gt;&lt;i&gt;Terrifically smart and funny’ – Sixty Second Preview&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Seann William Scott and John C Reilly star in the quirky off-beat comedy&amp;nbsp;&lt;b&gt;‘The Promotion’&amp;nbsp;&lt;/b&gt;which will be released by High Fliers on retail DVD on April 23&lt;sup&gt;rd&lt;/sup&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Both actors will have a high profile in UK cinemas around the DVD’s release date. Seann William Scott, currently starring in ‘Goon’, will be seen again in the Spring when he reprises his role for the final film in the hugely successful ‘American Pie’ franchise while John C Reilly will be starring with Sacha Baron Cohen, Anna Faris and Ben Kingsley in ‘The Dictator’ which opens in May.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;‘The Promotion’&lt;/b&gt;&amp;nbsp;was written and directed by Steven Conrad who was also the screenwriter for ‘The Pursuit Of Happiness’ and ‘The Weather Man’.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Living the American Dream, happily married Doug Stauber’s professional ambitions are about to be realised when his boss at the Chicago supermarket chain where he works assures him he's a shoo-in to manage a new neighbourhood store.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;However, enter rival Richard Wehlner. He wants the job too, has a better CV than Doug, has a wife&amp;nbsp;&lt;i&gt;and&amp;nbsp;&lt;/i&gt;a daughter and is regarded by seemingly everybody as an all-round terrific guy.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;How should Doug react to this challenge? Should he regard Richard as a friend, a colleague, a competitor or an enemy?&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Richard, it seems, has demons and a past but with the help of motivational tapes he’s determined to succeed.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Soon their professional rivalry explodes as the two men fight it out in corporate and psychological tests to determine who gets the dream promotion to supermarket store manager! A clear case of two guys, one job and no rules!&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;‘&lt;b&gt;The Promotion’&lt;/b&gt;&amp;nbsp;has a run time of 86 minutes, a ‘15’ certificate and an rrp of £12.99.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-4398302737860381245?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/4398302737860381245/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=4398302737860381245&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4398302737860381245'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4398302737860381245'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/promotion.html' title='THE PROMOTION'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-1985672835646617430</id><published>2012-02-15T14:55:00.000Z</published><updated>2012-02-15T14:55:23.966Z</updated><title type='text'>Recoil Goes Blu-Ray</title><content type='html'>&lt;div style="background-color: white; color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 64px;"&gt;&lt;strong&gt;&lt;em&gt;RECOIL&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div style="background-color: white; color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: center;"&gt;&lt;img alt="" border="0" height="322" src="http://gallery.mailchimp.com/e3e9cc4a0fecf6559b25407e6/files/RECOIL_BLU_2D.JPG" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: inline; line-height: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 560px; outline-color: initial; outline-style: none; outline-width: initial; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" width="250" /&gt;&lt;/div&gt;&lt;div style="background-color: white; color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;em&gt;Artwork subject to change&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 24px;"&gt;&lt;strong&gt;Released on Blu-ray and DVD 16 April 2012&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;After the murder of his family, a former cop turns vigilante in order to find the criminals that have slipped through the system and exercise his own brand of ruthless justicein the hard-hitting and gripping action release,&amp;nbsp;&lt;strong&gt;&lt;em&gt;RECOIL&lt;/em&gt;&lt;/strong&gt;, out on Blu-ray and DVD from Entertainment One on 16&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;April 2012.&lt;br /&gt;&lt;br /&gt;Former Pro Wrestling World Champion turned actor, Steve ‘Stone Cold’ Austin (The Expendables, The Longest Yard, Damage) and Danny “Machete” Trejo (Planet Terror, Grindhouse) star in this action-packed, must-see for adrenaline junkies and wrestling fans.&lt;br /&gt;&lt;br /&gt;When honorable police officer Ryan Varrett’s (Austin) entire family is viciously murdered, the one-time good guy cop is forced to go rogue – breaking the laws he once swore to uphold – in his quest for justice. The primary targets for Varrett’s revenge are a murderous biker gang, a corrupt local police, and a cold-hearted crime lord named Drayke (Trejo).&lt;br /&gt;&lt;br /&gt;Directed by&amp;nbsp;&lt;a href="http://dna-pr.us2.list-manage.com/track/click?u=e3e9cc4a0fecf6559b25407e6&amp;amp;id=3e6c6a9f7e&amp;amp;e=a26f405550" style="color: #336699;" target="_blank"&gt;Terry Miles&lt;/a&gt;&amp;nbsp;(&lt;a href="http://dna-pr.us2.list-manage.com/track/click?u=e3e9cc4a0fecf6559b25407e6&amp;amp;id=e9352d5a40&amp;amp;e=a26f405550" style="color: #336699;" target="_blank"&gt;A Night For Dying Tigers&lt;/a&gt;) and co-starring sexy&amp;nbsp;&lt;a href="http://dna-pr.us2.list-manage.com/track/click?u=e3e9cc4a0fecf6559b25407e6&amp;amp;id=b363ed7714&amp;amp;e=a26f405550" style="color: #336699;" target="_blank"&gt;Serinda Swan&lt;/a&gt;(TRON: Legacy, Percy Jackson and the Lightning Thief),&amp;nbsp;&lt;strong&gt;&lt;em&gt;RECOIL&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;is a thrilling, bone-crunching, revenge actioner.&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;u&gt;Recoil&lt;/u&gt;&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;u&gt;&amp;nbsp;Blu-ray and DVD Details&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Certificate:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; tbc&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;Audio (DVD):&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&lt;/wbr&gt;&amp;nbsp; Dolby Digital 5.1/2.0&lt;br /&gt;Audio (Blu-ray):&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&lt;/wbr&gt;&amp;nbsp; DTS-HD Master Audio&lt;br /&gt;Aspect ratio:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&lt;/wbr&gt;&amp;nbsp;&amp;nbsp; 16:9 (1.85:1)&lt;br /&gt;Running time:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; TBC&lt;br /&gt;Price (DVD):&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; £12.99&lt;br /&gt;Price (Blu-ray)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&lt;/wbr&gt;&amp;nbsp;&amp;nbsp; £14.99&lt;br /&gt;Special features:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Trailer&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-1985672835646617430?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/1985672835646617430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=1985672835646617430&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1985672835646617430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1985672835646617430'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/recoil-goes-blu-ray.html' title='Recoil Goes Blu-Ray'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-7086806549103940783</id><published>2012-02-15T14:51:00.000Z</published><updated>2012-02-15T14:51:46.432Z</updated><title type='text'>Sony Ericsson Xperia Smartphones Receive Four iF Design Awards</title><content type='html'>&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;" /&gt;&lt;/span&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;" /&gt;&lt;/span&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;ul&gt;&lt;li style="margin-left: 15px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Xperia active, Xperia ray, Xperia mini pro and Mix Walkman recognized for innovative design and high-end functionality&amp;nbsp;&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;The Xperia active smartphone receives highest level gold award&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;1&lt;/b&gt;&lt;b&gt;4 February 2012,&amp;nbsp;&lt;/b&gt;&lt;b&gt;London, UK&lt;/b&gt;&lt;b&gt;&amp;nbsp;-&amp;nbsp;&lt;/b&gt;Sony Ericsson today announced it has received four 2012 iF product design awards in the telecommunications category. &amp;nbsp;Xperia&lt;sup&gt;TM&lt;/sup&gt;&amp;nbsp;active received the highest level of recognition, the gold award. The iF jury's comprehensive judging criteria included quality of design and finish, choice of materials, environmental impact and functionality. &amp;nbsp;The ceremony took place in Munich, Germany on February 9. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;"The Xperia active smartphone reflects our commitment to offer handsets for active consumers with stunning design inside and out," said Jeanna Kimbré, Director of Creative Product Design for Sony Ericsson. "Design has always been a cornerstone of how we approach innovation and we will continue to build on this success with the new iconic design language introduced as part of our 2012 portfolio." &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Special gold recognition for Xperia active&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The iF&amp;nbsp;product design gold award recognizes the very best designs in the telecommunications industry. Xperia active boasts a scratch resistant touch display that can be used even when fingers are wet and boasts technology that enables the display to be seen in bright sunshine.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;"We warmly congratulate Sony Ericsson for its first iF gold award. &amp;nbsp;Xperia active is a very functional smartphone with a highly elegant design. Especially for sport users, &amp;nbsp;it is the number one choice &amp;nbsp;and the water and dust-resistance make it a very special product - a symbiosis of functionality and elegance," said &amp;nbsp;Ralph Wiegmann, Managing Director of iF International Forum Design GmbH in Hannover.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Sony Ericsson carefully chose the materials for Xperia active to ensure the best aesthetics were used and that the smartphone is durable, sustainable and functional. A sturdy aluminum frame surrounds and protects the display and embodies the essence of Xperia active - utilitarian elegance. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Xperia range&amp;nbsp;&lt;/b&gt;&lt;b&gt;- award winning designs&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The iF awards recognized the&amp;nbsp;wider Xperia range and awarded Xperia ray, Mix Walkman and Xperia mini pro with product design awards. The breadth of awards demonstrates Sony Ericsson's commitment to create beautifully designed smartphones across the portfolio without sacrificing functionality.&lt;/span&gt;&lt;br /&gt;&lt;ul&gt;&lt;li style="margin-left: 15px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Xperia ray&lt;/b&gt;&amp;nbsp;offers a slim, yet dynamic shape which can perfectly fit into the palm of a consumer's hand. The aluminum sides give the product a premium expression and a positive tactile experience. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The interchangeable band&amp;nbsp;on&amp;nbsp;&lt;b&gt;Mix Walkman&lt;/b&gt;&amp;nbsp;allows consumers to express themselves and their personality via their handset. The precision of the clean front surface together with the soft curvature on the back creates a product with a distinct feeling.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Xperia mini&lt;/b&gt;&amp;nbsp;pro boasts a QWERTY keyboard to enable fast typing and the fusion of exquisite lacquers, reflective metal and colorful accents create a stylish, fresh and energetic look.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The iF product&amp;nbsp;design awards are an internationally recognized label for award-winning design and a symbol for outstanding achievements in design.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-7086806549103940783?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/7086806549103940783/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=7086806549103940783&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7086806549103940783'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7086806549103940783'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/sony-ericsson-xperia-smartphones.html' title='Sony Ericsson Xperia Smartphones Receive Four iF Design Awards'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-321338483445420489</id><published>2012-02-15T14:50:00.000Z</published><updated>2012-02-15T14:50:10.070Z</updated><title type='text'>Another record-breaking New Year at  BFI Southbank as it celebrates its  BEST MONTH EVER</title><content type='html'>&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Once again BFI Southbank has broken box-office records and is celebrating its most&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;successful month ever with its highest number of cinema viewers in January 2012.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The winter chill couldn’t keep audiences away from its unique programme of&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;packed screenings, exclusive events and to watch films that can’t be seen in any&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;other cinemas: from Dickens on Screen and Woody Allen seasons to an extended&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;run of Jean Vigo’s L’Atalante, the first London Comedy Film Festival and the UK&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;premiere of Phyllida Law’s The Iron Lady. January paid admissions reached a record&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;35,000 – an increase of 25% from January 2011 - while more than 180,000 visitors in&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;total came to BFI Southbank, many of them stopping on their way for a drink or a&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;bite to eat at benugo bar &amp;amp; kitchen, the new Drawing Room and The Riverfront, or to&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;shop at the Filmstore. With these record results, BFI Southbank confirms its&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;reputation as one of the best cultural hotspots in London. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Clare Stewart, Head of Exhibition BFI, said: &amp;nbsp;“We are thrilled that 2012 has kicked-off&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;with such brilliant results, indicating that audiences for great film are expanding and that&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;film fans are, more than ever, seeking the big screen experience and diverse programming&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;they can find at BFI Southbank."&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Looking ahead, Spring at BFI Southbank &amp;nbsp;is packed with even more exciting&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;screenings and events, from the complete &amp;nbsp;David Lynch retrospective and the&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;continuing &amp;nbsp;Dickens on Screen, presently screening, to the idiosyncratic genius of&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Peter Cook in March and the glorious Technicolor from &amp;nbsp;Vincente Minnelli&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;throughout April and May. &amp;nbsp;June will bring a Meltdown programme to complement&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;the annual music festival, and the eagerly anticipated celebrations for The Genius of&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Alfred Hitchcock will launch this Summer, when his entire body of work will screen&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;over three months, accompanied by spectacular one-off screenings of his British&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;silent films being held throughout London as part of the London 2012 Festival&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;celebrations.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-321338483445420489?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.bfi.org.uk/southbank' title='Another record-breaking New Year at  BFI Southbank as it celebrates its  BEST MONTH EVER'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/321338483445420489/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=321338483445420489&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/321338483445420489'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/321338483445420489'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/another-record-breaking-new-year-at-bfi.html' title='Another record-breaking New Year at  BFI Southbank as it celebrates its  BEST MONTH EVER'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-8273158409307944403</id><published>2012-02-15T14:47:00.002Z</published><updated>2012-02-15T14:47:51.939Z</updated><title type='text'>BEACTIVE LAUNCHES BEACTIVE CLASSICS</title><content type='html'>&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); text-align: center;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 19px; text-transform: uppercase;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: center;"&gt;&lt;b&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: small;"&gt;Competition to discover fresh comedy filmmaking talent-&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif;"&gt;Multi award-winning transmedia production company,&lt;b&gt;&amp;nbsp;beActive&amp;nbsp;&lt;/b&gt;has today announced the launch of&amp;nbsp;&lt;b&gt;&lt;i&gt;beActive Classics&lt;/i&gt;&lt;/b&gt;, an online competition offering aspiring comedy filmmakers in the&amp;nbsp;&lt;u&gt;&lt;/u&gt;UK&lt;u&gt;&lt;/u&gt;&amp;nbsp;and&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;Ireland&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&amp;nbsp;the chance to submit original short films for a chance to win a monthly cash prize.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif;"&gt;Every month, beActive will select a topical subject and digital comedy filmmakers will have just eight days to create and submit a short film based on this theme. The winning video will be chosen by beActive based on its quality, creativity and entertainment value, and will then be posted to beActive’s YouTube page. The winner will also receive €2000. beActive is planning for the competition to run for six months, resulting in six winning entries that will also be shown through the beActive YouTube channel.&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="color: black;"&gt;The launch of&lt;i&gt;&amp;nbsp;beActive Classics&lt;/i&gt;&amp;nbsp;follows&amp;nbsp;&lt;i&gt;The Digital Comedy Lab&lt;/i&gt;, another talent investment project from beActive.&amp;nbsp;&lt;i&gt;The Digital Comedy Lab&lt;/i&gt;&amp;nbsp;offers&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;UK&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&amp;nbsp;and Irish comedy filmmakers the opportunity to enter feature-length mockumentary films, with the two winning projects receiving up to €50,000 each in development funding. The entry period closed on 31 January&lt;/span&gt;&amp;nbsp;and received almost 200 applications. The 12 finalists will be announced by the end of February.&lt;span style="font-size: small;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;span style="color: black;"&gt;beActive’s co-founder and CEO&amp;nbsp;&lt;u&gt;&lt;/u&gt;Nuno Bernardo&lt;u&gt;&lt;/u&gt;&amp;nbsp;said&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;: “&lt;i&gt;beActive Classics&lt;/i&gt;&amp;nbsp;provides an amazing opportunity for future comedy production stars to have their films viewed by a wide online audience and receive a valuable cash prize to invest in their careers. Together with&amp;nbsp;&lt;i&gt;The Digital Comedy Lab&lt;/i&gt;, it illustrates beActive’s interest in finding and supporting the next generation of creative talent.” &amp;nbsp;&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif;"&gt;For more information, please visit:&amp;nbsp;&lt;a href="http://www.digitalcomedylab.com/" style="color: #1155cc;" target="_blank"&gt;www.digitalcomedylab.com&lt;/a&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-8273158409307944403?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.digitalcomedylab.com' title='BEACTIVE LAUNCHES BEACTIVE CLASSICS'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/8273158409307944403/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=8273158409307944403&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8273158409307944403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8273158409307944403'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/beactive-launches-beactive-classics.html' title='BEACTIVE LAUNCHES BEACTIVE CLASSICS'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5758904096964001394</id><published>2012-02-15T14:45:00.000Z</published><updated>2012-02-15T14:45:33.664Z</updated><title type='text'>New film epitomises Ashridge’s approach to Action Research</title><content type='html'>&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;table border="0" cellpadding="0" cellspacing="5"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="center" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;New film epitomises Ashridge’s approach to Action Research&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;a href="http://www.ashridge.org.uk/Website/Content.nsf/wFARACAR/Ashridge+Centre+for+Action+Research?opendocument" style="color: #1155cc;" target="_blank"&gt;The Centre for Action Research at Ashridge Business School&amp;nbsp;&lt;/a&gt;is helping to promote a UK wide tour of the film,&amp;nbsp;&lt;a href="http://www.anecologyofmind.com/screenings/" style="color: #1155cc;" target="_blank"&gt;‘An Ecology of Mind’&amp;nbsp;&lt;/a&gt;which is a documentary about the life and work of&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Gregory_Bateson" style="color: #1155cc;" target="_blank"&gt;Gregory Bateson&lt;/a&gt;. Bateson’s way of thinking is a major influence on Ashridge consultants and faculty who use action research principles in their practice. And this benefits many organisations both in the UK and other parts of the world.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The film, directed and presented by his daughter, Nora Bateson, explores &amp;nbsp;Gregory’s ideas about &amp;nbsp;relationships, connections and patterns - continues to influence and provoke new thinking about human and animal behaviour, &amp;nbsp;about ecology, &amp;nbsp;art, design and health.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The film is on a worldwide tour and includes several venues in the UK including&amp;nbsp;&lt;a href="http://instituteformodern.co.uk/2012/imcc-hosts-london-premier-of-an-ecology-of-mind-feb-27th" style="color: #1155cc;" target="_blank"&gt;London&lt;/a&gt;, Manchester, Glasgow and Bristol.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Kevin Power, a member of faculty at Ashridge, is among the group that has arranged the screenings and seminars in this country.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;“Gregory Bateson’s thinking strikes a chord right at the heart of our practice as organisational consultants and action researchers – a field where Ashridge is a worldwide leader.”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;“It is very much a daughter’s story and it introduces Bateson’s ideas to new audiences, using the metaphor of a relationship between father and daughter, and footage of Bateson’s talks.”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Each screening, too, hosts a discussion between Nora and a wide range of people working in depth with Gregory Bateson’s ideas: artists, architects, organisational practitioners, action researchers, ecological activists, mental health practitioners, scientists, urban designers, cyberneticians.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;These screenings and discussions show a way of thinking that crosses fields of knowledge and experience, one that can lead out of the ecological crisis and towards a more sound way of living.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Gregory Bateson, British-American anthropologist, biologist, systems thinker (1904 – 1980),&amp;nbsp; invited people to look at a thing – an earthworm, a number sequence, a tree, a definition of addiction, anything at all – by seeing the interdependencies that connect them and the processes beneath the structures. He believed, “The major problems in the world are the result of the difference between the way nature works and the way people think.”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;UK schedule and event information:&amp;nbsp;&lt;a href="mailto:ecologyofmind.uk@phonecoop.coop" style="color: #1155cc;" target="_blank"&gt;ecologyofmind.uk@phonecoop.&lt;wbr&gt;&lt;/wbr&gt;coop&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;‘An Ecology of Mind’ website:&amp;nbsp;&amp;nbsp;&lt;a href="http://www.anecologyofmind.com/" style="color: #1155cc;" target="_blank"&gt;www.anecologyofmind.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Film's Facebook page:&amp;nbsp;&lt;a href="http://www.facebook.com/AnEcologyOfMind" style="color: #1155cc;" target="_blank"&gt;www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;AnEcologyOfMind&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;London event: Monday 27 February 2012, 6:30 pm&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The Old Cinema, 309 Regent Street, London W1&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;strong&gt;Other public events:&amp;nbsp;&lt;/strong&gt;&lt;br clear="all" /&gt;13 Feb – Milton Keynes&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;14 Feb - Hull&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;15 &amp;amp; 16 Feb – Manchester&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;17 Feb – Glasgow&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;20 Feb – Bradford&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;21 Feb – Bristol&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;22 Feb – Dartington, Devon&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;23 &amp;amp; 24 Feb – Edinburgh&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;strong&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;UK Press:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;“For me, watching Nora Bateson’s film was overwhelming. Her biggest achievement is in explaining abstract concepts in a clear way. Until now, Bateson’s’ work has been largely inaccessible outside the academic community. With this film, this is bound to change”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Jan van Boeckel,&amp;nbsp;&lt;em&gt;Resurgence&lt;/em&gt;, Jan-Feb 2012&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Global Press:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;“The double bind that we now face is this: on the one hand, we want to preserve our natural environment; on the other, everything we do to grow our economy and preserve our standard of living disrupts the natural environment and our relationships with it. Nora, like her father, suggests that we must raise our consciousness and learn to think in new ways to escape our pathology of wrong thinking…Nora Bateson presents viewers not only with an intellectually challenging and inspiring work of art, but also with a glimpse of evanescent hope.”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Marilyn Wedge,&amp;nbsp;&lt;em&gt;Huffington Post,&lt;/em&gt;&amp;nbsp;13 October 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;“Gregory Bateson taught us how to stop having the most fundamental old ideas: the static, separating, reductionist fictions that dis-integrate an integrated world. Nora Bateson's beautiful portrait of her father's key insights is a stunningly effective antidote for a new generation that now needs his wisdom more than ever.”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Amory B. Lovins, Chairman and Chief Scientist, Rocky Mountain Institute&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;"&lt;em&gt;An Ecology of Mind&lt;/em&gt;&amp;nbsp;is a spell-binding, lyrical, and very important film..."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Rex Weyler - Co-Founder, Greenpeace International&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Awards for the film:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Gold for Best Documentary, Spokane International Film Festival, 2011&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Audience Award Winner, Best Documentary, Santa Cruz Film Festival, 2011&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Winner, Media Ecology Association, John Culkin Award for Outstanding Praxis, 2011&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5758904096964001394?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.anecologyofmind.com' title='New film epitomises Ashridge’s approach to Action Research'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5758904096964001394/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5758904096964001394&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5758904096964001394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5758904096964001394'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/new-film-epitomises-ashridges-approach.html' title='New film epitomises Ashridge’s approach to Action Research'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-4848981667357556629</id><published>2012-02-15T14:42:00.000Z</published><updated>2012-02-15T14:42:21.700Z</updated><title type='text'>Jessie starts this Friday</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span lang="EN-US" style="font-size: 10pt;"&gt;Disney Channel’s brand new comedy series&amp;nbsp;&lt;b&gt;&lt;i&gt;Jessie&lt;/i&gt;&lt;/b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;starts this Friday. Disney UK is also launching&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 10pt;"&gt;Superbia&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;,&amp;nbsp;&lt;a href="http://www.disneychannel.co.uk/superbia" style="color: #1155cc;" target="_blank"&gt;www.disneychannel.co.uk/&lt;wbr&gt;&lt;/wbr&gt;superbia&lt;/a&gt;,&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;an online game which allows kids to explore digital areas inspired by Disney Channel’s hit shows like&amp;nbsp;&lt;b&gt;&lt;i&gt;Hanna Montana&lt;/i&gt;&lt;/b&gt;&amp;nbsp;and&amp;nbsp;&lt;b&gt;&lt;i&gt;Jessie&lt;/i&gt;&lt;/b&gt;. Details below. I’ve also attached imagery and an interview feature with Jessie’s star Debby Ryan. Please let me know if you can run it&lt;i&gt;.&lt;/i&gt;&amp;nbsp;&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span lang="EN-US" style="font-size: 10pt;"&gt;Disney Channel’s brand new comedy series&amp;nbsp;&lt;b&gt;&lt;i&gt;Jessie&lt;/i&gt;&lt;/b&gt;, is set to take the UK by storm, following its huge ratings success in the U.S. with 4.6 million viewers tuning in to make it the&amp;nbsp;&lt;b&gt;most-watched Friday series premiere in three years&lt;/b&gt;.* The series stars 18-year-old teen starlet&amp;nbsp;&lt;b&gt;Debby Ryan&amp;nbsp;&lt;/b&gt;of&amp;nbsp;&lt;i&gt;The Suite Life on Deck&amp;nbsp;&lt;/i&gt;and&lt;i&gt;&amp;nbsp;16 Wishes&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;fame, and will premiere on the channel at&amp;nbsp;&lt;b&gt;5:35pm this Friday 17&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;February 2012.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span lang="EN-US" style="font-size: 10pt;"&gt;The story follows the journey of an idealistic teen, played by Ryan, from rural Texas who moves to New York City and becomes a nanny for a high-profile couple Morgan and Christina and their four children, Emma, Ravi, Luke and Zuri. Starring alongside her is a talented cast including Tony Award-nominated Kevin Chamberlin (Broadway's&amp;nbsp;&lt;i&gt;The Addams Family&lt;/i&gt;) as Bertram; Peyton List (&lt;i&gt;27 Dresses, Diary of a Wimpy Kid: Rodrick Rules&lt;/i&gt;) as Emma; Karan Brar (&lt;i&gt;Diary of a Wimpy Kid, Diary of a Wimpy Kid: Rodrick Rules&lt;/i&gt;) as Ravi; Cameron Boyce (&lt;i&gt;Grown Ups&lt;/i&gt;) as Luke; and Skai Jackson (&lt;i&gt;Royal Pains&lt;/i&gt;) as Zuri.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-indent: 36pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 10pt;"&gt;Fans of Disney Channel shows will be pleased to learn that Disney UK has launched&amp;nbsp;&lt;b&gt;&lt;i&gt;Superbia&lt;/i&gt;,&amp;nbsp;&lt;a href="http://www.disneychannel.co.uk/superbia" style="color: #1155cc;" target="_blank"&gt;www.disneychannel.co.uk/&lt;wbr&gt;&lt;/wbr&gt;superbia&lt;/a&gt;,&lt;/b&gt;&amp;nbsp;a fun and entertaining online game&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt;"&gt;where kids can safely play in digital areas&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;inspired by Disney Channel’s hit shows and popular characters.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 10pt;"&gt;The vibrant city of&amp;nbsp;&lt;i&gt;Superbia&amp;nbsp;&lt;/i&gt;features a variety of Disney Channel inspired places for kids to explore such as the&amp;nbsp;&lt;b&gt;&lt;i&gt;Hannah Montana&lt;/i&gt;&lt;/b&gt;&amp;nbsp;concert hall,&amp;nbsp;&lt;b&gt;&lt;i&gt;Shake It Up&lt;/i&gt;&lt;/b&gt;&amp;nbsp;dance studio and other sites dedicated to hit shows like&amp;nbsp;&lt;b&gt;&lt;i&gt;Good Luck Charlie,&amp;nbsp;&lt;/i&gt;A&lt;i&gt;.N.T. Farm&amp;nbsp;&lt;/i&gt;and&amp;nbsp;&lt;i&gt;The Suite Life on Deck&lt;/i&gt;&lt;/b&gt;. The latest location to be added to the city of Superbia is&lt;b&gt;&amp;nbsp;Jessie’s New York Penthouse apartment&amp;nbsp;&lt;/b&gt;where players can buy Jessie themed items to decorate their house in the latest Manhattan style and dress up like their favourite Jessie characters. There will also be a quest where they can win a very special house guest (Mr Kipling – the family’s pet lizard) for their in-game Superbia house.&lt;/span&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 10pt;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 10pt;"&gt;As a citizen of&amp;nbsp;&lt;i&gt;Superbia,&lt;/i&gt;&amp;nbsp;users can choose their own personalised avatars, select special outfits, decorate their own virtual rooms or visit the virtual homes of their favourite Disney Channel characters.&amp;nbsp; Players also face the challenge of creating new desserts for the ice cream parlour and undertake a series of quests to unlock cool new rooms in the community.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-size: 10pt;"&gt;Superbia&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-size: 10pt;"&gt;is based on Disney Channel Italy’s hugely popular social game,&amp;nbsp;&lt;i&gt;Fun and Friends,&amp;nbsp;&lt;/i&gt;which boasts over 60,000 registered users, numerous dedicated fan forums and Facebook pages.&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 10pt;"&gt;Superbia&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;is the newest addition to Disney’s successful collection of digital environments, which includes the Children’s BAFTA-nominated website&amp;nbsp;&lt;i&gt;Club Penguin&lt;/i&gt;, the world’s most successful virtual world for kids.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span lang="EN-US" style="font-size: 10pt;"&gt;A&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;unique platform for self-expression and personalisation,&amp;nbsp;&lt;i&gt;Superbia&lt;/i&gt;&amp;nbsp;contains exciting and engaging content to create a truly unique online experience for kids.&amp;nbsp;&amp;nbsp;&lt;i&gt;Superbia&lt;/i&gt;&amp;nbsp;is a safe online game, giving parents the confidence that their children can enjoy the internet securely.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 10pt;"&gt;*(Source: NTI, U.S. ratings, Live + Same Day Early Ratings, 9/30/11. 4.6 million Total Viewers&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-4848981667357556629?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.disneychannel.co.uk' title='Jessie starts this Friday'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/4848981667357556629/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=4848981667357556629&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4848981667357556629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4848981667357556629'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/jessie-starts-this-friday.html' title='Jessie starts this Friday'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-652697231660599127</id><published>2012-02-15T14:40:00.002Z</published><updated>2012-02-15T14:40:58.529Z</updated><title type='text'>PIONEERS IN ONLINE SCREENING – STUDIO BEYOND</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 18px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="line-height: 18px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;INTRODUCING ONLINE SCREENING ROOM FOR FILM FESTIVALS AND FILM MAKERS!&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span style="line-height: 22px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The most innovative online movie studio for the entertainment industry,&amp;nbsp;&lt;b&gt;Studio Beyond&lt;/b&gt;&amp;nbsp;(&lt;a href="http://globalmessaging1.prnewswire.com/clickthrough/servlet/clickthrough?msg_id=7107448&amp;amp;adr_order=187&amp;amp;url=aHR0cDovL3d3dy5zdHVkaW9iZXlvbmQubmV0Lw%3D%3D" style="color: #1155cc;" target="_blank"&gt;&lt;span style="color: windowtext;"&gt;www.studiobeyond.net&lt;/span&gt;&lt;/a&gt;) has today announced the launch of their online screening service. This service is making its mark on the film festivals and film makers around the world.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 22px;"&gt;The long Film Maker’s road of burning the DVD, posting the DVD, hoping it arrives and waiting for a reply is changing!&amp;nbsp;&amp;nbsp;The Festival Organizer’s lengthy processes from callouts, receiving hoards of DVDs through to the final award decisions is also changing!&amp;nbsp;&amp;nbsp;Through Studio Beyond (&lt;a href="http://globalmessaging1.prnewswire.com/clickthrough/servlet/clickthrough?msg_id=7107448&amp;amp;adr_order=187&amp;amp;url=aHR0cDovL3d3dy5zdHVkaW9iZXlvbmQubmV0Lw%3D%3D" style="color: #1155cc;" target="_blank"&gt;www.studiobeyond.net&lt;/a&gt;) filmmakers and sales agents are now submitting online screeners to film festivals. Festival Organizers and judges are receiving&lt;span style="color: red;"&gt;&amp;nbsp;&lt;/span&gt;screenings in their own private, built-in screening room equipped with the multi-media player and are making decisions instantly. Facilitating instant communications between filmmakers, festivals organizers and judges is being welcomed.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="line-height: 22px;"&gt;Festival directors are gaining direct access to press members by organizing online press attendance at the online screenings of their selected movies.&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 22px;"&gt;&amp;nbsp;It is all here and now, and is happening as we speak.&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span style="line-height: 22px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;However, if that isn’t enough for all the avid industry patriots, it may be of particular interest to our film festival organizers, who have not yet had a tour of the Online Studios, that not only are you provided a private online studio office, you also have a set of management tools for sending screening invitations to non SB members, opening’ Calls for Entries’, receiving press kits, stills, trailers, photos, read bios, synopses, and the like.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 22px;"&gt;Studio Beyond’s founder and CEO Jasmin Prosser said, “We are&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 22px;"&gt;introducing a new cutting-edge online broadcasting platform, which enhances the co-ordination of submissions to festivals.&amp;nbsp;&amp;nbsp;This platform is a simple, yet effective way for film festivals to more&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="line-height: 22px;"&gt;easily receive and manage online screeners, for film makers to submit their screenings, for judges to assimilate and decide, and for all other industry contributors to become involved throughout these processes. All taking place within private online studio offices.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 22px;"&gt;The Studio Beyond screening service has politely edged its way into the one of the industry’s most multifaceted processes and the movie industry is taking note. We asked Jasmin Prosser for a hint as to the available tools ‘waiting in the wings’ for members of this platform,&amp;nbsp;&amp;nbsp;she said,&amp;nbsp;&amp;nbsp;“we have a diverse range of integrated features which enables&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 22px;"&gt;film festivals to receive and&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="line-height: 22px;"&gt;manage online screenings and the judging process before, during, and after the screening as well as instant communication tools.&amp;nbsp;There is a discussion forum in each studio office for Film makers and Film Festivals to exchange their views.&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 22px;"&gt;The screening room&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 22px;"&gt;evenincludes a survey function that movie buyers can use&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="line-height: 22px;"&gt;to assess the likely value of a film’s theatrical release in foreign territories.&lt;/span&gt;&lt;span lang="EN-US" style="color: blue; line-height: 22px;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span style="line-height: 22px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;The online screening service comes on the heels of Studio Beyond’s release of its unique online studio office system that affords movie makers a fully-integrated business platform to utilise.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span style="line-height: 22px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Studio Beyond is on the move and it is a space to not just watch, but a studio space to occupy and experience!&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; margin-bottom: 0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-652697231660599127?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.studiobeyond.net' title='PIONEERS IN ONLINE SCREENING – STUDIO BEYOND'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/652697231660599127/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=652697231660599127&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/652697231660599127'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/652697231660599127'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/pioneers-in-online-screening-studio.html' title='PIONEERS IN ONLINE SCREENING – STUDIO BEYOND'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-3511866521576036082</id><published>2012-02-15T14:38:00.002Z</published><updated>2012-02-15T14:38:43.219Z</updated><title type='text'>From Japan to Hull: manga, anime and cosplay to feature at Platform Expos</title><content type='html'>&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Japanese culture and the fantastical world of cosplay are coming to Platform 2012, East Yorkshire’s huge gaming and entertainment expo.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;The event at the University of Hull on March 17 and 18, has secured some ‘star’ experts in the art of Japanese culture and will also host the biggest gathering of cosplayers ever seen in the region, led by the award winning, Natasha Lee Tyler (AKA Missy Tetra), who lives in the city.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;The Platform 2012 Japanese culture and cosplay programme will culminate in a masquerade on the cosplay stage, attracting participants on the convention circuit from all over the UK.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Sonia Leong will lead two workshops. Leong is a professional comic artist and illustrator who specialises in manga. She has a worldwide fan base and is an avid gamer. She will be leading two manga workshops at Platform 2012.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Co presenting the cosplay parade is, Lawrence ‘MasakoX’ Simpson, a member of TeamFourStar, the international group behind the anime, Dragonball Z Abridged. MasakoX, also a successful voice actor, will impart his secrets at workshops and a Q &amp;amp; A session, including the art of abridging, taking the initial steps to online voice acting, to microphone and other techniques. He will also host a debate covering the most hotly discussed topics in the world of anime.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Akemi Solloway Tanaka, the daughter of an old samurai family will bring a slice of real Japanese life to the city. Tanaka will showcase the culture of traditional and modern day Japan, including the mysterious world of the samurai, the iconic Japanese kimono and how to wear it, the art of the tea ceremony and a short course on the Japanese language. She is attending Platform on behalf of&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.aidforjapan.org.uk/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.aidforjapan.org.uk&lt;/a&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Akemi is responsible for organising the Japanese Art Festival and Bunkasai events in London, and is founder of AJAMCA, the Anglo-Japanese Anime and Manga Cultural Association. She has described her own use of western clothing in her free time as a form of reverse Cosplay, as she spends most of her life dressed in kimonos.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Natasha Lee Tyler, said that she hoped Platform 2012 would attract both new and established manga and anime fans and cosplayers. “Whether you are simply curious about the subculture and want to witness the spectacle, or if you need advice and inspiration and want to take part in the masquerade, we will give a great warm welcome.”&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Missy Tetra will take seminars covering:&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Cosplay for beginners: covering the history and developments of the cosplay convention subculture&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Cosplay Construction Camp: to train new cosplay recruits, including fabrication of costumes, from cotton to plastic, foam to framework&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Cosplay Q &amp;amp; A: an open forum to discuss cosplay&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Masterclass: for all cosplay masquerade entrants&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Platform 2012 is aiming to attract up to 10,000 visitors with its unique combination of education, business and fun. Confirmed exhibitors and supporters include international games company, Ubisoft, high street retailers Game and Game Station, and Microsoft.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;For exhibitor, sponsor and ticket information:&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.platformexpos.com/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.platformexpos.com&lt;/a&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;FACEBOOK:&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.facebook.com/platformexpos" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.facebook.com/platformexpos&lt;/a&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;TWITTER:&amp;nbsp;&lt;/span&gt;&lt;a href="http://twitter.com/#!/PlatformExpos" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;http://twitter.com/#!/&lt;wbr&gt;&lt;/wbr&gt;PlatformExpos&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-3511866521576036082?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.platformexpos.com' title='From Japan to Hull: manga, anime and cosplay to feature at Platform Expos'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/3511866521576036082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=3511866521576036082&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3511866521576036082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3511866521576036082'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/from-japan-to-hull-manga-anime-and.html' title='From Japan to Hull: manga, anime and cosplay to feature at Platform Expos'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5900948164358490894</id><published>2012-02-15T14:37:00.000Z</published><updated>2012-02-15T14:37:25.886Z</updated><title type='text'>Warwick leader in High Dynamic Range video to demo at world’s biggest media tradeshow</title><content type='html'>&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969);"&gt;&lt;span style="color: #222222; font-size: medium;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;WMG at the University of Warwick and spin out company, goHDR, will be exhibiting their cutting-edge video imaging technology at the world’s largest electronic media show in April. goHDR’s High Dynamic Range (HDR) video technology enables the image detail that is typically lost in the glare of bright light and in deep shadow on standard High Definition (HD) video to be revealed with the same clarity as seen by the human eye.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;WMG and goHDR have been invited to showcase their HDR research at the NAB Show®, in Las Vegas, from 14-19 April. goHDR has already released a free beta version of its HDR viewer and will be demonstrating the latest advances, including 3D-HDR, from its research laboratories. &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;HDR video can capture ‘real world’ lighting without losing any detail in widely contrasting lighting conditions, so you can clearly see the football when it is kicked from sunshine into the shadow of the stadium. &amp;nbsp;That requires five times as much data capture as ordinary video, equivalent to a CD of data a second. &amp;nbsp;goHDR’s software technology solves the problem of how to compress, manage and display the huge data stream produced by HDR video cameras, making it possible to see high image detail and quality that exceeds standard HD technology.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;Alan Chalmers, Professor of Visualisation and Innovation Director at goHDR, says: “We are going to be demonstrating a number of research prototypes at the NAB Show that we believe will enable a step change in TV viewing that has been waiting to happen for a number of years. Kicking off this revolution is our media viewer which you can download for free from our website&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.gohdr.com/" style="color: #1155cc; font-size: 12px;" target="_blank"&gt;www.goHDR.com&lt;/a&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;. Our encoding software will shortly be available for license by camera manufacturers and broadcasters.”&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;He adds: “We are very excited to be demonstrating what HDR technology is capable of. This exhibition was the springboard for the first High Definition TV broadcast back in 1996. Our HDR technology, including our very latest 3D-HDR system, is as significant as that development and we are delighted to be presenting it at the same show.”&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;The NAB Show, run by the US National Association of Broadcasters boasts more than 1,500 exhibitors and an expected 90,000 attendees from 150 countries.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;goHDR was set up in 2009 with assistance from Warwick Ventures, the University of Warwick’s technology commercialisation arm and is founded on research carried out by WMG. The company has produced a number of short films demonstrating HDR imaging, which can be viewed on the website.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;Professor Chalmers explains: “You need to be able to see this technology in action to appreciate the difference it will make to people’s viewing experience. goHDR has access to the world’s first HDR camera capable of capturing 20 f-stops at 30 frames a second, and we have produced some short film clips that demonstrate what the future of cinematography can be with such technology.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969);"&gt;&lt;span style="color: #222222;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: Helvetica, Verdana, Arial; font-size: 12px;"&gt;The NAB Show®, to be held April 14-19 2012 in Las Vegas, is the world's largest electronic media show covering filmed entertainment and the development, management and delivery of content across all mediums. With more than 90,000 attendees from 151 countries and 1,500+ exhibitors, the NAB Show is the ultimate marketplace for digital media and entertainment. From creation to consumption, across multiple platforms and countless nationalities, the NAB Show is home to the solutions that transcend traditional broadcasting and embrace content delivery to new screens in new ways. Complete details are available at&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #2e2084; font-family: Helvetica, Verdana, Arial; font-size: 12px;"&gt;&lt;a href="http://www.nabshow.com/" style="color: #1155cc;" target="_blank"&gt;www.nabshow.com&lt;/a&gt;&lt;/span&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: Helvetica, Verdana, Arial; font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5900948164358490894?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.nabshow.com' title='Warwick leader in High Dynamic Range video to demo at world’s biggest media tradeshow'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5900948164358490894/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5900948164358490894&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5900948164358490894'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5900948164358490894'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/warwick-leader-in-high-dynamic-range.html' title='Warwick leader in High Dynamic Range video to demo at world’s biggest media tradeshow'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-3690546703449879545</id><published>2012-02-15T14:34:00.000Z</published><updated>2012-02-15T14:34:14.307Z</updated><title type='text'>Coventry University hosts international film festival</title><content type='html'>&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 24px;"&gt;An international film festival celebrating East Asian cinema will see Coventry University’s Ellen Terry Building revert to a picture palace for the first time since the Coventry Odeon closed its doors over 12 years ago.&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 24px;"&gt;The second annual&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.eastwindsfilm.com/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;East Winds Film Festival&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;&amp;nbsp;(2-4 March 2012) promises to be even bigger and better than last year’s opening event, staged by the Coventry University East Asian Film Society (&lt;/span&gt;&lt;a href="https://www.facebook.com/groups/CUEAFS/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;CUEAFS&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;) in conjunction with&amp;nbsp;&lt;/span&gt;&lt;a href="http://thirdwindowfilms.com/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;Third Window Films&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;. The three-day festival will include European premieres of major popular cinema and see celebrity guests from the world of East Asian film flying in to talk to fans. The event has also attracted a major sponsor this year, in the form of&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.infiniti.co.uk/?cmp=google_ppc" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;Infiniti&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;, the luxury automotive brand from Japan which has recently launched its range of performance cars in the UK.&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 24px;"&gt;CUEAFS founder and Lecturer in Film and Visual Culture, Spencer Murphy said:&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 24px;"&gt;“The films produced in East Asia over the past decade have galvanised international cinema with their originality and vitality, gaining plaudits from academics and film fans alike. This festival aims to raise awareness of East Asian cinema within Coventry and the wider area, while encouraging the younger generation to embrace different kinds of film, by offering the students the opportunity to get involved in running an international film festival.&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 24px;"&gt;“This year we have a fantastic line-up including a retrospective from Japanese director&amp;nbsp;&lt;/span&gt;&lt;a href="http://asianmediawiki.com/Satoshi_Miki" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;Miki Satoshi&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;, who will be coming over with actress&amp;nbsp;&lt;/span&gt;&lt;a href="http://asianmediawiki.com/Eri_Fuse" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;Eri Fuse&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;&amp;nbsp;to do a Q&amp;amp;A session to accompany the screenings of&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.lovehkfilm.com/panasia/in_the_pool.html" style="color: #1155cc;" target="_blank"&gt;&lt;i&gt;&lt;span style="line-height: 24px;"&gt;In the Pool&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="line-height: 24px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;a href="http://en.wikipedia.org/wiki/Adrift_in_Tokyo" style="color: #1155cc;" target="_blank"&gt;&lt;i&gt;&lt;span style="line-height: 24px;"&gt;Adrift in Tokyo&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;and&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Turtles_Are_Surprisingly_Fast_Swimmers" style="color: #1155cc;" target="_blank"&gt;&lt;i&gt;&lt;span style="line-height: 24px;"&gt;Turtles Are Surprisingly Fast Swimmers&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;. Legendary Hong Kong director&amp;nbsp;&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Herman_Yau" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;Herman Yau&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;&amp;nbsp;will be answering questions and showing two of his most recent works,&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.imdb.com/title/tt1993428/" style="color: #1155cc;" target="_blank"&gt;&lt;i&gt;&lt;span style="line-height: 24px;"&gt;Woman Knight of Mirror Lake&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/True_Women_For_Sale" style="color: #1155cc;" target="_blank"&gt;&lt;i&gt;&lt;span style="line-height: 24px;"&gt;True Women for Sale&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;; while Taiwanese director Tom Yin will be treating festival goers to his latest offering,&amp;nbsp;&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Starry_Starry_Night_(film)" style="color: #1155cc;" target="_blank"&gt;&lt;i&gt;&lt;span style="line-height: 24px;"&gt;Starry Starry Night&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;. With ticket prices at only £6 for the general public and £4 for students we hope a lot of film fans will take the opportunity to experience some really exciting cinema.”&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; line-height: 19px; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="line-height: 24px;"&gt;The East Winds Film Festival 2012 is open to everyone. For more information, including the full festival&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.eastwindsfilm.com/programme.html" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;programme&lt;/span&gt;&lt;/a&gt;&lt;span style="line-height: 24px;"&gt;&amp;nbsp;visit&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.eastwindsfilm.com/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="line-height: 24px;"&gt;www.eastwindsfilm.com&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-3690546703449879545?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.eastwindsfilm.com' title='Coventry University hosts international film festival'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/3690546703449879545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=3690546703449879545&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3690546703449879545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3690546703449879545'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/coventry-university-hosts-international.html' title='Coventry University hosts international film festival'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-8361241203009288605</id><published>2012-02-02T13:39:00.000Z</published><updated>2012-02-02T13:39:33.939Z</updated><title type='text'>Facebook, Twitter and email harder to resist than cigarettes and alcohol</title><content type='html'>&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; margin-bottom: 0.0001pt; text-align: center;"&gt;&lt;span style="font-family: Arial, sans-serif; font-size: x-large;"&gt;&lt;span style="line-height: 36px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: center;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;A study of more than 200 adults finds that although desires for sleep and sex were the strongest, the lure of media and work proved the hardest to resist&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;February, 2012&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;. Trying to resist that late-night tweet or checking your work email again? The bad news is that desires for work and entertainment often win out in the daily struggle for self-control, according to a new study that measures various desires and their regulation in daily life.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;“Modern life is a welter of assorted desires marked by frequent conflict and resistance, the latter with uneven success,” said&amp;nbsp;&lt;a href="http://www.chicagobooth.edu/faculty/bio.aspx?person_id=23045740544" style="color: #1155cc;" target="_blank"&gt;&lt;span style="color: windowtext; text-decoration: none;"&gt;Asst. Prof. Wilhelm Hofmann&lt;/span&gt;&lt;/a&gt;&amp;nbsp;of the&amp;nbsp;&lt;a href="http://www.chicagobooth.edu/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="color: windowtext; text-decoration: none;"&gt;University of Chicago Booth School of Business&lt;/span&gt;&lt;/a&gt;&amp;nbsp;and lead author of the study, “Desires and Cravings: Food, Money, Status, Sex,” forthcoming in&amp;nbsp;&lt;i&gt;Psychological Science.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;Determining how to best resist desires is not as easy as it seems&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;In the study of desire regulation, 205 adults wore devices that recorded a total of 7,827 reports about their daily desires. Desires for sleep and sex were the strongest, while desires for media and work proved the hardest to resist.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;Even though tobacco and alcohol are thought of as addictive, desires associated with them were the weakest, according to the study. Surprisingly to the researchers, sleep and leisure were the most problematic desires, suggesting “pervasive tension between natural inclinations to rest and relax and the multitude of work and other obligations,” said Hofmann.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;Willpower depletion&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;Moreover, the study supported past research that the more frequently and recently people have resisted a desire, the less successful they will be at resisting any subsequent desire. Therefore as a day wears on, willpower becomes lower, and self-control efforts are more likely to fail, said Hofmann, who co-authored the paper with Roy Baumeister of Florida State University and Kathleen Vohs of the University of Minnesota.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="font-family: Arial, sans-serif;"&gt;The effects of willpower depletion explain why so many people have trouble resisting unhealthy food — the more they resist the food, the more they crave it.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-8361241203009288605?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/8361241203009288605/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=8361241203009288605&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8361241203009288605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8361241203009288605'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/02/facebook-twitter-and-email-harder-to.html' title='Facebook, Twitter and email harder to resist than cigarettes and alcohol'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-201547690677087678</id><published>2012-01-31T13:42:00.002Z</published><updated>2012-01-31T13:42:41.814Z</updated><title type='text'>NEW BFI STATISTICS SHOW AUDIENCES FLOCKED TO UK FILMS IN 2011</title><content type='html'>&lt;div class="nH" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;div class="nH hx" style="background-color: transparent; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div class="nH"&gt;&lt;div class="h7  " style="clear: both; padding-bottom: 0px;"&gt;&lt;div class="Bk" style="border-bottom-color: initial; border-bottom-left-radius: 0px; border-bottom-right-radius: 0px; border-bottom-style: initial; border-bottom-width: 0px; border-image: initial; border-left-color: initial; border-left-style: initial; border-left-width: 0px; border-right-color: initial; border-right-style: initial; border-right-width: 0px; border-top-color: rgb(239, 239, 239); border-top-left-radius: 0px; border-top-right-radius: 0px; border-top-style: solid; border-top-width: 0px; float: none !important; margin-bottom: 0px; position: relative; width: 1391px;"&gt;&lt;div class="G3 G2" style="background-color: transparent; border-bottom-color: rgb(216, 216, 216); border-bottom-left-radius: 0px; border-bottom-right-radius: 0px; border-bottom-style: initial; border-bottom-width: 0px; border-image: initial; border-left-color: initial; border-left-style: initial; border-left-width: 0px; border-right-color: initial; border-right-style: initial; border-right-width: 0px; border-top-color: rgb(216, 216, 216); border-top-left-radius: 0px; border-top-right-radius: 0px; border-top-style: solid; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; padding-top: 0px;"&gt;&lt;div&gt;&lt;div id=":2n"&gt;&lt;div class="adn ads" style="border-left-color: transparent; border-left-style: solid; border-left-width: 1px; padding-bottom: 20px; padding-left: 8px;"&gt;&lt;div class="gs" style="margin-left: 44px;"&gt;&lt;div class="gE iv gt" style="cursor: pointer; padding-bottom: 3px; padding-left: 0px; padding-right: 0px; padding-top: 12px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;table cellpadding="0" class="cf gJ" style="border-collapse: collapse; margin-top: 0px; width: auto;"&gt;&lt;tbody&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div class="utdU2e"&gt;&lt;/div&gt;&lt;div class="QqXVeb"&gt;&lt;/div&gt;&lt;div id=":8g" tabindex="-1"&gt;&lt;/div&gt;&lt;div class="ii gt adP adO" id=":2k" style="margin-bottom: 0px; margin-left: 0px; margin-right: 15px; margin-top: 5px; padding-bottom: 5px; position: relative; z-index: 2;"&gt;&lt;div id=":2l"&gt;&lt;div&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;Highest ever recorded market share of UK box office fo&lt;/b&gt;&lt;/i&gt;&lt;i&gt;&lt;b&gt;r&lt;/b&gt;&lt;/i&gt;&lt;i&gt;&lt;b&gt;&amp;nbsp;independent British films in 2011&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;Total UK production spend up, even though fewer films made&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;UK co-productions up by a third&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;LONDON – Tuesday 31 January 2012:&lt;/b&gt;&amp;nbsp;Independent figures published today by the BFI, the UK’s lead body for film, show UK audiences embraced independently made British films as never before in 2011.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;According to information tracked by the&amp;nbsp;&lt;b&gt;BFI Research and Statistics Unit&lt;/b&gt;, which provides unique research data and market intelligence about the UK’s film industry and culture, films such as&amp;nbsp;&lt;i&gt;The King’s Speech, The Inbetweeners Movie&lt;/i&gt;&amp;nbsp;and&amp;nbsp;&lt;i&gt;Tinker Tailor Soldier Spy&amp;nbsp;&lt;/i&gt;helped drive the market share of UK box office for British independent films up to&amp;nbsp;&lt;b&gt;13.5%&lt;/b&gt;&amp;nbsp;- the highest ever recorded.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;This increased audience appetite for independently made British films came within a strong year for UK cinemas generally, with total admissions at&amp;nbsp;&lt;b&gt;171.6m&lt;/b&gt;&amp;nbsp;in 2011, up 1.4% on 2010 and the third highest total of the last decade. The gross value of box office for the year was&amp;nbsp;&lt;b&gt;£1.04bn&lt;/b&gt;, up 5% on 2010 and the&amp;nbsp;&lt;b&gt;first time that UK takings&lt;/b&gt;UK only figures for the calendar&amp;nbsp; year, excluding Republic of Ireland&lt;b&gt;&amp;nbsp;have broken through the £1bn barrier&lt;/b&gt;.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Within this total, the&amp;nbsp;&lt;b&gt;market share for all&amp;nbsp;&lt;/b&gt;&lt;b&gt;British films at the UK box office&lt;/b&gt;, including both independents and those shot in the UK but financed from abroad,&lt;b&gt;reached 36.2%,&amp;nbsp;&lt;/b&gt;up from 24.0% in 2010.&lt;span style="color: red;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;This strong performance was driven by the popularity of both British independents and blockbusters made in the UK with British talent, crew and services, such as&amp;nbsp;&lt;i&gt;Harry Potter and the Deathly Hallows Part 2&lt;/i&gt;&amp;nbsp;and&amp;nbsp;&lt;i&gt;Sherlock Holmes: A Game of Shadows&lt;/i&gt;.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;Amanda Nevill, CEO of the BFI,&amp;nbsp;&lt;/b&gt;&lt;b&gt;said&lt;/b&gt;&lt;b&gt;:&lt;/b&gt;&amp;nbsp;&lt;i&gt;“Film is at the very core of Britain’s cultural life and today’s figures show that the appetite for cinema-going across the UK is as healthy as ever. 2011 was a phenomenal year, with the box office results showing that independently produced British films captivated audiences. That said, we are pragmatic; it’s still a challenging time for filmmakers trying to raise finance to make independent British films in this tough economic climate. As we enter 2012 many challenges remain, but today’s figures clearly show that keeping audiences at the heart of everything we do will help the British film industry to enjoy even greater success in the future and continue to be an important contributor to the UK economy.”&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;Minister for Culture, Communications and Creative Industries, Ed Vaizey, said:&lt;/b&gt;&lt;i&gt;&amp;nbsp;“2011 was an amazing year for British film and for audiences, but it’s vital that we make sure this success continues throughout 2012 and beyond. Lord Smith’s recent review of film policy highlighted ways to remove barriers to production and ensure that film plays an important role in driving economic growth. I look forward to working with the BFI and the industry on the review’s recommendations and ensuring that we continue to nurture and grow this thriving sector of industry.”&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Total investment in UK-based film production reached&amp;nbsp;&lt;b&gt;£1.26 billion&lt;/b&gt;&amp;nbsp;in 2011, a new record for the British film industry. Films of different genres and budget levels including&amp;nbsp;&lt;i&gt;Streetdance 2 3D, Welcome to the Punch, Skyfall&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Great Expectations,&lt;/i&gt;&amp;nbsp;&lt;i&gt;Batman:&lt;/i&gt;&amp;nbsp;&lt;i&gt;The Dark Knight Rises, The Sweeney, 360,&lt;/i&gt;&amp;nbsp;&lt;i&gt;Snow White and the Huntsman, Shadow Dancer, Now Is Good&amp;nbsp;&lt;/i&gt;and&amp;nbsp;&lt;i&gt;World War Z&lt;/i&gt;&amp;nbsp;increased film production spend in the UK on 2010’s £1.25bn.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;International investment from films made in the UK using facilities, services and crew, in turn creating jobs and driving growth in both the UK film industry’s infrastructure and the economy as a whole, helped drive overall production spend. In 2011 these international productions spent just over&amp;nbsp;&lt;b&gt;£1.0bn&lt;/b&gt;&lt;span style="color: red;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;in the UK on making 28 films, the highest ever recorded and an increase in spend of&amp;nbsp;&lt;b&gt;2.8%&lt;/b&gt;&lt;span style="color: red;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;from 2010’s £979.7m&lt;/b&gt;.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;While spend on film production in the UK overall was up in 2011, the total number of UK films produced with budgets of £500k and more fell to 71,&lt;b&gt;&amp;nbsp;&lt;/b&gt;down from 78 in 2010. 98 films were made on budgets of less than £500k, bringing the total number of domestic UK feature films produced in 2011 to 169, again down on 2010’s 262 films.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The expenditure on making UK domestic feature films in 2011 –&amp;nbsp;&lt;b&gt;£194m&lt;/b&gt;&amp;nbsp;– is a&amp;nbsp;&lt;b&gt;9.4%&lt;/b&gt;&amp;nbsp;fall on 2010’s £214m.&amp;nbsp; While fewer domestic UK films were made, the number of UK co-productions with other countries, the majority with other EU member states, increased by one third to 40 in 2011&lt;span style="color: red;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;from 30 in 2010. Co-productions recorded a UK spend of&amp;nbsp;&lt;b&gt;£59.0m&lt;/b&gt;, up from £56.3m in 2010.&amp;nbsp;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-201547690677087678?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/201547690677087678/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=201547690677087678&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/201547690677087678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/201547690677087678'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/new-bfi-statistics-show-audiences.html' title='NEW BFI STATISTICS SHOW AUDIENCES FLOCKED TO UK FILMS IN 2011'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-1659577935178469462</id><published>2012-01-27T22:49:00.000Z</published><updated>2012-01-27T22:49:07.064Z</updated><title type='text'>Bryan Forbes accepts prestigious BFI Fellowship Award</title><content type='html'>&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;T&lt;/span&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;he BFI is proud to announce that Bryan Forbes has accepted a prestigious BFI Fellowship Award. Announced in a special ceremony last night by BFI Chair Greg Dyke at BFI Southbank, the award is in recognition of Bryan Forbes’ outstanding contribution to film as an actor, director, producer and writer. The award joins Forbes’ impressive accolades which include a CBE (Commander of the Order of the British Empire), Academy Award, two BAFTA awards, two Writers Guild Awards, a Critics Circle Award, an Edgar Allen Poe Award, wins at both the Berlin and San Sebastien International Film Festivals and numerous nominations, including an Academy Awards nomination for&amp;nbsp;&lt;i&gt;The Angry Silence&amp;nbsp;&lt;/i&gt;in 1960.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Brian Forbes&lt;/b&gt;&amp;nbsp;said ‘&lt;i&gt;I would like to say to Greg Dyke and colleagues what a great honour the BFI does to me, which I appreciate more than I can say. When you're 85 as I am, it's like as Betty Davies once said to me, old age ain’t for sissies!&lt;/i&gt;’&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;Greg Dyke&lt;/b&gt;&amp;nbsp;said ‘&lt;i&gt;The multi talented Brian Forbes has made an outstanding contribution to British film for over 60 years, both on and off screen. We are delighted and honoured that he has accepted a BFI Fellowship - the highest accolade the BFI can bestow.’&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The BFI Fellowship award is in the gift of the Board of Governors, and it is intended to recognise “outstanding achievement in film and television”, given to those who have helped shape film and television culture in the UK. Brian joins an eminent list of BFI Fellows that include Peggy Ashcroft, Dirk Bogarde, Richard Attenborough, Judi Dench, Alec Guinness, Maggie Smith, Bernardo Bertolucci, Laurence Olivier, Orson Welles, Jack Cardiff, Jeanne Moreau and Mike Leigh.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: justify;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Bryan Forbes’ career in film has spanned over 60 years. He made his screen debut in 1948 and went on to have supporting roles in films including&amp;nbsp;&lt;i&gt;An Inspector Calls&lt;/i&gt;&amp;nbsp;(1954) and&amp;nbsp;&lt;i&gt;The Colditz Story&lt;/i&gt;&amp;nbsp;(1955). Forbes was then lured behind the camera, first as a screenwriter winning critical acclaim for both his screenplay for Basil Dearden's&amp;nbsp;&lt;i&gt;The League of Gentlemen&lt;/i&gt;&amp;nbsp;and his most controversial screenplay Guy Green's&amp;nbsp;&lt;i&gt;The Angry Silence&lt;/i&gt;, starring Richard Attenborough. Forbes made his directorial debut with&amp;nbsp;&lt;i&gt;Whistle Down The Wind (&lt;/i&gt;1961) and went on to make films including&amp;nbsp;&lt;i&gt;King Rat&lt;/i&gt;&amp;nbsp;(1965),&amp;nbsp;&lt;i&gt;The Stepford Wives&lt;/i&gt;&amp;nbsp;(1974) and&amp;nbsp;&lt;i&gt;International Velvet&lt;/i&gt;&amp;nbsp;(1978). He is married to actress Nanette Newman and they have two children, TV presenter Emma Forbes and Sarah Standing. Forbes has also written several novels and two volumes of his autobiography. He is now president of the National Youth Theatre of Great Britain.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-1659577935178469462?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/1659577935178469462/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=1659577935178469462&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1659577935178469462'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1659577935178469462'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/bryan-forbes-accepts-prestigious-bfi.html' title='Bryan Forbes accepts prestigious BFI Fellowship Award'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-2302930166222342479</id><published>2012-01-27T22:46:00.002Z</published><updated>2012-01-27T22:46:25.159Z</updated><title type='text'>COURAGEOUS</title><content type='html'>&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: center;"&gt;&lt;span style="font-size: 24px;"&gt;&lt;strong&gt;Honour Begins at Home&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 64px;"&gt;&lt;strong&gt;&lt;em&gt;COURAGEOUS&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: center;"&gt;&lt;span style="font-size: 18px;"&gt;&lt;strong&gt;Debuting on DVD February 27&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Extensive Bonus Materials Include&lt;/strong&gt;&lt;strong&gt;&amp;nbsp;Behind-the-Scenes Featurettes, Deleted Scenes, and a Blooper Reel&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&amp;nbsp;&lt;/div&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;London&lt;/strong&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;, UK&lt;/strong&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;. 19.12.11 –&amp;nbsp;&lt;/strong&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;The latest film from Sherwood Pictures and Alex and Stephen Kendrick (&lt;/span&gt;&lt;em style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;Fireproof&lt;/em&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;em style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;Facing the Giants&lt;/em&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;em style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;Flywheel&lt;/em&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;) is the action-packed inspirational drama&amp;nbsp;&lt;/span&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;em&gt;Courageous&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;, debuting on DVD February 27 from Sony Pictures Home Entertainment and AFFIRM Films.&amp;nbsp;&lt;/span&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;em&gt;Courageous&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;will have families laughing and cheering as they are inspired by everyday heroes who long to be the kinds of dads that make a lifelong impact on their children. Bonus materials include four behind-the-scenes featurettes, deleted scenes, a blooper reel and commentary by The Kendrick Brothers.&lt;/span&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;em&gt;Courageous&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;will be available for £19.99 (DVD).&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;u&gt;Synopsis:&amp;nbsp;&lt;/u&gt;&lt;/strong&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;As law enforcement officers, Adam Mitchell, Nathan Hayes and their partners willingly stand up to the worst the world can offer, yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, they quickly discover that their children are beginning to drift further away from them. When tragedy hits home, these men are left with a newfound urgency to renew their faith and reach out to their own children. Will they be able to find a way to serve and protect those who are most dear to them?&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;u&gt;DVD Bonus Features Include:&lt;/u&gt;&lt;/strong&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;/span&gt;&lt;ul style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;li style="margin-left: 15px;"&gt;OUTRAGEOUS: Outtakes and Bloopers&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;“&lt;em&gt;Courageous&lt;/em&gt;&amp;nbsp;in 60 Seconds” Featurette&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;“The Making of&amp;nbsp;&lt;em&gt;Courageous&lt;/em&gt;” Featurette&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;“The Heart of&amp;nbsp;&lt;em&gt;Courageous&lt;/em&gt;” Featurette&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;“The Story of My Father” Featurette&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;Deleted Scenes&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;Commentary by The Kendrick Brothers&amp;nbsp;&lt;/li&gt;&lt;/ul&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;Directed by Alex Kendrick from a screenplay by Stephen Kendrick and Alex Kendrick,&lt;/span&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;em&gt;Courageous&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;was produced by Stephen Kendrick, with Michael Catt, Jim McBride and Terry Hemmings serving as executive producers.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;" /&gt;&lt;strong style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;em&gt;Courageous&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;has a running time of 124 minutes and is rated 12.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-2302930166222342479?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/2302930166222342479/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=2302930166222342479&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/2302930166222342479'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/2302930166222342479'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/courageous.html' title='COURAGEOUS'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-9028305593563603352</id><published>2012-01-27T22:45:00.000Z</published><updated>2012-01-27T22:45:11.554Z</updated><title type='text'>MY WEEK WITH MARILYN</title><content type='html'>&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;b&gt;&lt;u&gt;GOLDEN GLOBE WINNER&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;‘BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE-COMEDY OR MUSICAL’&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp; ‘MICHELLE WILLIAMS’&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;&lt;i&gt;***&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;b&gt;&lt;u&gt;6 BAFTA AWARD NOMINATIONS&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;INCLUDING&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;‘LEADING ACTRESS’ FOR ‘&lt;i&gt;MICHELLE WILLIAMS’&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;&lt;i&gt;***&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;b&gt;&lt;u&gt;LONDON CRITICS CIRCLE – SUPPORTING ACTOR OF THE YEAR&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;&lt;i&gt;‘KENNETH BRANAGH’&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;***&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;b&gt;&lt;u&gt;2 ACADEMY AWARD&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: Calibri; font-size: large;"&gt;&lt;u&gt;®&amp;nbsp;&lt;/u&gt;&lt;/span&gt;&lt;span style="font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;b&gt;&lt;u&gt;NOMINATIONS&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;BEST ACTRESS –&amp;nbsp;&lt;i&gt;MICHELLE WILLAMS&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;BEST SUPPORTING ACTOR –&amp;nbsp;&lt;i&gt;KENNETH BRANAGH&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="" name="0.1_graphic07"&gt;&lt;/a&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;center&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&lt;img alt="Your browser may not support display of this image." height="1" src="https://mail.google.com/mail/?name=d33be9805ff33117.jpg&amp;amp;attid=0.1&amp;amp;disp=vahi&amp;amp;view=att&amp;amp;th=13519a94def3d5d4" width="1" /&gt;&lt;/span&gt;&lt;/center&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: large;"&gt;&lt;b&gt;My Week with Marilyn will be released by Entertainment in Video on Rental &amp;amp; Retail DVD &amp;amp; Blu-Ray&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: large;"&gt;&lt;b&gt;On&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: large;"&gt;&lt;b&gt;&lt;u&gt;12&lt;/u&gt;&lt;/b&gt;&lt;sup&gt;&lt;b&gt;&lt;u&gt;th&lt;/u&gt;&lt;/b&gt;&lt;/sup&gt;&lt;b&gt;&lt;u&gt;&amp;nbsp;March 2012&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color: #1f497d; font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;b&gt;…..A PERFECT GIFT FOR MOTHERS DAY…..&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: large;"&gt;&lt;b&gt;&lt;u&gt;MY WEEK WITH MARILYN&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: large;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;Starring an award-winning all-star cast and based on the diaries of Colin Clark, the film captures a love affair with the world’s most famous woman, Marilyn Monroe.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;Academy Award®&amp;nbsp; &amp;nbsp;nominee Michelle Williams stars as Marilyn Monroe(&lt;i&gt;Blue&lt;/i&gt;&amp;nbsp;&lt;i&gt;Valentine, Shutter Island, Brokeback Mountain&lt;/i&gt;) and is joined by a stellar cast including Eddie Redmayne as Colin Clark (T&lt;i&gt;he Other Boleyn Girl, The Good Shepherd&lt;/i&gt;), Kenneth Branagh as Sir Laurence Olivier (&lt;i&gt;Thor, ‘&lt;/i&gt;Wallander’), Dame Judi Dench as Dame Sybil Thorndike (&lt;i&gt;Quantum of Solace),&lt;/i&gt;&amp;nbsp;Julia Ormond as Vivien Leigh (&lt;i&gt;Che, The Curious Case of Benjamin Button&lt;/i&gt;), Dougray Scott as Arthur Miller (&lt;i&gt;Mission Impossible II&lt;/i&gt;), Zoe Wanamaker as Paula Strasberg (&lt;i&gt;Harry Potter and the Philosopher’s Stone&lt;/i&gt;), Emma Watson (&lt;i&gt;Harry Potter&lt;/i&gt;), Dominic Cooper (&lt;i&gt;Tamara Drewe, An Education, Mamma Mia&lt;/i&gt;), Derek Jacobi (&lt;i&gt;Gosford Park&lt;/i&gt;), Toby Jones (&lt;i&gt;Frost Nixon, Infamous&lt;/i&gt;), Miranda Raison (&lt;i&gt;Spooks&lt;/i&gt;), Philip Jackson (&lt;i&gt;Little Voice&lt;/i&gt;), Geraldine Somerville (&lt;i&gt;Harry Potter&lt;/i&gt;) and Michael Kitchen (‘Foyle’s War’).&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;i&gt;My Week with Marilyn is the true story of a star-struck boy who falls in love with the biggest celebrity in the world, Marilyn Monroe.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;23 year-old Colin Clark was determined to break into the film business and his first job was&amp;nbsp;&lt;i&gt;The Prince and The Showgirl&lt;/i&gt;&amp;nbsp;- the film that was set to be the smash hit of the year famously uniting the biggest stars of the day, Marilyn Monroe and Sir Laurence Olivier.&amp;nbsp; On honeymoon in Britain with her new husband, Arthur Miller, Marilyn is excited about the project but quickly becomes desperate to run away from her Hollywood entourage, the pressures of work and the press who hound her.&amp;nbsp; For Marilyn, Colin is a welcome antidote and he offers her everything she craves when, together, they escape the film set to get closer in an idyllic Britain.&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="" name="0.1_graphic08"&gt;&lt;/a&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;center&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&lt;img alt="Your browser may not support display of this image." height="1" src="https://mail.google.com/mail/?name=d33be9805ff33117.jpg&amp;amp;attid=0.1&amp;amp;disp=vahi&amp;amp;view=att&amp;amp;th=13519a94def3d5d4" width="1" /&gt;&lt;/span&gt;&lt;/center&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;Cert – 15&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;Running Time DVD – 95mins&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;Running Time Blu-Ray - 99mins&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;&lt;u&gt;Cat Number&lt;/u&gt;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;&lt;u&gt;Recommended Retail Price&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;Rental DVD -&amp;nbsp; EDR4241&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;£N/A&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;Retail DVD -&amp;nbsp; EDV9719&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;£19.99&lt;/span&gt;&lt;br /&gt;&lt;ul&gt;&lt;ul&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;Blu-Ray -&amp;nbsp;EBR5201&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;£24.99&lt;/span&gt;&lt;/ul&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;&lt;b&gt;&lt;u&gt;Bonus Features&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;ul&gt;&lt;ul type="DISC"&gt;&lt;li&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;The untold story of an American Icon&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family: 'Times New Roman'; font-size: small;"&gt;Director’s Commentary&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-9028305593563603352?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/9028305593563603352/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=9028305593563603352&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/9028305593563603352'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/9028305593563603352'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/my-week-with-marilyn.html' title='MY WEEK WITH MARILYN'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5551408112788524191</id><published>2012-01-27T22:43:00.002Z</published><updated>2012-01-27T22:43:30.734Z</updated><title type='text'>SCIENCE WRITER AND ‘BLUE PETER’ EDITOR HONOURED</title><content type='html'>&lt;div align="center" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;i&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 18pt;"&gt;Biddy Baxter and Nigel Henbest to receive Honorary Degrees from the University of Leicester&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;The producer of BBC Television’s ‘Blue Peter’ for many years and an internationally acclaimed writer on astronomy and space and are to receive Honorary Degrees from the University of Leicester on Friday 27th January 2012 at De Montfort Hall.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;Joan Maureen (Biddy) Baxter MBE, the producer and editor who turned the BBC children’s programme ‘Blue Peter’ into the success it has been for the past five decades, was born in Leicester and educated at what was then the Wyggeston Girls’ Grammar School.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;Following a degree at St Mary’s College, Durham, Biddy Baxter began her BBC career in 1955 as a radio trainee studio manager.&amp;nbsp;&amp;nbsp; In 1962 she became producer of ‘Blue Peter’ and, with Director Edward Barnes, she began the process that was to transform the programme into a national institution.&amp;nbsp; In 1965 she became Programme Editor and was honoured with an MBE in 1981.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;Nigel Henbest is well-known worldwide for his books, articles and award-winning television productions popularising astronomy and space.&amp;nbsp;&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;A graduate of the University of Leicester, where he studied astrophysics, he went on to research radio astronomy at Cambridge.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;Nigel Henbest was co-founder of the television production company Pioneer Productions, with screen credits on BBC Television, Channel 4, the Learning and Discovery Channels, as well as in the US and Australia.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;With Heather Couper – a fellow University of Leicester graduate and Honorary Graduate - he writes a regular column for&amp;nbsp;&lt;i&gt;The Independent&lt;/i&gt;&amp;nbsp;and also writes for the science magazine,&amp;nbsp;&lt;i&gt;BBC Focus&lt;/i&gt;.&amp;nbsp;&amp;nbsp; He has been Astronomy Consultant for New Scientist, Editor of the Journal of British Astronomical Association, and Media Consultant to the Royal Greenwich Observatory.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;Biddy Baxter MBE will receive the Honorary Degree of Doctor of Laws at 1pm on Friday 27th January at De Montfort Hall, Leicester.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;She said, “Nothing could thrill me more than to be honoured by the University of Leicester!&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;“The degree ceremony in the De Montfort Hall will bring back vivid memories of the Wyggeston Grammar School for Girls’ annual Dancing Demonstrations.&amp;nbsp; The last time I walked the length of the hall and climbed up the rostra on to the platform, I was dressed as Britannia complete with trident, plumed helmet and metal breastplate and wearing a very tight long skirt made from a Union flag.&amp;nbsp; I felt and probably looked absolutely ridiculous!&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;“As a junior member of the Little Theatre I adored the build up to our performances, the read throughs, costume fittings and the hope of photographs and a review in the Leicester Mercury or the Mail.&amp;nbsp; One of my fellow actors was a very quiet boy called Joe Orton – no indication then that he would become the most famous playwright of his generation!&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;“Leicester was my life until I left for university and I have very fond memories of all my Leicester years.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;Nigel Henbest will receive the Honorary Degree of Doctor of Science at 4pm on Friday 27th January at De Montfort Hall, Leicester.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;He said, “I am absolutely delighted to accept the Honorary Doctorate from my alma mater, the University of Leicester, which helped launch me on my career as a science populariser – twice over!&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;“The University of Leicester’s innovative, flexible and forward-looking curriculum for undergraduates attracted me as an A-level student (even though the Head of Science at my school recommended I should apply to Cambridge “where, Henbest, you will rub shoulders with your peers!”)&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;“In fact, I found my peers at Leicester, both in the vibrant student life – where I ended up running the Astronomical Society with my life-long friend from Leicester days, Heather Couper – and in the inspiration from the Departments of Astronomy and Physics (which in those days were distinct). In fact, my first published article – on a visit to the sixteenth century Danish observatory on the island of Hven – appeared in the magazine of the student Physics Society!&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;“But no previous visit to Leicester has given me anything like the joy and excitement of this invitation to return to the University which first directed my feet on the path to astronomy, to public outreach – and to the stars.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: 12pt;"&gt;Vice-Chancellor Professor Sir Robert Burgess said: “We chose Biddy Baxter and Nigel Henbest because they are excellent communicators in their chosen fields.&amp;nbsp; Biddy Baxter is a household name, courtesy of producing the ‘Blue Peter’ TV programme, while Nigel Henbest is well known worldwide for communicating complex ideas in astrophysics to a very wide audience.&amp;nbsp; They have both won many awards for their work in television and are both people associated with Leicester in the case of Biddy Baxter and the University of Leicester in the case of Nigel Henbest.”&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5551408112788524191?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5551408112788524191/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5551408112788524191&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5551408112788524191'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5551408112788524191'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/science-writer-and-blue-peter-editor.html' title='SCIENCE WRITER AND ‘BLUE PETER’ EDITOR HONOURED'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-3148175021493150345</id><published>2012-01-27T22:41:00.002Z</published><updated>2012-01-27T22:41:25.838Z</updated><title type='text'>MONEYBALL</title><content type='html'>&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; line-height: 21px; text-align: center;"&gt;&lt;strong style="font-size: 14px;"&gt;&lt;em&gt;“One of the year’s best films&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;em style="font-size: 14px;"&gt;*****”&lt;/em&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;Colin Kennedy – Metro&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;&lt;em&gt;“Brad Pitt is at his best”&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;Philip French – The Observer&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;“an award-calibre performance by Brad Pitt”&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;Robbie Collin – The Daily Telegraph&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;*****&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;The Sunday Times&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;Based on a True Story &amp;amp; the Best-Selling Book&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;Starring Two-Time Academy Award&lt;/strong&gt;&lt;strong style="font-size: 14px;"&gt;&lt;sup&gt;®&amp;nbsp;&lt;/sup&gt;&lt;/strong&gt;&lt;strong style="font-size: 14px;"&gt;Nominee Brad Pitt, Jonah Hill and Academy Award&lt;sup&gt;®&amp;nbsp;&lt;/sup&gt;&lt;/strong&gt;&lt;strong style="font-size: 14px;"&gt;Winner Philip Seymour Hoffman&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 64px;"&gt;&lt;em&gt;MONEYBALL&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;&lt;span style="font-size: 64px;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;&lt;em&gt;A Film by Bennett Miller&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;On Blu-ray™, DVD and Digital Download March 19&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;Nominated for 3 Orange British Academy Film Awards&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;Leading Actor – Brad Pitt&lt;/strong&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;Supporting Actor – Jonah Hill&lt;/strong&gt;&lt;br /&gt;&lt;strong style="font-size: 14px;"&gt;Adapted Screenplay – Steven Zaillian, Aaron Sorkin&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size: 14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;strong&gt;London, UK. 12/01/2012&lt;/strong&gt;– The inspirational story based on Michael Lewis’ best-selling book,&amp;nbsp;&lt;strong&gt;&lt;em&gt;Moneyball&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;,&amp;nbsp;&lt;/em&gt;slides home on Blu-ray™, DVD and Digital Download on March 19 from Sony Pictures Home Entertainment. The critically acclaimed film stars two-time Academy Award&lt;sup&gt;®&amp;nbsp;&lt;/sup&gt;nominee Brad Pitt (2008, Best Actor,&amp;nbsp;&lt;em&gt;The Curious Case of Benjamin Button&lt;/em&gt;, 1996, Best Actor in a Supporting Role,&amp;nbsp;&lt;em&gt;Twelve Monkeys&lt;/em&gt;) in an outstanding performance as Oakland A’s General Manager, Billy Beane. On the roster with Pitt are Jonah Hill (&lt;em&gt;Get Him to the Greek&lt;/em&gt;), Academy Award&lt;sup&gt;®&amp;nbsp;&lt;/sup&gt;winner Philip Seymour Hoffman (2005, Best Actor,&amp;nbsp;&lt;em&gt;Capote&lt;/em&gt;) and Golden Globe&lt;sup&gt;®&amp;nbsp;&lt;/sup&gt;nominee Robin Wright (1994,Best Actress&lt;em&gt;, Forrest Gump).&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Moneyball&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;also features an all-star lineup of filmmakers. Academy Award&lt;sup&gt;®&amp;nbsp;&lt;/sup&gt;winners Steven Zaillian (1993, Best Adapted Screenplay,&amp;nbsp;&lt;em&gt;Schindler's List&lt;/em&gt;) and Aaron Sorkin (2010, Best Adapted Screenplay,&amp;nbsp;&lt;em&gt;The Social Network&lt;/em&gt;) wrote the screenplay. The film was directed by Academy Award&lt;sup&gt;®&lt;/sup&gt;nominee Bennett Miller (2005, Best Director,&amp;nbsp;&lt;em&gt;Capote&lt;/em&gt;), produced by Michael DeLuca (&lt;em&gt;The Social Network&lt;/em&gt;), Rachael Horovitz (&lt;em&gt;About Schmidt&lt;/em&gt;) and Brad Pitt; and executive produced by Scott Rudin, Andrew Karsch (&lt;em&gt;Conviction&lt;/em&gt;), Sidney Kimmel (&lt;em&gt;The Lincoln Lawyer&lt;/em&gt;) and Mark Bakshi (&lt;em&gt;Rango&lt;/em&gt;).&lt;br /&gt;&lt;br /&gt;The Blu-ray™ and DVD contain all-new special features including four featurettes, a blooper reel and much more.&amp;nbsp;&lt;strong&gt;&lt;em&gt;Moneyball&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;will be available on Blu-ray™ for £22.99 RRP and on DVD for £17.99 RRP.&lt;br /&gt;&lt;br /&gt;The book,&amp;nbsp;&lt;strong&gt;&lt;em&gt;Moneyball: The Art of Winning an Unfair Game&lt;/em&gt;&lt;/strong&gt;, is published by Norton and available now.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;u&gt;Synopsis:&amp;nbsp;&lt;/u&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Oakland A’s general manager Billy Beane (Brad Pitt) challenges the system and defies conventional wisdom when he is forced to rebuild his small-market team on a limited budget. Despite opposition from the old guard, the media, fans and their own field manager (Philip Seymour Hoffman), Beane - with the help of a young, number crunching, Yale-educated economist (Jonah Hill) - develops a roster of misfits and changes the way the game is played forever.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;u&gt;MONEYBALL&amp;nbsp;&lt;/u&gt;&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;u&gt;Special Features include:&lt;/u&gt;&lt;/strong&gt;&lt;/div&gt;&lt;ul style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;li style="margin-left: 15px;"&gt;Blooper with Brad Pitt and Jonah Hill&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;Billy Beane: Re-Inventing the Game&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;&lt;em&gt;Moneyball&lt;/em&gt;: Playing The Game&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;Deleted Scenes&lt;/li&gt;&lt;/ul&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;u&gt;Exclusive to Blu-ray™:&lt;/u&gt;&lt;/strong&gt;&lt;/div&gt;&lt;ul style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;li style="margin-left: 15px;"&gt;Drafting The Team&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;Adapting&amp;nbsp;&lt;em&gt;Moneyball&lt;/em&gt;&lt;/li&gt;&lt;li style="margin-left: 15px;"&gt;PS3 Wallpaper/Theme&lt;/li&gt;&lt;/ul&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #505050; font-family: Arial; font-size: 14px; line-height: 21px; text-align: left;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Moneyball&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;has a run time of approximately 133 minutes on Blu-ray™ and 128 minutes on DVD and is rated 12.&lt;/em&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-3148175021493150345?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/3148175021493150345/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=3148175021493150345&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3148175021493150345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3148175021493150345'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/moneyball.html' title='MONEYBALL'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-3556129035711472809</id><published>2012-01-27T22:39:00.002Z</published><updated>2012-01-27T22:39:50.825Z</updated><title type='text'>ASDA OFFERS BRITAIN’S LOWEST COST 40 INCH FULL HD TV</title><content type='html'>&lt;h3 style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif;"&gt;&lt;span lang="EN-US" style="font-family: Symbol; font-size: 13px; line-height: 19px;"&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b style="font-size: 13px; line-height: 19px;"&gt;&lt;span lang="EN-US"&gt;Luxor 40” Full HD 1080p LCD TV now on sale for an amazing £249&lt;/span&gt;&lt;/b&gt;&lt;/h3&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span lang="EN-US"&gt;Asda has knocked £50 off the price of one of its largest HDTVs.&amp;nbsp; The Luxor 40” TV, exclusive to Asda, is now available for just £249.&amp;nbsp; It features a crystal clear 1080p full HD screen and is perfect for watching high definition TV, Blu-ray movies and for playing games.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span lang="EN-US"&gt;This LCD TV, with its integrated digital Freeview technology does not require a set-top box and is ready to receive up to 50 channels and 24 radio stations, offering outstanding choice for the whole family.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span lang="EN-US"&gt;The versatile TV features 2 HDMI sockets and 2 Scart sockets enabling simple and convenient connection to an array of other digital devices.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span lang="EN-US"&gt;Asda technology expert, Michael Arnott said: “We’re delighted to be offering our customers this product at such a fantastic price.&amp;nbsp; This high definition TV can turn any living room into a quality home cinema.&amp;nbsp; With the lowest cost on the market, this TV offers unbeatable value to our customers.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span lang="EN-US"&gt;The Luxor is manufactured exclusively for Asda at factories that also make some of the world’s leading television brands.&amp;nbsp; The television has an uncompromising specification, delivering outstanding quality at an exceptional price.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-3556129035711472809?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/3556129035711472809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=3556129035711472809&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3556129035711472809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3556129035711472809'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/asda-offers-britains-lowest-cost-40.html' title='ASDA OFFERS BRITAIN’S LOWEST COST 40 INCH FULL HD TV'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-8410840715107168116</id><published>2012-01-24T13:29:00.000Z</published><updated>2012-01-24T13:29:52.973Z</updated><title type='text'>THE PROMOTION</title><content type='html'>&lt;h2 align="center"&gt;&lt;span style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;img alt="Your browser may not support display of this image." height="1" src="https://mail.google.com/mail/?name=d33be9805ff33117.jpg&amp;amp;attid=0.1&amp;amp;disp=vahi&amp;amp;view=att&amp;amp;th=1350fdc9c59fa981" style="font-family: Arial, Helvetica, sans-serif;" width="1" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div align="center"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;‘&lt;/i&gt;&lt;i&gt;Terrifically smart and funny’ – Sixty Second Preview&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Seann William Scott and John C Reilly star in the quirky off-beat comedy&amp;nbsp;‘The Promotion’&amp;nbsp;which will be released by High Fliers on retail DVD on April 23&lt;sup&gt;rd&lt;/sup&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Both actors will have a high profile in UK cinemas around the DVD’s release date. Seann William Scott, currently starring in ‘Goon’, will be seen again in the Spring when he reprises his role for the final film in the hugely successful ‘American Pie’ franchise while John C Reilly will be starring with Sacha Baron Cohen, Anna Faris and Ben Kingsley in ‘The Dictator’ which opens in May.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;‘The Promotion’&amp;nbsp;was written and directed by Steven Conrad who was also the screenwriter for ‘The Pursuit Of Happiness’ and ‘The Weather Man’.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Living the American Dream, happily married Doug Stauber’s professional ambitions are about to be realised when his boss at the Chicago supermarket chain where he works assures him he's a shoo-in to manage a new neighbourhood store.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;However, enter rival Richard Wehlner. He wants the job too, has a better CV than Doug, has a wife&amp;nbsp;&lt;i&gt;and&amp;nbsp;&lt;/i&gt;a daughter and is regarded by seemingly everybody as an all-round terrific guy.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;How should Doug react to this challenge? Should he regard Richard as a friend, a colleague, a competitor or an enemy?&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Richard, it seems, has demons and a past but with the help of motivational tapes he’s determined to succeed.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;Soon their professional rivalry explodes as the two men fight it out in corporate and psychological tests to determine who gets the dream promotion to supermarket store manager! A clear case of two guys, one job and no rules!&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;‘The Promotion’&amp;nbsp;has a run time of 86 minutes, a ‘15’ certificate and an rrp of £12.99.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-8410840715107168116?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/8410840715107168116/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=8410840715107168116&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8410840715107168116'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8410840715107168116'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/promotion.html' title='THE PROMOTION'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-2405890101662762502</id><published>2012-01-24T12:49:00.000Z</published><updated>2012-01-24T12:49:05.500Z</updated><title type='text'>THE BUGLE GOES INDEPENDENT</title><content type='html'>&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; line-height: 23pt; text-align: center;"&gt;&lt;span style="font-size: 14pt;"&gt;New beginning for leading satirical podcast&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;Satirical comedy podcast&amp;nbsp;&lt;u&gt;The Bugle&lt;/u&gt;, hosted by JOHN OLIVER (&lt;u&gt;The Daily Show with Jon Stewart&lt;/u&gt;) and ANDY ZALTZMAN (&lt;u&gt;7 Day Sunday&lt;/u&gt;&amp;nbsp;on BBC Radio 5Live) has found a new home, following its departure from The Times in January 2012.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;Fans were able to download the 179&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;issue of the newly-independent Bugle, featuring JOHN and ANDY in their&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;respective home cities of New York and London&lt;/span&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;, on Friday 20&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;January, via iTunes or&amp;nbsp;&lt;a href="http://www.soundcloud.com/the-bugle" style="color: #1155cc;" target="_blank"&gt;www.soundcloud.com/the-bugle&lt;/a&gt;,&amp;nbsp;and the show’s new website,&amp;nbsp;&lt;a href="http://www.thebuglepodcast.com/" style="color: #1155cc;" target="_blank"&gt;www.thebuglepodcast.com&lt;/a&gt;.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;Last year, the podcast had an average of over 2 million downloads per month.&amp;nbsp; It has regularly featured in the official iTunes podcast top ten in both the USA and UK, and has topped the iTunes comedy charts.&amp;nbsp; In the wake of Friday’s relaunch,&amp;nbsp;&lt;u&gt;The Bugle&lt;/u&gt;&amp;nbsp;reached the number 10 spot on the iTunes chart.&amp;nbsp; As of Sunday night,&amp;nbsp;&lt;u&gt;The Bugle&lt;/u&gt;&amp;nbsp;was in the top 5 comedy podcasts in the USA and UK, as well as in the top 10 in Australia, Canada and New Zealand, and was the UK’s highest-ranked independent podcast.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;Issue 179 of&amp;nbsp;&lt;u&gt;The Bugle&lt;/u&gt;&amp;nbsp;saw JOHN and ANDY reunite to cast their unique perspective over the week’s major news stories and protagonists.&amp;nbsp; Subjects covered with their trademark cocktail of political satire and outright nonsense include the Wikipedia internet blackout, the Republican nominations race, and the Queen’s proposed Jubilee yacht.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;u&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;The Bugle&lt;/span&gt;&lt;/u&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;, which debuted in October 2007, is a transatlantic comedy show, in which JOHN and ANDY are connected via ISDN.&amp;nbsp; It has built up a devoted worldwide following, and is listened to in more than&amp;nbsp;145&amp;nbsp;countries, including Yemen, Armenia, Burma and Gabon.&amp;nbsp; Listeners have also emailed in from Afghanistan, Darfur and Antarctica.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;The numerous topics the show has covered include:&amp;nbsp; the 2008 U.S. presidential election, the 2010 U.K. general election, the global economic crisis, the Arab Spring, the crackpot antics of the world’s various despots and lunatics, the 2011 Cricket World Cup, and Lou Reed’s epoch-defining 2010 concert for dogs.&amp;nbsp;&amp;nbsp;&lt;u&gt;The Bugle&lt;/u&gt;&amp;nbsp;has left no satirical hot potato unbuttered.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;The first podcast of 2012 can be downloaded from&amp;nbsp;&lt;u&gt;&lt;span style="color: blue;"&gt;&lt;a href="http://www.itunes.com/" style="color: #1155cc;" target="_blank"&gt;www.iTunes.com&lt;/a&gt;&lt;/span&gt;&lt;/u&gt;&amp;nbsp;/&amp;nbsp;&lt;u&gt;&lt;a href="http://www.soundcloud.com/the-bugle" style="color: #1155cc;" target="_blank"&gt;www.soundcloud.com/the-bugle&lt;/a&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;Official website:&amp;nbsp;&amp;nbsp;&lt;u&gt;&lt;span style="color: blue;"&gt;&lt;a href="http://www.thebuglepodcast.com/" style="color: #1155cc;" target="_blank"&gt;www.thebuglepodcast.com&lt;/a&gt;&lt;/span&gt;&lt;/u&gt;&amp;nbsp;or visit&amp;nbsp;&lt;u&gt;&lt;span style="color: blue;"&gt;&lt;a href="http://www.facebook.com/buglepodcast" style="color: #1155cc;" target="_blank"&gt;www.facebook.com/buglepodcast&lt;/a&gt;&lt;/span&gt;&lt;/u&gt;&amp;nbsp;&lt;wbr&gt;&lt;/wbr&gt;&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px; text-align: justify;"&gt;&lt;u&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;The Bugle&lt;/span&gt;&lt;/u&gt;&lt;span lang="EN-US" style="font-family: Arial, sans-serif; font-size: 10pt;"&gt;’s Twitter feed is @hellobuglers.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-2405890101662762502?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.thebuglepodcast.com/' title='THE BUGLE GOES INDEPENDENT'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/2405890101662762502/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=2405890101662762502&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/2405890101662762502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/2405890101662762502'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/bugle-goes-independent.html' title='THE BUGLE GOES INDEPENDENT'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-7564048634258702448</id><published>2012-01-24T12:47:00.000Z</published><updated>2012-01-24T12:47:05.369Z</updated><title type='text'>“Eye on a new century"</title><content type='html'>&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 120.05pt; margin-top: 0cm; text-align: justify;"&gt;&lt;strong&gt;&lt;span lang="EN-US" style="color: #002060; font-variant: small-caps;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: Arial;"&gt;AFP's first photo app for the iPad, is adapted from a 2010 book “the shock of the new century” featuring the best images from the first decade of the new millennium.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: Arial;"&gt;Events which marked the first decade of the 21st Century are vividly recalled through the images in the app….the Concorde crash, Yves Saint Laurent's farewell to the fashion industry, Zidane's head-butt, the death of Michael Jackson, the attacks on September 11, 2001. Each of the 130 photos has a corresponding caption and commentary from the photographer.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: Arial;"&gt;The menu consists of 12 images linking to the photo gallery for the corresponding year. Once inside the gallery, photos appear in full screen. Just scroll vertically to move to the next photo and horizontally to switch years. A banner can be called up displaying all the years and their content.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span lang="EN-US"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: Arial;"&gt;AFP will release as well "Rugby 2011" an easy to navigate application celebrating the best of last November's Rugby World Cup through the lenses of &amp;nbsp;Agence France-Presse's prize winning photographers. The nine high-definition photo galleries feature bone-crunching tackles and spectacular tries, the emotional highs and lows on the way to a dramatic final won by hosts New Zealand.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span lang="EN-US"&gt;Future "AFP Photo Books" applications will be devoted to highlights of current events and key personalities. AFP also plans a number of other photo apps including on the environment, faith rituals and traditions and offbeat features.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;A selection of galleries dedicated to the AFP Photo Annual, featuring the best news pictures of 2011, will be released in January. In February, we will run a retrospective of the Arab revolutions to mark the first anniversary of the uprising in Tunisia. Other themes will appear during 2012.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: Arial;"&gt;With these new "pay for" apps, the first two of which are on sale at a special launch price of 1.59 euro, AFP is strengthening its presence on the mobile market, one of the agency's key development areas.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-7564048634258702448?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/7564048634258702448/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=7564048634258702448&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7564048634258702448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7564048634258702448'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/eye-on-new-century.html' title='“Eye on a new century&quot;'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-7693269174650939762</id><published>2012-01-24T12:17:00.000Z</published><updated>2012-01-24T12:17:26.427Z</updated><title type='text'>Futuresource and Intellect announce the Future of Entertainment Summit</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969);"&gt;&lt;span style="color: #1155cc; font-family: 'Trebuchet MS', sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;&lt;br /&gt;&lt;b&gt;BBC technology correspondent Rory Cellan-Jones to chair inaugural event&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;London. 24 January, 2012&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;: Futuresource Consulting, the leading specialist research and knowledge-based consulting firm and Intellect, the trade association for the UK's technology industry have announced a new 'must attend' event which will help shape the future of digital entertainment.&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;The Future of Entertainment Summit will take place in London on 20 June this year, providing a prestigious platform for industry leaders, policy makers, entrepreneurs and those driving innovation in digital entertainment and consumer electronics, to share opinions and shape strategy.&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;For many years, both Futuresource and Intellect have run highly successful conferences in this arena and the Future of Entertainment Summit builds on the success of the Futuresource Entertainment Summit and Intellect's Future of Digital Entertainment conference, with the companies joining forces to meet the needs of increasingly converging markets.&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;Jim Bottoms&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;, co-founder and director, Futuresource Consulting said: "The integration of two highly successful conferences to form a new entertainment summit clearly demonstrates our commitment to providing premier, best-in-class events to the entertainment industry. These are challenging times and this partnership allows us to add even more value for attendees as all elements of the industry come together under one roof to explore the full scale of the business opportunity."&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;William Higham&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;, Intellect's director of digital media convergence said: "We are increasingly seeing convergence between the interests and activities of device manufacturers, content creators, technology companies, broadcasters and infrastructure owners. This conference will build on the strong position each organisation enjoys within these dynamic communities and will become an agenda setting industry event."&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;br /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;Rory Cellan-Jones&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;, the BBC's highly influential technology correspondent will chair the Future of Entertainment Summit.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;&lt;br /&gt;Follow the conversation on Twitter #fes2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;&lt;br /&gt;Conference details&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;Date: 20 June, 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;Venue: The Grange City Hotel, Cooper's Row&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 10pt;"&gt;London EC3N 2BQ&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-7693269174650939762?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.intellectuk.org' title='Futuresource and Intellect announce the Future of Entertainment Summit'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/7693269174650939762/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=7693269174650939762&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7693269174650939762'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7693269174650939762'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/futuresource-and-intellect-announce.html' title='Futuresource and Intellect announce the Future of Entertainment Summit'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-50201611623004851</id><published>2012-01-24T12:15:00.002Z</published><updated>2012-01-24T12:15:36.978Z</updated><title type='text'>Xmas fails to improve consumers’ connection with Smart TV</title><content type='html'>&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;div&gt;&lt;div&gt;&lt;div class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt;"&gt;&lt;i&gt;&lt;span style="font-size: 10pt;"&gt;Ownership of Smart TVs only increases by 1% from December to January 2012&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;ul style="margin-top: 0cm;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;A YouGov survey in November 2011 revealed that 1 in 10 people in the UK owned a Smart TV, but intention to purchase was very low - only 15% of UK consumers said they would own one within the next 12 months&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="margin-top: 0cm;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;YouGov re-ran the survey in January to see if Xmas would provide a welcome boost – it didn’t. Ownership of Smart TVs in the UK only increased by 1% from Dec to Jan. In contrast&amp;nbsp;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;HDTV ownership seems much more the rage with ownership increasing by 4% (from 55% - 59%).&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;Perhaps unsurprisingly, given their suitability as gifts and a lower price point, the Nintendo Wii and other games Consoles that can access TV content saw a big uplift in sales/ownership over this period. Wii ownership, for example, increased by 4%&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="margin-top: 0cm;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;This strongly suggests that games consoles, rather than Smart TVs, will win the battle over which device people will use to access Internet content through their TV&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;For example, ownership of a games console that can access TV programmes in the 18-24 age group jumped from 7% before Christmas to 25% in January&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;The modest increase in Smart TV ownership was mostly driven by males – increasing from 10% to 13% over Christmas and Jan – and those aged 35-44 (also a 3% uplift)&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="margin-top: 0cm;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;Most worryingly, for the Smart TV industry, there has been no practically no change (1%) in people’s intention to purchase a Smart TV within the next 12 months&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;ul style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-top: 0cm;" type="disc"&gt;&lt;li class="MsoNormal" style="line-height: 19px; margin-bottom: 0.0001pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-size: 10pt;"&gt;Dan Brilot, Media Consulting Director, YouGov, "However, some of the industry’s messaging does seem to be getting through as shown by a thawing in indifference towards Smart TV and a rise in purchase consideration. Prior to Christmas, 52% of the UK population said they definitely would not purchase one but this has dropped to 45%. Similarly, the % saying they are unsure about purchasing one has risen from 16% to 25%."&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-50201611623004851?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/50201611623004851/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=50201611623004851&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/50201611623004851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/50201611623004851'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/xmas-fails-to-improve-consumers.html' title='Xmas fails to improve consumers’ connection with Smart TV'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5104349518671642082</id><published>2012-01-20T12:20:00.002Z</published><updated>2012-01-20T12:20:51.284Z</updated><title type='text'>Top of the Apps!</title><content type='html'>&lt;div align="center" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-size: 18pt;"&gt;Modern Combat 3, Fruit Ninja and Infinity Blade 2&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 18pt;"&gt;Named Best&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 18pt;"&gt;Games&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 18pt;"&gt;&amp;nbsp;Apps&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0pt; margin-left: 0cm; margin-right: 21.2pt; margin-top: 0cm;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;The Sunday Times&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;Apps List 2012 (first section published Sunday January 22) has named&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Modern Combat 3, Fruit Ninja and Infinity Blade 2 as&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;the best games apps currently available.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;i&gt;&lt;span style="font-size: 11pt;"&gt;The Sunday Times&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;Apps List 2012&amp;nbsp;has been put together by a team of experienced app reviewers, aided by experts in specialist fields. Some win inclusion by solving some of life’s little problems, others for their sheer addictive silliness. 250 apps appear in the paper this weekend (January 22) with the remaining 250 being published on January 29. &amp;nbsp;The full list will be available and searchable online following publication.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 11pt;"&gt;It is four years since smartphone and tablet apps were first launched to the masses and from humble beginnings it seems millions of Brits now couldn’t live their lives without them.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 11pt;"&gt;A study commissioned by&amp;nbsp;&lt;i&gt;The Sunday Times&amp;nbsp;&lt;/i&gt;found that:&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;* Half of the UK population now owns a smartphone&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;* In 2011 over a million different apps were available&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;* Almost 80% of the apps people download are free&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;* In the last week of 2011 there were 81 million downloads in the UK alone&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;* The average UK keeps around 38 apps on their device&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;* Over half download a new app at least once a week&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 11pt;"&gt;The list includes apps devoted to culture, entertainment, sport, food, travel, health and science and in its online form, the list evolves, with new apps typically added every week.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5104349518671642082?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5104349518671642082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5104349518671642082&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5104349518671642082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5104349518671642082'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/top-of-apps.html' title='Top of the Apps!'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-450441927273360623</id><published>2012-01-18T13:39:00.000Z</published><updated>2012-01-18T13:39:53.411Z</updated><title type='text'>David Lynch</title><content type='html'>at BFI Southbank &lt;br /&gt;&lt;br /&gt;David Lynch has been responsible for some of the most innovative, daring and talked-about&lt;br /&gt;films in the last 40 years of American cinema. Throughout February, BFI Southbank will&lt;br /&gt;present all of his films in a complete retrospective that will include his early shorts and&lt;br /&gt;substantiate Lynch’s reputation as a pioneer among contemporary American filmmakers.&lt;br /&gt;Renowned Tweeter and latterly musician, David Lynch’s career trajectory has taken him&lt;br /&gt;from an often challenging avant-garde director, with his surreal first shorts The Alphabet&lt;br /&gt;(1968) and &amp;nbsp;The Grandmother &amp;nbsp;(1970), to a thought-provoking auteur with films such as&lt;br /&gt;Mullholland Drive (2001) and &amp;nbsp;Inland Empire (2006) – incorporating the seminal television&lt;br /&gt;series &amp;nbsp;Twin Peaks &amp;nbsp;along the way. Lynch began his creative career studying painting, but&lt;br /&gt;made the transition to filmmaking which took him to LA where he began the five-year&lt;br /&gt;process of making his first feature Eraserhead (1976). Starring Jack Nance, this disturbing&lt;br /&gt;debut became a cult classic and led way for a dip into the mainstream with his portrayal of&lt;br /&gt;The Elephant Man &amp;nbsp;(1980), which also earned Lynch his first &amp;nbsp;Oscar &amp;nbsp;nomination for Best&lt;br /&gt;Director.&lt;br /&gt;&lt;br /&gt;The sci-fi epic Dune (1984) was followed by Lynch’s landmark film Blue Velvet (1986). This&lt;br /&gt;won him another nomination from the Academy and received critical acclaim for its tale of&lt;br /&gt;murder and sadomasochism behind the white picket fences of suburbia. With outstanding&lt;br /&gt;performances from Dennis Hopper and Isabella Rossellini, Lynch established himself as a&lt;br /&gt;leader in US independent filmmaking, appealing to both audiences and academia alike –&lt;br /&gt;the latter who would go on to coin the term ‘Lynchian’ to describe a surreal and uncanny&lt;br /&gt;tone that rippled through Hollywood titles.&lt;br /&gt;&lt;br /&gt;His star was on the ascent: his road movie Wild&lt;br /&gt;at Heart (1990) won the Palme D’Or at Cannes while from the cover of Time magazine he&lt;br /&gt;was dubbed a genius. Though press vilified &amp;nbsp;Twin &amp;nbsp;Peaks: &amp;nbsp;Fire &amp;nbsp;Walk with Me (1992), Lynch&lt;br /&gt;remained faithful to his vision and spirit of rebellion, presenting first the LA noir mystery&lt;br /&gt;Lost Highway &amp;nbsp;(1996) and then, from the leftfield, the life-affirming story of a 73-year old&lt;br /&gt;man who travelled cross-country on a lawnmower to visit his brother in The Straight Story&lt;br /&gt;(1999). Each film restored his status as a truly remarkable director. The last decade has seen Lynch make only two films, including &amp;nbsp;Mulholland Dr. (2001) -&lt;br /&gt;widely regarded as a modern masterpiece. But he has also created a foundation of&lt;br /&gt;Transcendental Meditation for deprived children and collaborate with musicians such as&lt;br /&gt;Danger Mouse and Angel Badalamenti, and recently release a solo album. This season will&lt;br /&gt;provide a rare reminder of the creative genius of Lynch, on screen, and why he remains one&lt;br /&gt;of the most ground-breaking artists of his generation.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The BFI Southbank is open to all. BFI members are entitled to a discount on all tickets. &amp;nbsp;BFI Southbank&lt;br /&gt;Box Office tel: 020 7928 3232. Unless otherwise stated tickets are £9.00, concs £6.65 Members pay £1.40&lt;br /&gt;less on any ticket. Website www.bfi.org.uk/southbank&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-450441927273360623?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.bfi.org.uk/southbank' title='David Lynch'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/450441927273360623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=450441927273360623&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/450441927273360623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/450441927273360623'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/david-lynch.html' title='David Lynch'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-8902155774826152132</id><published>2012-01-18T13:36:00.002Z</published><updated>2012-01-18T13:36:55.504Z</updated><title type='text'>THIS SCEPTRED ISLE: Day Trips In England 1940s to 1970s –</title><content type='html'>&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;The Films of Harold Baim&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Suggested Price: £19.99&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;A must have for any historian or travel fanatic is THIS SCEPTRED ISLE: Day Trips in England 1940s to 1970s – The Films of Harold Baim – now available on DVD from Strike Force Entertainment.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Spanning the 30 years from 1944 to 1974, THIS SCEPTRED ISLE, features nearly 6 hours of comprehensive archive film and covers over twelve multiple destination archive travelogues bursting with ideas for English day trips and weekends away.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Featuring city, coast and countryside fun and frolics, THIS SCEPTRED ISLE offers viewers the chance to witness and celebrate the English history and heritage of some of the tourist hotspots of yesteryear, as filmed by celebrated British film producer, director and writer Harold Baim.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Containing 2 discs, THIS SCEPTRED ISLE includes fascinating films such as ‘The English Riviera’, which takes us on a journey of Coastal Devon and its beauty spots, historical buildings and resorts, ‘Stories Of Lakeland’, which offers viewers the chance to witness the tranquil and dramatic scenery of the Lake District to ‘The Plymouth Sound’, a chance to visit the vibrant city of Plymouth, its Naval base and maritime history. This is to name but a few of the fabulous films!&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Additional highlights also include ‘Reserved For Animals’, which sees Terry Wogan take a trip to the Safari Park at Woburn Abbey and ‘World Of Wax’ which opens the doors to the famous Madame Tussauds in London.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Bonus features also include ‘This is Guernsey’, which offers a tour around the Channel Island to discuss its Second World War Occupation and also ‘Pete Murray Takes You To Hastings’, which features well known TV Personality and DJ, Pete Murray as he explores Hastings – the famous seaport and battleground of 1066.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Best known and remembered for his travelogues, these spectacular archive films by Harold Baim will take you back in time. They are the exact films originally seen at your local cinema as secondary features to some of the biggest movies of the 50s, 60s and 70s.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Also available from the Harold Baim collection and released by Strike Force Entertainment is SWINGING UK / UK SWINGS AGAIN, a nostalgic double-bill which brings back the sounds of the sixties.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;THIS SCEPTRED ISLE: Day Trips in England 1940s to 1970s – The Films of Harold Baim is available from all good retailers, priced at £19.99. &amp;nbsp;For more information visit&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.strikeforcetv.com/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.strikeforcetv.com&lt;/a&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;or follow Strike Force Entertainment on&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.fbook.me/SFE" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.fbook.me/SFE&lt;/a&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-8902155774826152132?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.strikeforcetv.com' title='THIS SCEPTRED ISLE: Day Trips In England 1940s to 1970s –'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/8902155774826152132/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=8902155774826152132&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8902155774826152132'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8902155774826152132'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/this-sceptred-isle-day-trips-in-england.html' title='THIS SCEPTRED ISLE: Day Trips In England 1940s to 1970s –'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-1962264301145630580</id><published>2012-01-18T13:34:00.002Z</published><updated>2012-01-18T13:34:46.524Z</updated><title type='text'>VIRGIN ATLANTIC SPONSORS LONDON CRITICS’ CIRCLE FILM AWARDS 2012</title><content type='html'>&lt;span style="font-family: Calibri; font-size: small;"&gt;Virgin Atlantic has today announced it will be the principal sponsor for the London Critics’ Circle Film Awards 2012.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;The award ceremony is celebrating is 32&lt;sup&gt;nd&lt;/sup&gt;&amp;nbsp;year and will be held on the 19 January 2012 at the BFI Southbank and will be hosted by Chairman of the Critics’ Circle Film Section Jason Solomons.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;Jason Solomons, Virgin Atlantic’s onboard Film Critic and Chairman of The Critics’ Circle Film Awards commented:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;“Virgin Atlantic and The Critics’ Circle Film Awards make a great partnership, illustrating their support for the best and newest in film.&amp;nbsp; This year’s award ceremony will be hot on the heels of the Golden Globes and before the Baftas so we know it will be a star-studded event, celebrating our favourite films of the last year, from around the world."”&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-1962264301145630580?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/1962264301145630580/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=1962264301145630580&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1962264301145630580'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1962264301145630580'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/virgin-atlantic-sponsors-london-critics.html' title='VIRGIN ATLANTIC SPONSORS LONDON CRITICS’ CIRCLE FILM AWARDS 2012'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-3874688765128919474</id><published>2012-01-17T13:11:00.000Z</published><updated>2012-01-17T13:11:21.934Z</updated><title type='text'>Bangor Academic Wins Major Award to Research Stanley Kubrick</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="line-height: 18px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;The life and works of legendary filmmaker Stanley Kubrick are to come under scrutiny in a new research project at Bangor University’s School of Creative Studies and Media. Dr Nathan Abrams, Senior Lecturer in Film Studies, has won £76,000 from the Arts and Humanities Research Council (AHRC) to research Stanley Kubrick’s work from a consideration of his Jewish heritage and intellectual background.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;Stanley Kubrick’s work covered many genres and topics and many films broke new ground in cinematic style. His films have been popular with both the pubic and the critics, and are open to interpretation as to their messages and can be both analysed and enjoyed on a number of levels.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;“Despite the volume of research on Kubrick – and Kubrick is possibly the most written about film director after Alfred Hitchcock – little of it is based on original research into his own archives, nor have his intellectual status and ethnicity been considered to any great extent,” said Dr Abrams.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;Dr Abrams hopes to offer up a new angle with which to interpret Stanley Kubrick’s films.&amp;nbsp;&amp;nbsp;He says:&lt;span style="background-attachment: scroll; background-clip: initial; background-color: yellow; background-image: none; background-origin: initial; background-position: 0% 50%; background-repeat: repeat repeat;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;“I hope to redress this by basing my research on extensive archival material. I will also be taking full consideration of the New York intellectual cultural community of which Kubrick was a member, and the impact of his Jewish cultural background on his work.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;Although Kubrick was not a practicing Jew and the Jewish references and viewpoint are not explicit or obvious in his films, Nathan Abrams argues that once you consider his films from the standpoint of his ethnicity, and his cultural milieu, then some resonant themes emerge. For example, Abrams interprets his contribution to the horror film genre, his 1980 film,&amp;nbsp;&lt;i&gt;The Shining&lt;/i&gt;, as dealing with the very Jewish theme of the sacrifice of the son by the father.&amp;nbsp;&amp;nbsp;This is a new interpretation of a film that’s been much watched and discussed.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;“Kubrick’s films never offer up anything easy or obvious,” says Abrams. “He made few statements about his films.&amp;nbsp;&amp;nbsp;He spent a long time working on his films, he was an obsessive and paid great attention to detail. He was extremely cultured and cultivated and certainly had views that he wanted to share- but I suspect, looked for the least obvious ways of getting his messages over to the viewer, who he wanted to make work to understand his deeper messages.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;“I cannot prove beyond doubt that Kubrick intended his films to be understood the way that I perceive them, and a visual medium such as film is always open to interpretation, but neither can I believe that a director who thought so deeply about his work would allow us to misinterpret his films”.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;Abrams also hopes to argue that Kubrick’s films provide a lens through which we can view the major events of the 20th century: the two world wars, the Holocaust, McCarthyism and the Cold War, the arms and space race and the Vietnam War, as well as the development of US and European society from 1951-1999, and an opportunity to explore the key themes of science, technology, history, race, violence, gender, ethnicity, sexuality, religion and war and how these impact on questions of ethnicity and intellectual vocation.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Calibri;"&gt;&lt;span style="font-size: 12pt; line-height: 18px;"&gt;Dr. Abrams said, “I am delighted to win this award. It will give me nine months to really delve into this enigmatic and frustratingly elliptical filmmaker’s work. As the AHRC Fellowship award is extremely competitive, it really showcases the Film and Jewish Studies research that we’re doing here at Bangor.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-3874688765128919474?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/3874688765128919474/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=3874688765128919474&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3874688765128919474'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/3874688765128919474'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/bangor-academic-wins-major-award-to.html' title='Bangor Academic Wins Major Award to Research Stanley Kubrick'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5693411276375132317</id><published>2012-01-16T12:29:00.000Z</published><updated>2012-01-16T12:29:39.134Z</updated><title type='text'>Celebrate Valentine’s Day At BFI Southbank</title><content type='html'>Casablanca, L’Atalante, The Red Shoes, Heartbeats,&lt;br /&gt;&amp;nbsp;Picnic at Hanging Rock, To Have and Have Not&lt;br /&gt;&lt;br /&gt;We’ll always have BFI Southbank&lt;br /&gt;&lt;br /&gt;This Valentine’s Day take shelter from the storms and the bitter winds within the&lt;br /&gt;warm and welcoming walls of &amp;nbsp;BFI Southbank and make it a night to remember!&lt;br /&gt;With the finest selection of films on offer, cinema-lovers can also spice up a hot&lt;br /&gt;date with a tasty meal or fine wine - this is the best place in London to enjoy the&lt;br /&gt;complete Valentine’s Day experience.&lt;br /&gt;&lt;br /&gt;Nestled on the bustling South Bank, this vibrant venue is the only place in London&lt;br /&gt;where you can enjoy the beautifully restored Oscar-winning &amp;nbsp;Casablanca (1942) -&lt;br /&gt;considered to be one of the most romantic films of all time. Watching this iconic&lt;br /&gt;classic on the big screen is really a unique experience – it is the perfect film and&lt;br /&gt;setting to impress. &amp;nbsp;We’ll also be screening the noir classic To Have and Have Not&lt;br /&gt;(1945), where you can witness the dashing Bogart and the smouldering Bacall fall in&lt;br /&gt;love on and off set. And with screenings of the timeless French masterpiece&lt;br /&gt;L’Atalante (1934) by Jean Vigo, you will be spoilt for choice. &lt;br /&gt;&lt;br /&gt;There is something for everyone and with alternative tales of love and romance, we&lt;br /&gt;even have something for the cynics too! There are screenings of &amp;nbsp;Powell &amp;amp;&lt;br /&gt;Pressburger’s fantastical The Red Shoes (1948) and a special Out at the Pictures with&lt;br /&gt;Peter Weir’s haunting and stunningly photographed Picnic at Hanging Rock (1975). If&lt;br /&gt;you are looking for something more contemporary, there is the Canadian ménage à&lt;br /&gt;trois feature Heartbeats (Les amours imaginaires, 2010) which was a hit in last year’s&lt;br /&gt;London Lesbian and Gay Film Festival.&lt;br /&gt;&lt;br /&gt;If all of this leaves you hungry for more, go to the stylish benugo Bar and Kitchen&lt;br /&gt;for the intimate dining experience and end an already perfect night with a cocktail&lt;br /&gt;or two at the Riverfront Bar and Kitchen overlooking the Thames. &amp;nbsp;With it’s funky&lt;br /&gt;outdoor area, you can sit and enjoy the buzzy atmosphere, take in one of the most&lt;br /&gt;stunning views that London has to offer, or simply people watch.&lt;br /&gt;&lt;br /&gt;Here’s looking at you kid!!&lt;br /&gt;&lt;br /&gt;Casablanca&lt;br /&gt;Had &amp;nbsp;Casablanca &amp;nbsp;turned out as Warner Bros originally&lt;br /&gt;envisaged, it would have been just another escapist wartime&lt;br /&gt;romance. But thanks to extensive rewrites and various happy&lt;br /&gt;accidents, it remains, 60 years after it was made, one of the&lt;br /&gt;best loved movies of all time.&lt;br /&gt;&lt;br /&gt;Humphrey Bogart is in his &amp;nbsp;element as Rick Blaine,&lt;br /&gt;defiantly ‘neutral’ proprietor of a popular Casablanca&lt;br /&gt;nightclub in the early years of World War Two. When a Czech Resistance leader&lt;br /&gt;fleeing from the Nazis turns up unexpectedly at the bar, accompanied by his wife&lt;br /&gt;Ilsa (Ingrid Bergman) – a former lover of Rick’s – the embittered American finds his&lt;br /&gt;emotions in turmoil, his loyalties torn… &amp;nbsp;A remarkable international cast (Peter&lt;br /&gt;Lorre, Sydney Greenstreet, Claude Rains,), a script packed with lines so memorably&lt;br /&gt;witty that many became enduring catchphrases, and Michael Curtiz’s sumptuously&lt;br /&gt;stylish direction make for a thoroughly &amp;nbsp;involving and iconic tale of passion,&lt;br /&gt;commitment, quiet courage and redemption. &amp;nbsp;And it’s now been digitally restored –&lt;br /&gt;play it, Sam…&lt;br /&gt;&lt;br /&gt;USA 1942. Dir Michael Curtiz. With Humphrey Bogart, Ingrid Bergman, Claude Rains, Peter&lt;br /&gt;Lorre, Sydney Greenstreet, Paul Henreid, Conrad Veidt, Marcel Dalio, SZ Sakall, Dooley&lt;br /&gt;Wilson. 102min. Digital. U. Courtesy of Park Circus&lt;br /&gt;Tues 14 Feb 18:30 NFT1 (Fri 10 - Thu 23 Feb)&lt;br /&gt;&lt;br /&gt;L’Atalante&lt;br /&gt;Funny, heart-rending, erotic, suspenseful, exhilaratingly&lt;br /&gt;inventive... Jean Vigo’s only full-length feature satisfies&lt;br /&gt;on so many levels, it’s no surprise it’s widely regarded&lt;br /&gt;as one of the greatest films ever made.&lt;br /&gt;When Juliette (Dita Parlo) marries and moves in&lt;br /&gt;with Seine barge captain Jean (Jean Dasté), their&lt;br /&gt;relationship soon shows signs of strain. Sharing&lt;br /&gt;the cramped boat with eccentric bosun Père Jules&lt;br /&gt;(Michel Simon), a cabin boy and a clutter of cats doesn’t help; nor do Jean’s jealous&lt;br /&gt;tendencies or the couple’s reluctance to &amp;nbsp;compromise… To this simple story Vigo&lt;br /&gt;brings an extraordinary array of ideas and insights, while the lustrous lyricism of&lt;br /&gt;Boris Kaufman’s camerawork, injections of surrealism and the almost childlike&lt;br /&gt;innocence of the performances locate the film in a fertile territory between objective&lt;br /&gt;realism and subjective fantasy. In their scenes together (which include one of the&lt;br /&gt;most erotic in cinema), Dasté and Parlo reveal an achingly vulnerable intensity. No&lt;br /&gt;other movie matches its mix of playfulness, poetry, sensuality and tenderness; this&lt;br /&gt;masterpiece is truly timeless.&lt;br /&gt;&lt;br /&gt;France 1934. Dir Jean Vigo. With Jean Dasté, Dita Parlo, Michel Simon, Gilles Margaritis,&lt;br /&gt;Louis Lefebvre. 89min. EST. Digital. PG. A BFI release&lt;br /&gt;Tues 14 Feb 21:00 Studio (Wed 1 – Wed 29 Feb Extended Run)&lt;br /&gt;&lt;br /&gt;The Red Shoes&lt;br /&gt;One of Powell and Pressburger’s most enduringly&lt;br /&gt;popular films is a stunning exercise in colour,&lt;br /&gt;movement and a kind of romanticism that was&lt;br /&gt;unusual in post-war British cinema. Explaining the&lt;br /&gt;film’s success, Powell stated, ‘We had all been told&lt;br /&gt;for ten years to go out and die for freedom and&lt;br /&gt;democracy, for this and for that, and now that the war was over, The Red Shoes told us to go out and die for art’.&lt;br /&gt;UK 1948. Dir Michael Powell &amp;amp; Emeric Pressburger. With Moira Shearer, Anton Walbrook,&lt;br /&gt;Marius Goring. 135min. Digital. U&lt;br /&gt;Introduction by Ian Christie – on this date?&lt;br /&gt;Tickets £10, concs £6.75 (Members pay £1.50 less)&lt;br /&gt;Tue 14 Feb 18:10 NFT3&lt;br /&gt;&lt;br /&gt;Picnic at Hanging Rock&lt;br /&gt;On Valentine’s Day in 1900 three school girls and&lt;br /&gt;their teacher disappear while on an excursion to&lt;br /&gt;Victoria’s Hanging Rock, splintering the lives and&lt;br /&gt;hearts of those left behind. Weir’s cinematic&lt;br /&gt;exploration of the Unknown is also a tender treatise&lt;br /&gt;on romantic friendship between young women.&lt;br /&gt;Lingering glances, gentle caresses and declarations&lt;br /&gt;of love from one student to another abound in this&lt;br /&gt;beautiful and stunningly photographed film.&lt;br /&gt;Australia 1975. Dir Peter Weir. With Rachel &amp;nbsp;Roberts, Anne-Louise Lambert, Vivean Gray.&lt;br /&gt;115min. PG&lt;br /&gt;Tue 14 Feb 18:20 NFT2&lt;br /&gt;&lt;br /&gt;Heartbeats (Les amours imaginaires)&lt;br /&gt;Actor-writer-director Xavier Dolan has created&lt;br /&gt;an affecting film dealing with a misshapen love&lt;br /&gt;triangle. Dolan plays Nicolas, a young gay man&lt;br /&gt;who shares the passion of his best girlfriend,&lt;br /&gt;Marie, for the cherubic hunk that is Francis. This&lt;br /&gt;beautifully constructed film is a sharp dissection&lt;br /&gt;of the joys and heartbreaks of love. It’s also a&lt;br /&gt;vivid portrait of different sorts of friendship and the subtleties of rivalry between&lt;br /&gt;close friends.&lt;br /&gt;Canada 2010. Dir Xavier Dolan. With Xavier Dolan, Monia Chokri, Niels Schneider. 101min.&lt;br /&gt;15. EST&lt;br /&gt;Tue 14 Feb 20:40 NFT2&lt;br /&gt;&lt;br /&gt;To Have and Have Not&lt;br /&gt;As adapted by William Faulkner and Jules Furthman,&lt;br /&gt;Hemingway’s novel becomes a characteristically laconic&lt;br /&gt;and witty Hawksian romance, in which Bogart’s fishingboat captain, working the waters around Martinique&lt;br /&gt;during World War Two, discovers a sense of moral&lt;br /&gt;responsibility thanks to the love of a good and very&lt;br /&gt;strong-willed woman (Bacall). That the two leads fell in&lt;br /&gt;love during the making of the film is marvellously&lt;br /&gt;apparent, bringing both sexual chemistry and emotional&lt;br /&gt;depth to the stirring intrigue and adventure.&lt;br /&gt;USA 1945. Dir Howard Hawks. With Humphrey Bogart,&lt;br /&gt;Lauren Bacall, Walter Brennan, Hoagy Carmichael, Marcel Dalio. 99min. PG&lt;br /&gt;Tue 14 Feb 20:45 &lt;br /&gt;&lt;br /&gt;The BFI is the nation's cultural organisation for film, keeping the breadth of voices in&lt;br /&gt;moving image culture alive and known. Through its venues, festivals, film releases and&lt;br /&gt;online, the BFI inspires people to understand and enjoy film culture, ensuring that&lt;br /&gt;everyone in the UK can see the broadest range and choice of films, otherwise not&lt;br /&gt;provided by commercial cinema. The BFI reaches an audience of over 7.5 million in the&lt;br /&gt;UK every year.&lt;br /&gt;&lt;br /&gt;Booking information&lt;br /&gt;The BFI is the lead body for film in the UK with the ambition to create a flourishing&lt;br /&gt;film environment in which innovation, opportunity and creativity can thrive by:&lt;br /&gt;&lt;br /&gt;Connecting audiences to the widest choice of British and World cinema.&lt;br /&gt;Preserving and restoring the most significant film collection in the world for today&lt;br /&gt;and future generations.&lt;br /&gt;Championing emerging and world class film makers in the UK. &lt;br /&gt;Investing in creative, distinctive and entertaining work. &lt;br /&gt;Promoting British film and talent to the world. &amp;nbsp;&lt;br /&gt;Growing the next generation of film makers and audiences.&lt;br /&gt;&lt;br /&gt;The BFI Southbank is open to all. BFI members are entitled to a discount on all&lt;br /&gt;tickets. &amp;nbsp;BFI Southbank Box Office tel: 020 7928 3232. Unless otherwise stated tickets&lt;br /&gt;are 10.00, concs £6.75 Members pay £1.50 less on any ticket. Website:&lt;br /&gt;www.bfi.org.uk/southbank&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5693411276375132317?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.bfi.org.uk/southbank' title='Celebrate Valentine’s Day At BFI Southbank'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5693411276375132317/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5693411276375132317&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5693411276375132317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5693411276375132317'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/celebrate-valentines-day-at-bfi.html' title='Celebrate Valentine’s Day At BFI Southbank'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-4459709769423278415</id><published>2012-01-16T11:26:00.000Z</published><updated>2012-01-16T11:26:59.476Z</updated><title type='text'>BFI STATEMENT IN RESPONSE TO FILM POLICY REVIEW REPORT</title><content type='html'>&lt;div class="nH" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222;"&gt;&lt;div class="nH"&gt;&lt;h1 class="ha" style="background-color: transparent; background: inherit; border-right: inherit; font-size: 18px; font-weight: normal; margin-bottom: 9px; margin-left: 0px; margin-right: 1px; margin-top: 12px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="background-color: transparent; font-size: x-small; text-align: justify;"&gt;Commissioned last May by Culture Minister Ed Vaizey, “&lt;/span&gt;&lt;i style="background-color: transparent; font-size: small; text-align: justify;"&gt;A Future for British Film – it begins with the audience&lt;/i&gt;&lt;span style="background-color: transparent; font-size: x-small; text-align: justify;"&gt;” is the report published today by an independent review panel, chaired by Lord Chris Smith. The report contains a total of 56 recommendations to Government, industry and the British Film Institute (BFI).&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 class="ha" style="background-color: transparent; background: inherit; border-right: inherit; font-size: 18px; font-weight: normal; margin-bottom: 9px; margin-left: 0px; margin-right: 1px; margin-top: 12px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b style="background-color: transparent; font-size: small;"&gt;BFI response to the report&lt;/b&gt;&lt;span style="background-color: transparent; font-size: x-small;"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 class="ha" style="background-color: transparent; background: inherit; border-right: inherit; font-size: 18px; font-weight: normal; margin-bottom: 9px; margin-left: 0px; margin-right: 1px; margin-top: 12px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"&gt;&lt;i style="background-color: transparent; font-size: small;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;“Against the backdrop of a record year for British film and film talent, we welcome this report which rightly places audiences at the heart of future UK film policy.&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 class="ha" style="background-color: transparent; background: inherit; border-right: inherit; font-size: 18px; font-weight: normal; margin-bottom: 9px; margin-left: 0px; margin-right: 1px; margin-top: 12px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"&gt;&lt;i style="background-color: transparent; font-size: small;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;The BFI has enjoyed a fruitful dialogue with Chris Smith, the panel, and with the industry, as we have all engaged with the development of this report which looks at the film sector completely in the round. We share the exciting ambition to drive a vibrant and prosperous future for British film and offer audiences excellence and choice.&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 class="ha" style="background-color: transparent; background: inherit; border-right: inherit; font-size: 18px; font-weight: normal; margin-bottom: 9px; margin-left: 0px; margin-right: 1px; margin-top: 12px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"&gt;&lt;i style="background-color: transparent; font-size: small;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;We look forward to considering the recommendations in the report and the Government’s response to it. The recommendations will help inform and define the BFI’s forward plan in support of the whole film sector.”&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 class="ha" style="background-color: transparent; background: inherit; border-right: inherit; font-size: 18px; font-weight: normal; margin-bottom: 9px; margin-left: 0px; margin-right: 1px; margin-top: 12px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="background-color: transparent; font-size: x-small;"&gt;The review can be seen online at&lt;/span&gt;&lt;span style="background-color: transparent; font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 class="ha" style="background-color: transparent; background: inherit; border-right: inherit; font-size: 18px; font-weight: normal; margin-bottom: 9px; margin-left: 0px; margin-right: 1px; margin-top: 12px; padding-bottom: 0px; padding-left: 8px; padding-right: 0px; padding-top: 0px;"&gt;&lt;a href="http://www.culture.gsi.gov.uk/" style="background-color: transparent; color: #1155cc; font-size: small;" target="_blank"&gt;&lt;span style="color: blue; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;u&gt;www.culture.gsi.gov.uk&lt;/u&gt;&lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-4459709769423278415?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.culture.gsi.gov.uk/' title='BFI STATEMENT IN RESPONSE TO FILM POLICY REVIEW REPORT'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/4459709769423278415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=4459709769423278415&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4459709769423278415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4459709769423278415'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2012/01/bfi-statement-in-response-to-film.html' title='BFI STATEMENT IN RESPONSE TO FILM POLICY REVIEW REPORT'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5807605464613152043</id><published>2011-12-22T14:21:00.000Z</published><updated>2011-12-22T14:21:50.869Z</updated><title type='text'>Shifting Sands Exhibition</title><content type='html'>&lt;span style="font-family: 'Arial Black'; font-size: small;"&gt;&lt;b&gt;Shifting Sands&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Arial Black'; font-size: small;"&gt;&lt;b&gt;Guy Martin&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;During the spring of 2011, independent documentary photographer Guy Martin travelled to Egypt and Libya to&amp;nbsp;record&amp;nbsp;the unfolding Arab Spring. &amp;nbsp;On Wednesday 20 April, Guy’s work in the region was cut short when, whilst covering some of the fiercest most violent urban warfare in recent history he was severely injured in a rocket attack by Gaddafi loyalists in the centre of the besieged Western Libyan city of Misarta.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;For the first time since the attack, and following his lengthy and continuing recovery University College Falmouth’s School of Media &amp;amp; Performance presents&amp;nbsp;&lt;i&gt;Shifting Sands&lt;/i&gt;, an exhibition of the work produced by Guy up&amp;nbsp;to this point. The exhibition frames a series of events including a private view, a talk with eminent women photojournalists, film screenings and Guy in conversation. Each event serves to highlight the&amp;nbsp;heavy&amp;nbsp;price that can be&amp;nbsp;paid by&amp;nbsp;frontline photojournalists in the cause of documenting&amp;nbsp;a country and its people’s struggle for freedom.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Egypt&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Steele Gallery, The Poly&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;The exhibition shows his work in Egypt that was made whilst on assignment with the Wall Street Journal and documents the first violent demonstrations at the end of January 2011 to the celebrations on the news of the resignation of Hosni Mubarak on Friday 11 and the first independent referendum in March.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Libya&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Spring Gallery, The Poly&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;i&gt;Shifting Sands&lt;/i&gt;&amp;nbsp;then moves chronologically further into March 2011 during which Guy travelled to Libya to document the effects of NATO’s intervention on the country’s revolution. He travelled extensively throughout liberated Eastern Libya documenting, (with major commissions from The Guardian and Observer), a population coming to terms with their new found liberation and their continuing battles with a superior opposition.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;This work in eastern Libya shows a particular violent and uncertain time in the Libyan revolution. As Tripoli fell and the Gaddafi family were either killed or arrested, it is easy to forget the heavy price that the people of Libya paid for their freedom and the ensuing power struggles that are now being played out across the country.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;The Missing People&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Daniell Room, Upstairs - The Poly&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Guy’s&amp;nbsp;&lt;i&gt;Missing People&lt;/i&gt;&amp;nbsp;photographs were taken on the sea-air and ocean sprayed walls of the Bengazi courthouse and justice rooms between March and April 2011.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Over the course of the uprising and revolution in Libya, from its early days in February to the eventual capture and death of Colonel Gaddafi, the people of Benghazi posted pictures of their sons, father, uncles and brothers on the walls in the hope that someone might recognise a face.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A face that had not returned from war with Chad in the 1970’s; a face that might not have been seen since a the police came to the house to ask questions in the 1996; or perhaps it's a face not seen since the young man went to the frontline in March and April to fight with their friends, to defend their home and their family.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;The public exhibition of Libya’s missing men, seeks to highlight the very human struggle of Libya’s 42 year search for answers on all those that dared to stand up and resist.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;In remembrance&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Whilst Guy is here to share his work and experiences, sadly two friends and colleagues were killed in the same attack, the Oscar nominated filmmaker and co-director of Sundance-winning film Restrepo, Tim Hetherington and Pulitzer nominated photojournalist, Chris Hondros.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;In remembrance and dedication, proceeds from the week’s events will be directed to&amp;nbsp;&lt;b&gt;The Rory Peck Trust&lt;/b&gt;, the only organisation in the world dedicated to the safety and welfare of freelance newsgatherers and their families.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;The Rory Peck Trust&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.rorypecktrust.org/" target="_blank"&gt;&lt;span style="color: blue; font-family: Arial; font-size: small;"&gt;&lt;u&gt;www.rorypecktrust.org&lt;/u&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;43-51 Great Titchfield Street&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;London W1W 7DA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;United Kingdom&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;T: +44 (0)20 3219 7860&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Win a signed edition of Guy’s work&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Following Saturday’s In Conversation, a raffle will be drawn where you can win a signed, 20” by 24” edition of Guy’s work, one from his time in Egypt and one from Libya.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Tickets are just £5 with proceeds going to The Rory Peck Trust.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;In addition, smaller prints and limited editions of Guy’s work are available to buy online from Cartel Photos.&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.cartelphotos.com/" target="_blank"&gt;&lt;span style="color: blue; font-family: Helvetica; font-size: x-small;"&gt;&lt;u&gt;www.cartelphotos.com&lt;/u&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;Cartel Photos facebook:&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.facebook.com/people/Cartel-Photos/100003024527708" target="_blank"&gt;&lt;span style="color: blue; font-family: Arial; font-size: x-small;"&gt;&lt;u&gt;http://www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;people/Cartel-Photos/&lt;wbr&gt;&lt;/wbr&gt;100003024527708&lt;/u&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;&lt;i&gt;Shifting Sands&lt;/i&gt;&amp;nbsp;Exhibition&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Tuesday 10 January 2012 – Saturday 14 January 2012&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;10am – 5pm&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Free&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Private View&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Join Guy Martin and The School of Media &amp;amp; Performance at University College Falmouth in opening the exhibition and following events.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Monday 9 January&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;From 7pm till late&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Free, with licenced bar&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;The Poly, 24 Church Street, Falmouth TR11 3EG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;01326 319461,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.thepoly.org/" target="_blank"&gt;&lt;span style="color: blue; font-family: Arial; font-size: small;"&gt;&lt;u&gt;www.thepoly.org&lt;/u&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5807605464613152043?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.falmouth.ac.uk' title='Shifting Sands Exhibition'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5807605464613152043/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5807605464613152043&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5807605464613152043'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5807605464613152043'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/shifting-sands-exhibition.html' title='Shifting Sands Exhibition'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-7535886763699619092</id><published>2011-12-22T14:17:00.002Z</published><updated>2011-12-22T14:17:41.770Z</updated><title type='text'>TAT Announces the Phuket Electronic Music &amp; Dance Festival 2011</title><content type='html'>&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;On December 15, the Tourism Authority of Thailand, in association with the Department of Intellectual property&amp;nbsp;and the Municipality of Karon, Phuket, announced the "Phuket&amp;nbsp;Electronic Music and Dance Festival 2011 and Creative IP DJ Hunt 2011&amp;nbsp;Southern Region," whic h will be held on Karon Beach, Phuket, 30 -- 31, December 2011.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;Mr. Poramet Amatayakul, Regional Director of the TAT South and president of the press conference said that the Phuket Electronic Music and Dance Festival 2011 would encourage tourism in Thailand and create an image of Phuket as an exciting city and well-known center for music festivals.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;This festival, which will feature a number of well known international DJs, will boost tourism following the flooding crisis in Thailand earlier this year and will revive confidence in Thailand as a tourist destination for both local and foreign travelers.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;Many famous Thai and foreign artists have been invited to the festival, including Mark Brain, DJ Slick D, and Domination, the&amp;nbsp;winner of the Best Video DJ of the World Contest in Dubai 2011. &amp;nbsp;Famous Thai DJs Dom Pakornlum, J Monthon, and over 20 DJs from Top-10 Phuket clubs, such as Seduction, Sanook Club, White Room, and Tiger Club will be performing on two stages from 7 p.m. December 30 and continuing on December 31 to ring in the new year.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;A secondary objective of the festival and DJ competition is to promote electronic&amp;nbsp;music in Thailand, encourage talented young Thai electronic artists,&amp;nbsp;and modernize the electronic music industry in Thailand.&amp;nbsp; To underscore this point, the Thursday press conference to announce the 2011 event featured a disc scratching performance from the winner of IP DJ Hunt&amp;nbsp;2010, Khun Pakasit Puangngern, whose work, including his performance at last year's festival, was on display at the press conference.&amp;nbsp; Winners of the 2011 IP&amp;nbsp;DJ Hunt contest will receive 20,000 baht, 10,000 Baht and 5,000 Baht in prize money from Pioneer DJ.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;The performance queue is to be announced on the websites&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.ip-djhunt.com/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" target="_blank"&gt;www.ip-djhunt.com&lt;/a&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.pioneer-thailand.com/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" target="_blank"&gt;www.pioneer-thailand.com&lt;/a&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;.&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" /&gt;&lt;span style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;"&gt;All the latest developments will be announced on the official Facebook Page:&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.facebook.com/profile.php?id=100003252631611" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: 'Trebuchet MS', Arial, Helvetica, sans-serif; font-size: 13px;" target="_blank"&gt;http://www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;profile.php?id=100003252631611&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-7535886763699619092?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.myprgenie.com' title='TAT Announces the Phuket Electronic Music &amp; Dance Festival 2011'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/7535886763699619092/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=7535886763699619092&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7535886763699619092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7535886763699619092'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/tat-announces-phuket-electronic-music.html' title='TAT Announces the Phuket Electronic Music &amp; Dance Festival 2011'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-7565722997898373712</id><published>2011-12-19T12:50:00.002Z</published><updated>2011-12-19T12:50:51.482Z</updated><title type='text'>Muppet Christmas Carol tops the UK’s all time favourite Christmas film poll</title><content type='html'>&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); text-align: center;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;Digital Spy, the UK’s biggest entertainment news site with 12m unique users, has revealed The Muppet Christmas Carol to be the favourite Christmas movie of all time.&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;The entertainment site, which breaks over 250 original entertainment stories a day, polled more than 10,000 of its readers to discover their top festive film. It reveals that The Muppet Christmas Carol narrowly triumphed with 18.5% of votes ahead of Home Alone's 18.3.&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;The 1994 family film puts a Muppet spin on Charles Dickens' A Christmas Carol, casting Michael Caine as miser Ebeneezer Scrooge and Kermit the Frog as Bob Cratchit.&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;Will Ferrell's 2003 comedy Elf charted in third place with 8.9%, Christmas classic, It's a Wonderful Life was in fourth spot with 7.4 and action movie Die Hard, which takes place during the festive period, landed in fifth with 6.7%.&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;Digital Spy users' top ten Christmas movies are as follows:&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;1.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;The Muppet Christmas Carol&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;2.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Home Alone&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;3.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Elf&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;4.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;It's a Wonderful Life&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;5.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Die Hard&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;6.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Love Actually&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;7.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Miracle on 34th Street (1994)&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;8.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;National Lampoon's Christmas Vacation&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;9.&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;The Santa Clause&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px; margin-left: 47pt;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span lang="EN-US"&gt;&lt;span style="font-family: Arial;"&gt;10.&amp;nbsp;&amp;nbsp; The Nightmare Before Christmas&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-family: Tahoma; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-7565722997898373712?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/7565722997898373712/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=7565722997898373712&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7565722997898373712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7565722997898373712'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/muppet-christmas-carol-tops-uks-all.html' title='Muppet Christmas Carol tops the UK’s all time favourite Christmas film poll'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-8949098636950088079</id><published>2011-12-16T12:12:00.000Z</published><updated>2011-12-16T12:12:02.720Z</updated><title type='text'>Zift, a film Javor Gadev is released in the UK on DVD on 20 February 2012</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="color: red; font-family: Arial, sans-serif;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;img alt="ZIFT 2 50pc" height="189" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=95097284a7&amp;amp;view=att&amp;amp;th=1344687124c8c80f&amp;amp;attid=0.0.1&amp;amp;disp=emb&amp;amp;zw" width="134" /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Bulgaria's Official Submission to the 2009 Academy Awards Foreign Language Film category.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="color: #1f497d; font-family: Arial, sans-serif;"&gt;&lt;hr align="center" size="2" width="100%" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;SYNOPSIS:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="color: #333333; font-family: Arial, sans-serif;"&gt;Zift&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="color: #333333; font-family: Arial, sans-serif;"&gt;&amp;nbsp;is a tale of love, murder and betrayal.&amp;nbsp; It is a tale of three people, Moth, Mantis and Slug, whose lives are inextricably linked by one thing – a black diamond.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #333333; font-family: Arial, sans-serif;"&gt;Lev Kaludov (Zahari Baharov), better known as Moth, is an ordinary guy from the city of Sofia.&amp;nbsp; Whilst still at school he falls in love with the beautiful Ada (Tanya Ilieva), later nicknamed Mantis.&amp;nbsp; They grow up together, but city life is hard for young people without much money.&amp;nbsp; Moth falls in with a neighbour known as Slug (Vladimir Penev) and in a bid to make some easy money the three of them plot to steal a black diamond from Vlad the Bijou, the jeweller where Ada works.&amp;nbsp; The robbery is botched, Vlad dies, Moth is wounded and jailed, while Slug escapes without charge; the diamond is never found.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #333333; font-family: Arial, sans-serif;"&gt;After serving his sentence of 20 years Moth collects his few possessions, including his piece of chewing bitumen, and is released from prison.&amp;nbsp; During this time, Slug has embraced the new regime and now wields considerable power.&amp;nbsp; Aware of Moth’s release, Slug has Moth picked up and attempts to find out the location of the diamond.&amp;nbsp; Moth manages to escape and embarks on a quest to find Ada.&amp;nbsp; It is a crazy journey across a city Moth no longer knows or understands.&amp;nbsp; In the pursuit of truth, Moth runs into a bizarre parade of characters - medics, barflies, outcasts, gravediggers and other species of the asphalt jungle.&amp;nbsp; Eventually he meets the priest that baptised him, who tells him where Ada is.&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #333333; font-family: Arial, sans-serif;"&gt;During their reunion, and still in love with her after all these years, Moth reveals to Ada that he knows the whereabouts of the diamond.&amp;nbsp; Together they set off to retrieve it, but along the way Moth asks to visit the grave of his son.&amp;nbsp; It is here in the bleak, wet graveyard that Moth realises he has been betrayed.&amp;nbsp; Determined not to give up the diamond, Moth attempts to exact his revenge on Slug but Ada, in her final act of betrayal, fatally wounds him.&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #333333; font-family: Arial, sans-serif;"&gt;Moth spends his last few hours on the floor of the gravediggers trailer.&amp;nbsp; As he reflects on all that has gone before, he chews one last time on his bitumen and the truth, finally, is revealed.&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;ISIS will be releasing&amp;nbsp;&lt;i&gt;Zift&amp;nbsp;&lt;/i&gt;on DVD on 20 February 2012.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="color: #1f497d; font-family: Arial, sans-serif;"&gt;&lt;hr align="center" size="2" width="100%" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;SPECIAL FEATURES:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;- Stills gallery&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="color: #1f497d; font-family: Arial, sans-serif;"&gt;&lt;hr align="center" size="2" width="100%" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;DETAILS:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Title:&amp;nbsp;&lt;b&gt;Zift&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Credit:&amp;nbsp;&lt;b&gt;Miramar Film, Bulgarian National Film Centre, Bulgarian National Television&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Cast:&amp;nbsp;&lt;b&gt;Zachary Bahrov, Tanya Ilieva, Vladimir Penev, Mihail Mutafov, Djoko Rossich, Tsvetan Dimitrov&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Director:&amp;nbsp;&lt;b&gt;Javor Gadev&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Producer:&amp;nbsp;&lt;b&gt;Georgi Dimitrov, Ilian Djevelekov, Mateve Konstantinov&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Genre:&amp;nbsp;&lt;b&gt;Neo-noir, sots-art, thriller&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Language:&amp;nbsp;&lt;b&gt;Bulgarian&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Colour/B&amp;amp;W:&amp;nbsp;&lt;b&gt;B&amp;amp;W&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Subtitles:&amp;nbsp;&lt;b&gt;English&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Region:&amp;nbsp;&lt;b&gt;2&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Version:&amp;nbsp;&lt;b&gt;Rental/Retail&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Release Date:&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;20th February 2012&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Label:&amp;nbsp;&lt;b&gt;ISIS Ltd&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Distributor:&amp;nbsp;&lt;b&gt;Eureka Entertainment Ltd&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;DVD Price (RRP):&amp;nbsp;&lt;b&gt;£16.99&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Certificate:&amp;nbsp;&lt;b&gt;15&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Feature Running Time:&amp;nbsp;&lt;b&gt;92 mins&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;DVD Catalogue No.: &amp;nbsp;&amp;nbsp;&lt;b&gt;ISIS1012&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: black; font-family: Arial, sans-serif;"&gt;Bar code:&amp;nbsp;&lt;b&gt;5060240 620128&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="color: #1f497d; font-family: Arial, sans-serif;"&gt;&lt;hr align="center" size="2" width="100%" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;WEBSITE &amp;amp; TRAILER:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="color: #333333; font-family: Arial, sans-serif;"&gt;Trailer:&amp;nbsp;&lt;a href="http://www.youtube.com/watch?v=3mimnhbz2Qk" style="color: #1155cc;" target="_blank"&gt;http://www.youtube.com/watch?&lt;wbr&gt;&lt;/wbr&gt;v=3mimnhbz2Qk&lt;/a&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Website:&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;span style="color: #333333;"&gt;&lt;a href="http://www.ziftthemovie.com/" style="color: #1155cc;" target="_blank"&gt;http://www.ziftthemovie.com&lt;/a&gt;&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-8949098636950088079?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.ziftthemovie.com' title='Zift, a film Javor Gadev is released in the UK on DVD on 20 February 2012'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/8949098636950088079/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=8949098636950088079&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8949098636950088079'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8949098636950088079'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/zift-film-javor-gadev-is-released-in-uk.html' title='Zift, a film Javor Gadev is released in the UK on DVD on 20 February 2012'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-9168926483764177690</id><published>2011-12-14T16:35:00.000Z</published><updated>2011-12-14T16:35:16.373Z</updated><title type='text'>Olympus Launch Mobile Multi-track</title><content type='html'>&lt;div align="left"&gt;&lt;table style="width: 562px;"&gt;&lt;tbody&gt;&lt;tr valign="top"&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr valign="top"&gt;&lt;td&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Olympus LS-100 Multi-Track Linear PCM Recorder: &lt;br /&gt;High performance, mobile multi-track recording&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr valign="top"&gt;&lt;td&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;London, 14 December 2011 – Uncompromising sound quality and portable recording versatility have been the hallmark of the Olympus LS-range since its inception.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Now, the new LS-100 has gone further to provide musicians and broadcasters with a state-of-the-art tool enabling convenience of studio-grade, multi-track audio recording just about anywhere.&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Furthermore, this impressive mobile recording studio is capable of handling a maximum sound pressure level of up to 140dBspl - The robust, mobile, Olympus LS-100 Multi-Track Linear PCM recorder, becomes available from January 2012 at a recommended price of £449.&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;As with its cousins in the LS-family, the new LS-100 delivers ultimate sound recording quality in uncompressed 96kHz/24bit Linear PCM splendour.&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;span style="font-size: small;"&gt;This extreme audio quality has now been amplified with eight-track recording and overdubbing capabilities to turn sounds and individual tracks into complete compositions – all within the palm of the hand.&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"&gt;Besides its integrated stereo mics, the LS-100 also features dual XLR/Phone combo jacks to facilitate the direct connection with professional external microphones or other musical equipment.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;b&gt;Additional Recorders in the LS Product Range…&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;b&gt;LS-3 – Smallest &amp;amp; Slimmest LS Recorder&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;The LS-100 joins the recently launched LS-3 and LS-20 to offer a complete range; The LS-3 is the smallest, slimmest linear PCM LS recorder to fit in your pocket and capture sounds and riffs on the go.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;b&gt;LS-20 – HD Sound with HD Movie&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;The LS-20 offers the ability to also shoot HD movies to accompany your HD sound, the added full HD movie at 1920 x1080P (30 fps) with image stabilizer allows you to live life on a film set ready for ‘action’. Whilst dual screens and magic movie effects ensure ultimate creativity.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;The durable and compact Olympus LS-100 Multi-Track Linear PCM recorder bestows musicians and broadcasters a high performance, mobile multi-track recording studio to fulfil all their needs – from a single track to a complete composition – boasting highest possible audio qualities. Robust for difficult environments with its metal body and microphone protector the LS-100 will hit stores at a recommended price of £449 in late January 2012.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;To see the complete LS range and full features, please visit&amp;nbsp;&lt;/span&gt;&lt;span style="color: blue; font-family: Arial; font-size: x-small;"&gt;&lt;u&gt;&lt;a href="http://www.olympus.co.uk/consumer/ls-series" target="_blank"&gt;www.olympus.co.uk/consumer/ls-&lt;wbr&gt;&lt;/wbr&gt;series&lt;/a&gt;&lt;/u&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;Available at Amazon and all good music retailers –&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.amazon.co.uk/" target="_blank"&gt;&lt;span style="color: blue; font-family: Arial; font-size: x-small;"&gt;&lt;u&gt;www.amazon.co.uk&lt;/u&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-9168926483764177690?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.olympus.co.uk/consumer/ls-series' title='Olympus Launch Mobile Multi-track'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/9168926483764177690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=9168926483764177690&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/9168926483764177690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/9168926483764177690'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/olympus-launch-mobile-multi-track.html' title='Olympus Launch Mobile Multi-track'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-994981105738834742</id><published>2011-12-14T16:30:00.000Z</published><updated>2011-12-14T16:30:17.025Z</updated><title type='text'>Sir Anthony Hopkins releases his first ever album</title><content type='html'>&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;&lt;img alt="Description: Description: Description: Description: AH_PACK.jpg" height="203" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=95097284a7&amp;amp;view=att&amp;amp;th=1343bf5876ec3cef&amp;amp;attid=0.1&amp;amp;disp=emb&amp;amp;zw" width="203" /&gt;&lt;/b&gt;&lt;b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;‘ANTHONY HOPKINS – COMPOSER’&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;Album released 16&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;January 2012 through Classic FM&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;Composed by screen legend Sir Anthony Hopkins and performed by the City of Birmingham Symphony Orchestra&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;Recorded at Birmingham Symphony Hall performance in July&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;Sir Anthony Hopkins, one of the world’s greatest living screen actors, is releasing the first ever album of his original classical music compositions through Classic FM. ‘Anthony Hopkins – Composer’ will be available from 16&lt;sup&gt;th&lt;/sup&gt;January 2012 through Amazon, HMV, Play.com and iTunes.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;It all began when Sir Anthony Hopkins was just six, his enduring love of the piano ignited by lessons from Mrs Jeffreys in the house where he was born in Margam, a suburb of Port Talbot in Wales. His mother had great hopes that one day her son would become a famous pianist. Her child showed great promise, improvising with chords and melody from an early age, scribbling down thoughts on sixpenny sheets of manuscript paper from Mister Salter’s music shop in Neath but it is only now, after decades of playing and composing works of music, that a collection of her son’s original works is to be released on record for the first time.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;In July this year, Sir Anthony joined the City of Birmingham Symphony Orchestra on stage at Birmingham Symphony Hall to introduce a performance of his original compositions and scores from some of his best-known films. ‘Anthony Hopkins – Composer’ is the recording of nine of Sir Anthony’s original works from that evening including pieces composed for two films that he not only scored but also directed and starred in (‘Slipstream’ and ‘August’).&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;Sir Anthony’s love of the piano and fascination with orchestration has not waned during his exceptional career of Oscar-winning celluloid performances. From discovering the chapter on orchestration in a volume of his father’s Harmsworth’s Self-Educators encyclopaedias as a child, he has drawn inspiration from people, places, memories and moments in life to create beautiful, nuanced works of music that showcase his flair as a virtuoso musician and his vision as a talented composer.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;The scraps of melody and sounds that were first jotted down in childhood have evolved over the years into pieces inspired by childhood memories of Wales, time spent with his parents and grandparents, plays he has seen, films he has worked on, holidays taken, dreams he has dreamt and&amp;nbsp; loved ones including an enchanting aria dedicated to his wife Stella. All these inspirations and more are represented in Sir Anthony’s classical music compositions.&amp;nbsp; &amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;Sir Anthony Hopkins says: “I’m very pleased I’ve found an extra string to my fiddle. For years I mused and dreamt about turning my scribbled thoughts and bursts of melody into pieces of work to be performed by a full orchestra and to see this dream turn into a reality through working with CBSO and now Classic FM is something I treasure very much.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;As a child, Sir Anthony dreamt of “one day, perhaps, one day” becoming a composer. With the release of ‘Anthony Hopkins – Composer’, both his and his mother’s dream is now cemented for all to enjoy.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Tracklisting:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;ol start="1" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-top: 0cm;" type="1"&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;Orpheus&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;Stella *&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;Evesham Fair&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;And The Waltz Goes On**&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;Amerika&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;Margam ***&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;1947 1&lt;sup&gt;st&lt;/sup&gt;&amp;nbsp;Movement – Circus&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;1947 2&lt;sup&gt;nd&lt;/sup&gt;&amp;nbsp;Movement – Bracken Road&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 10pt; margin-left: 15px; margin-right: 0px; margin-top: 0px;"&gt;1947 3&lt;sup&gt;rd&lt;/sup&gt;&amp;nbsp;Movement – The Plaza *&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;* From the score for the film ‘Slipstream’&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 12pt;"&gt;**&amp;nbsp;&lt;span lang="EN-US"&gt;Composed by Sir Anthony Hopkins; Arranged by: André Léon Marie Nicolas Rieu;&lt;br /&gt;Publisher: Malibu Blueberry Hill Music (BMI) and André Rieu Publishing BV&lt;/span&gt;*** From the score for the film ‘August’&lt;span lang="EN-US" style="color: #959595; font-family: 'Helvetica Neue'; font-size: 8pt;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;‘Anthony Hopkins – Composer’ is released on 16&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;January 2012 and is available through Amazon, HMV, Play.com and iTunes. The album can be pre-ordered at&amp;nbsp;&lt;a href="http://www.amazon.co.uk/Anthony-Hopkins-Album/dp/B005K7HBMS/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="color: blue; font-size: 10.5pt;"&gt;http://www.amazon.co.uk/&lt;wbr&gt;&lt;/wbr&gt;Anthony-Hopkins-Album/dp/&lt;wbr&gt;&lt;/wbr&gt;B005K7HBMS/&lt;/span&gt;&lt;/a&gt;&lt;span style="color: black; font-size: 10.5pt;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;span style="color: blue;"&gt;&lt;a href="http://www.classicfm.com/anthonyhopkins" style="color: #1155cc;" target="_blank"&gt;www.classicfm.com/&lt;wbr&gt;&lt;/wbr&gt;anthonyhopkins&lt;/a&gt;&lt;/span&gt;&lt;span style="color: navy;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-994981105738834742?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.classicfm.com/anthonyhopkins' title='Sir Anthony Hopkins releases his first ever album'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/994981105738834742/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=994981105738834742&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/994981105738834742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/994981105738834742'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/sir-anthony-hopkins-releases-his-first.html' title='Sir Anthony Hopkins releases his first ever album'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-4878149740646528173</id><published>2011-12-13T13:48:00.002Z</published><updated>2011-12-13T13:48:39.144Z</updated><title type='text'>Search to find Britain’s worst photographer</title><content type='html'>&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;It’s the award no budding snapper wants to win – the title of the UK’s most inept photographer.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;But photo experience company&amp;nbsp;&lt;a href="http://www.redclouddays.co.uk/" style="color: #1155cc;" target="_blank"&gt;RedCloudDays.co.uk&lt;/a&gt;&amp;nbsp; is asking the public to send in their nightmare snaps in a quest to crown the worst photographer in Britain.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;The company are so confident in their ability to train anyone to take great photos that they’ve embarked on a mission to find the UK’s most hopeless snapper and promise to train them up and transform their photography free of charge.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;Now they are inviting anyone to send in their very worse snaps – and say they are particularly interested in photos of an important occasion marred by cack handed camera handling.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;img alt="images (1)" border="0" height="183" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=95097284a7&amp;amp;view=att&amp;amp;th=13436e73f0982bd2&amp;amp;attid=0.1&amp;amp;disp=emb&amp;amp;zw" width="275" /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;img alt="images" border="0" height="184" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=95097284a7&amp;amp;view=att&amp;amp;th=13436e73f0982bd2&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" width="274" /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;So if your wedding, birthday, graduation or bar mitzvah was ruined by second rate photography they want you to name and shame the snapper responsible.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;Whether it was the bride’s head being cut off or the birthday boy suffering from a serious case of red-eye, all nightmare photos will be considered.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;"&gt;&lt;img alt="images (3)" border="0" height="194" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=95097284a7&amp;amp;view=att&amp;amp;th=13436e73f0982bd2&amp;amp;attid=0.3&amp;amp;disp=emb&amp;amp;zw" width="260" /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;Shortlisted photos will be published online so other budding photographers can vote for the one they think is the worst.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;a href="http://redclouddays.co.uk/" style="color: #1155cc;" target="_blank"&gt;RedCloudDays.co.uk&lt;/a&gt;&amp;nbsp;founder, Lee Bown, said he hoped the competition would offer a fun way of celebrating the UK’s very worst snappers.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;He said: “Photos matter because they are precious memories of the most important events in our lives. But if your album is filled with shots of loved ones minus their heads or with a huge thumb stuck over the lens those memories can become jaded.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;“We think everyone has the potential to take great photos with a little help and training. To test if we’re right we want to find the most hopeless person in the UK ever to have picked up a camera.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;“To make sure we find the most inept photographer in the whole country we want everyone to send in their very worse pictures. They don’t have to be taken by you – you can nominate someone else. Perhaps your mum or dad, brother or sister, or husband or wife takes the worst pictures you’ve ever seen? Feel free to show us the evidence.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;“All we ask is that you have the photographer’s permission to submit the pic. The ultimate idea is to train someone to be a great photographer so we need them to be willing to learn.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;He said that the selected worst photographer would receive a special award along and would be offered training at one of Red Cloud Days photo centre across the UK.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;"&gt;If you think you’ve got what it takes to win the competition then submit your snap to&amp;nbsp;&lt;a href="mailto:badpics@RedCloudDays.co.uk" style="color: #1155cc;" target="_blank"&gt;badpics@RedCloudDays.co.uk&lt;/a&gt;&amp;nbsp;before the end of February.&amp;nbsp; To view the pics submitted so far please visit&amp;nbsp;&lt;a href="http://www.redclouddays.co.uk/badpics" style="color: #1155cc;" target="_blank"&gt;www.RedCloudDays.co.uk/badpics&lt;/a&gt;&lt;wbr&gt;&lt;/wbr&gt;.htm&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-4878149740646528173?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.redclouddays.co.uk/badpics.htm' title='Search to find Britain’s worst photographer'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/4878149740646528173/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=4878149740646528173&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4878149740646528173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/4878149740646528173'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/search-to-find-britains-worst.html' title='Search to find Britain’s worst photographer'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-1633873376710103069</id><published>2011-12-08T18:54:00.000Z</published><updated>2011-12-08T18:54:23.326Z</updated><title type='text'>TORCHWOOD: MIRACLE DAY</title><content type='html'>&lt;div align="center"&gt;&lt;b style="font-family: Arial; font-size: x-large;"&gt;On DVD &amp;amp; BLU-RAY&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div align="center"&gt;&amp;nbsp;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color: #333333; font-family: Arial; font-size: medium;"&gt;&lt;b&gt;&lt;i&gt;Death is not an option.&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;Torchwood returns for a fourth series in which the team face their greatest test yet to find out how and why has the whole world mysteriously become immortal. Torchwood is back and more explosive, sexy and thrilling than ever,&amp;nbsp;&lt;b&gt;Miracle Day&lt;/b&gt;&amp;nbsp;bursts onto DVD and Bluray&amp;nbsp;priced at £30.63 and £35.73.&amp;nbsp;&lt;b&gt;Torchwood Miracle Day is also &lt;/b&gt;available to download.&lt;/span&gt;&amp;nbsp;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;One day, nobody dies.&amp;nbsp;All across the world, nobody dies.&amp;nbsp;And then the next day, and the next, and the next, people keep aging - they get hurt and sick - but they never die. The result: a population boom, overnight.&amp;nbsp;With all the extra people, resources are finite. It’s said that in four month's time, the human race will cease to be viable.&amp;nbsp;But this can’t be a natural event – someone’s got to be behind it.&amp;nbsp;It’s a race against time as C.I.A. agent Rex Matheson investigates a global conspiracy.&amp;nbsp; The answers lie within an old, secret British institute.&amp;nbsp;As Rex keeps asking “What is Torchwood?", he’s drawn into a world of adventure, and a threat to change what it means to be human, forever.&lt;/span&gt;&amp;nbsp;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;b&gt;Torchwood: Miracle Day&lt;/b&gt;&amp;nbsp;features regulars John Barrowman (Doctor Who) and Eve Myles (Little Dorrit), who are joined by an all-star American cast including Bill Pullman (Independence Day), Lauren Ambrose (Six Feet Under), Mekhi Phifer (ER) and Alexa Havins, (Grey’s Anatomy).&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Arial; font-size: x-small;"&gt;This fantastic release is packed with extras including ‘Magical FX on Miracle Day’ a Behind the Scenes featurette, a motion comic, a character profile as well as intros to the episodes and audio commentary on the finale from show creator Russell T Davis. The full series of Torchwood to date is also available in a Series 1-4 boxset in perfect time for Christmas.&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;/div&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;&lt;u&gt;Production Information&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: xx-small;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; Release Date:&amp;nbsp;&lt;/b&gt;14&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;November &amp;nbsp;&lt;b&gt;Cat. Number:&amp;nbsp;&lt;/b&gt;BBCDVD2981/BBCBD0041&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp; RRP: &amp;nbsp;&amp;nbsp;&lt;/b&gt;£24.46/£29.35&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt;Duration:&amp;nbsp;&lt;/b&gt;200 Mins Approx&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;&lt;u&gt;Bill Pullman for Torchwood Miracle Day&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: What drew you to Torchwood?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: I had just told my agents that I didn't want to do any TV. So what did they do? They sent me the scripts for Torchwood! After reading just three episodes, I told them, "I'm in!" I could sense on the page that this was can be a terrific piece of work. As soon as I read it, I could smell it was something special. I said to my wife, "they're offering me the best part –&amp;nbsp;a paedophile murderer!" The script is so full of pep and pizzazz and scares and tension. It is one heck of a thriller!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: What else makes these scripts so special?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: Two years before I made this drama, a friend told me that Torchwood was the best thing on TV –&amp;nbsp;and he was right! The creator Russell T Davies puts a unique spin on his characters. He can't help himself –&amp;nbsp;he just has to stretch the boundaries of the genre. He is able to accommodate loads of different things within the genre. None of his characters are stock sci-fi figures.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: So Torchwood overturns the stereotypes of sci-fi?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: Yes. Sci-fi used to be the best place to go for cardboard cut-out characters, but this is the exact opposite. You may think you know these characters, but they keep morphing until you really don't know who they are. Captain Jack says at one point that, "Oswald is selfish and I'm saving the world", but I'm not sure that's always the case.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Oswald is not always Oswald.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Are there other factors that make Russell's writing stand out from the crowd?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: Yes. His scripts are very subtle. I always like it when things are implied rather than said –&amp;nbsp;and that's a rarity on TV now. These days, you don't usually get a chance to figure things out yourself because characters are explaining things all the time and underlining things that are ready obvious. Torchwood is different –&amp;nbsp;it treats its viewers with great intelligence.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Do you feel that that Torchwood is much more than "mere sci-fi", then?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: Absolutely. I don't think of myself as a sci-fi fan, but I've always liked authors such as Philip K Dick and Ray Bradbury. I love that vein which uses sci-fi to address society's problems. It is the same when you have useful nightmares - things morph and you get to confront issues in your dreams. Shows like Torchwood mean something to the world. They say something more than just entertainment.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Please tell us about your character.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: Oswald Danes is an extraordinary character. He is a convicted child killer. He has been sentenced to death for the worst thing imaginable, the one thing that would make everyone in the world reject you. But he survives when everyone wants him dead, and he is transformed. All of a sudden, he sees the world with a crystal clarity and becomes a prophet. He is very clever and, as the world begins to fall apart, he knows exactly what people want to hear. Suddenly, the world has cast him as a saviour, and he is keen to see if he can live in that skin.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;It's a fascinating part to play.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: How does Oswald cope with that transformation?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: It's a very difficult process for him. How much baggage do we carry? In this topsy-turvy world where everyone is suddenly immortal, Oswald goes through a lot of trial and error. As he attempts to go from monster to human being, he is like Frankenstein trying to build himself. He has this incredible sense of having been given a licence to live again, so he exhibits a carefree, "go for broke" quality.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Why do people latch onto Oswald as a prophet?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: He's a sociopath, and he's disconnected from fear. Sociopaths don't care –&amp;nbsp;and that allows them a perspective free of conscience. He tells people that the "Miracle Day" is a gift and not part of some weird experience. He finds a way to give it a positive spin. His newfound power endows him with a great position of strength.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Is the character of Oswald in some ways a comment on our celebrity-obsessed culture?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: Yes. Russell really has his ear to the rail. These days more celebrities than ever are plucked from nowhere. Never in the history of mankind do we have more celebrities created overnight than we do now. It's all thanks to Reality TV. Suddenly, these nobodies are being debated everywhere.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Can you please expand on this explosion of stars who have been created by Reality TV?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: Many of these Reality TV stars are mega-wealthy, and a lot of legitimate actors are wishing they could tap into some of that cash!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Reality TV stars have become franchises and are a magnet for PR handlers and people who want to co-opt their message. To stay in the headlines, they need to command people's attention and remain large.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;One important aspect of this series is to look at what fame is. What is Oswald going to do next? Is he going to launch a perfume?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: How does the world react when the catastrophe strikes on "Miracle Day" and everyone proves immortal?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: In that intense pressure-cooker environment, human nature is revealed in a very stark way. People can behave in a very, very unfortunate manner in dangerous situations. In this version of immortality, people are in limbo and require medication. Healthy people start looking at this incredible suck on their resources and trying to determine a new set of ethics. What should they do to ensure their survival? Resources are not limitless. It's a real nightmare.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Why do we find characters such as Oswald or Hannibal Lecter so magnetic?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: It's hard to admit, but we are all on a spectrum with them. They've simply given themselves permission to do things that are beyond the pale for the rest of us. There's this uneasy sense that we are related to them, although we hope we are not very closely related. Still, we can't say with complete certainty that we are totally different from them. In the current political world, people see it as a weakness to have empathy with other people, but I think trying to understand others gives you strength. We're all part of the same human race, as ugly as that can be.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;Q: Finally, why do you think the producers cast you as Oswald?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;A: That's a good question. Halfway through the shoot, I asked the producer, "wait a minute, why did you want me for this role?" With a smile, she replied that, "we thought it would be fun. You have played the President, you’re America's sweetheart!" So clearly something very naughty made them do it!&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;&lt;b&gt;Torchwood Miracle Day is out on DVD and Blu ray&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-1633873376710103069?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/1633873376710103069/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=1633873376710103069&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1633873376710103069'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/1633873376710103069'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/torchwood-miracle-day.html' title='TORCHWOOD: MIRACLE DAY'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-2022478478248135926</id><published>2011-12-07T13:11:00.000Z</published><updated>2011-12-07T13:11:32.515Z</updated><title type='text'>Abduction</title><content type='html'>&lt;div style="background-color: white; line-height: 21px; text-align: center;"&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;On Blu-ray &amp;amp; DVD Double Play, DVD and Download to Own and Rent February 13, 2012&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;span style="background-color: white; line-height: 21px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;TAYLOR LAUTNER (&lt;em&gt;The Twilight Saga&lt;/em&gt;) stars as a young man whose secret past is set to collide with a dangerous reality.&amp;nbsp;&lt;strong&gt;&lt;em&gt;ABDUCTION&lt;/em&gt;&lt;/strong&gt;, also stars SIGOURNEY WEAVER (&lt;em&gt;Avatar&lt;/em&gt;) and LILY COLLINS (&lt;em&gt;Priest, Mirror Mirror&lt;/em&gt;) and will be available to download, and to rent and buy on DVD and Blu-ray from 13&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;February 2012.&lt;br /&gt;&lt;br /&gt;For as long as he can remember, Nathan Harper (Lautner) has had the uneasy feeling that he's living someone else's life. When he discovers an image of himself as a young boy on a missing persons website, all of Nathan's darkest fears come true - his life has been a carefully fabricated lie which hides something more dangerous than he could have ever imagined. Before his ‘parents’ can explain they are murdered and Nathan finds himself on the run.&lt;br /&gt;&lt;br /&gt;Propelled on a lethal, no-holds barred mission to learn the truth, every second counts as Nathan and his friend Karen (Collins), aided by an undercover agent (Weaver), race to evade an army of assassins and federal operatives. But as his opponents close in, Nathan realizes that the only way to survive is to stop running and take matters into his own hands.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;u&gt;ABDUCTION Blu-ray &amp;amp; DVD Details:&lt;/u&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: white; line-height: 21px; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; RRP DVD/BD:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; £19.99 / £24.99&lt;br /&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Certificate&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 12&lt;br /&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Special Features: &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;em&gt;Pulled Punches&lt;/em&gt;&amp;nbsp;Gag Reel, Features:&amp;nbsp;&lt;em&gt;Abduction Chronicle, Initiation of an Action&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Hero&amp;nbsp;&lt;/em&gt;and&amp;nbsp;&lt;em&gt;The Fight For The Truth&lt;/em&gt;&lt;br /&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Blu-ray Special: &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Abduction Application (a customisable in-film experience)&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-2022478478248135926?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/2022478478248135926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=2022478478248135926&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/2022478478248135926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/2022478478248135926'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/abduction.html' title='Abduction'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-7861412667438451556</id><published>2011-12-07T13:07:00.000Z</published><updated>2011-12-07T13:07:04.552Z</updated><title type='text'>Sins Of The Father: A Very British Gangster 2</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Donal MacItyre is one of Britain’s best-known investigative journalists and has literally put his life on the line to uncover all sorts of wrong doing and illegal activity.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;His powerful and thought provoking TV documentaries have won awards and one of his biggest triumphs was seeing two dangerous Chelsea football hooligans being imprisoned for seven and six years respectively after an investigation for his ‘MacIntyre Undercover’ series for the BBC.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;A ‘Very British Gangster’ was his directorial debut and was a massively successful fly-on-the-wall feature length documentary in which he built a relationship with one of Manchester’s most notorious gangsters, Dominic Noonan.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;The sequel, ‘Sins Of The Father: A Very British Gangster 2’, is released by High Fliers on retail DVD on January 16th 2012 and promises to be every bit as successful as the original film.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;It picks up from the moment Noonan leaves prison after five years to find his power eroded and his family decimated. Gangland executions and massive police operations have nearly killed off his criminal empire and vengeance is in the air.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;However he returns to the streets under stringent terrorist style conditions, under oppressive police surveillance and without power cash and his gangster army.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;His greatest hope of regaining control of the streets rests with his 16-year-old child Bugsy but can the child outlive and survive the sins of his father?&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;In Donal MacIntyre’s own words ‘Sins Of The Father: A Very British Gangster 2’ is “first and foremost a gangster movie. There are murderers, funerals, trials and acquittals but in this instance all the actors and the consequences are very real”. &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;It is also a stunning piece of filmmaking which shows MacIntyre doing what he so supremely good at. &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Run time: 90 mins &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;Certificate: 15 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;RRP: £12.99 &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-7861412667438451556?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/7861412667438451556/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=7861412667438451556&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7861412667438451556'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7861412667438451556'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/sins-of-father-very-british-gangster-2.html' title='Sins Of The Father: A Very British Gangster 2'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5123468454359504585</id><published>2011-12-07T13:02:00.000Z</published><updated>2011-12-07T13:02:49.709Z</updated><title type='text'>SMOKING LAWS</title><content type='html'>&lt;div align="center"&gt;&lt;span style="font-family: Tahoma; text-align: -webkit-auto;"&gt;&lt;b style="font-size: large;"&gt;&amp;nbsp;&lt;/b&gt; ‘Smoking Laws’&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; text-align: -webkit-auto;"&gt;is the first comedy feature from hit US indie Eggwork Productions, the creative collaboration between director/writer Matthew Ehlers and writer/producer Todd Neilsen.&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span class="Apple-style-span" style="font-family: Tahoma; text-align: -webkit-auto;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Tahoma;"&gt;It will be released on retail DVD by Scanbox Entertainment on December 26&lt;sup&gt;th&amp;nbsp;&lt;/sup&gt;just in time for all those people whose number one New Year Resolution is to give up smoking!!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;There’s a smoky new perimeter in the barfly subculture. Across the globe, smokers are being forced to stand outside their favourite drinking haunts and have curious conversations and confrontations that last the length of a cigarette.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;In the smoky haze they talk dirty secrets, dirty habits, beginnings, endings and even matters of life-and death.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;‘Smoking Laws’&amp;nbsp;is a voyeuristic look at these people and at The Bossman, a bar owner stuck with a bunch of smokers but he spends most of his time trying to keep his staff under control, most of whom apart from an overzealous bouncer are total slackers.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;His customers aren’t much better. The random collection of misfits and barflies who brave the cold outside so that they can smoke their cigarettes make The Bossman’s life pure misery.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;Drunks, failed artists and an assortment of other characters with dark secrets surround the bar in a ring of smoke and strange conversations but at least&amp;nbsp;‘Smoking Laws’&amp;nbsp;allows the viewer to spend a night sampling bar culture without smelling like an ashtray after it!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Tahoma;"&gt;The Bonus Features are as follows:&lt;/span&gt;&lt;br /&gt;&lt;ul type="DISC"&gt;&lt;li&gt;&lt;span style="font-family: Tahoma;"&gt;Deleted Scenes (6:40)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family: Tahoma;"&gt;Gag Reel (2:20)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-family: Tahoma;"&gt;3 x Shorts Films also Written &amp;amp; Directed by Matthew Ehlers: Lunch (3:42), Autobank (2:28) and Who's Your Daddy? (3:20)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&amp;nbsp;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-family: Tahoma;"&gt;‘Smoking Laws’&amp;nbsp;has a run time of 80 minutes, a 15 certificate and a recommended retail price of £9.99.&lt;/span&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5123468454359504585?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5123468454359504585/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5123468454359504585&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5123468454359504585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5123468454359504585'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/smoking-laws.html' title='SMOKING LAWS'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-8844963234450376174</id><published>2011-12-07T12:59:00.000Z</published><updated>2011-12-07T12:59:30.421Z</updated><title type='text'>Voddler launches offline mode - Watch online movies even without an Internet connection</title><content type='html'>&lt;table bgcolor="#FFFFFF" border="0" cellpadding="10" cellspacing="0" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; width: 720px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="left" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;/td&gt;&lt;td align="right" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="50%"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td align="left" colspan="2" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top"&gt;&lt;table border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="2" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;" valign="top" width="480"&gt;&lt;span style="font-family: tahoma, geneva, arial, sans-serif; font-size: 12px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: tahoma, geneva, arial, sans-serif; font-size: 12px;"&gt;&lt;strong&gt;Scandinavia’s leading video-on-demand service Voddler today launches the viewing feature “offline mode”. This makes Voddler the first VOD-service in the Nordics, and one of the first VOD-services in the world, to offer the opportunity to watch online film even when there is no web connection. Movies that customers want to see in offline mode are added to a playlist, so they can be played wherever the viewers are, including places with no or low Internet connectivity.&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: tahoma, geneva, arial, sans-serif; font-size: 12px;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: tahoma, geneva, arial, sans-serif; font-size: 12px;"&gt;When Voddler today launches its “offline mode”, it becomes one of the first legal VOD-services in the world to offer viewers the ability to watch web-based movies even when there is no web connectivity.&lt;br /&gt;&lt;br /&gt;- From today you don’t have to have a web connection when you’re watching your Voddler-film. You can now watch it on a train with a spotty Internet connectivity, in the backseat of a car, in your summer house far from the nearest web connection, or on a plane high above the clouds, says&amp;nbsp;&lt;strong&gt;Anders Sjöman, VP Communication at Voddler&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Customers decide when they are online which movies they want access to offline. They rent the movies and download them to their computer. The viewing period of 48 hours does not begin until they start playing the movie, and they have fourteen days after download to start their viewing period.&lt;br /&gt;&lt;br /&gt;Watching Voddler-movies in offline mode requires Voddler’s specific offline player, which is a one-time free download the first time a customer prepares their offline playlist.&lt;br /&gt;&lt;br /&gt;For more details about Voddler’s offline mode, visit&amp;nbsp;&lt;a href="http://voddlertalk.voddler.com/2011/offlinemode/" style="color: #1155cc;" target="_blank"&gt;http://voddlertalk.voddler.&lt;wbr&gt;&lt;/wbr&gt;com/2011/offlinemode/&lt;/a&gt;&amp;nbsp;or try it out directly at Voddler: here’s a link to all the titles that so far are available for offline viewing:&amp;nbsp;&lt;a href="http://www.voddler.com/en/movie/browse/premium/views/all/offline" style="color: #1155cc;" target="_blank"&gt;http://www.voddler.com/en/&lt;wbr&gt;&lt;/wbr&gt;movie/browse/premium/views/&lt;wbr&gt;&lt;/wbr&gt;all/offline&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;At launch, offline mode applies to Voddler’s rental movies. Voddler is now looking at expanding it to include Voddler’s ad-funded PLAY-titles, where watching PLAY-movies offline might be a benefit linked to Voddler Plus, Voddler’s membership program. &amp;nbsp;Voddler’s offline mode currently applies to computers and Voddler is now laying a road map for development of offline mode also for mobile platforms, such as smart phones and tablets.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-8844963234450376174?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.voddler.com/en/movie/browse/premium/views/all/offline' title='Voddler launches offline mode - Watch online movies even without an Internet connection'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/8844963234450376174/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=8844963234450376174&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8844963234450376174'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/8844963234450376174'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/voddler-launches-offline-mode-watch.html' title='Voddler launches offline mode - Watch online movies even without an Internet connection'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-457266379708970227</id><published>2011-12-06T14:08:00.001Z</published><updated>2011-12-06T14:12:37.695Z</updated><title type='text'>A YEAR TO REMEMBER: 1930s – 1980s.</title><content type='html'>&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Now available from Strike Force Entertainment – history and nostalgia DVD specialist – are six piercing and poignant DVD titles containing rare British Pathé footage and interviews, from over six decades between 1930 and 1980.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/9VyUOYtkvhQ/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/9VyUOYtkvhQ&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/9VyUOYtkvhQ&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Presented as a collectable series of six DVDs, each comprising a three disc set and featuring an hour long programme on each year, A YEAR TO REMEMBER contains nearly 60 hours of unprecedented depth with fascinating and groundbreaking footage, offering an incredible insight into the global conflicts of yesteryear that still shape the world we live in today.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;A YEAR TO REMEMBER: THE 1930s offers a definitive insight into the decade leading up to World War II. &amp;nbsp;Other more light hearted events of the decade include Fred Perry winning Wimbledon, the first indoor ski slope and the introduction of the first driving test in 1935.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Following on, A YEAR TO REMEMBER: THE 1940s takes us back to the decade of World War II, Allied Victory, post-war austerity and the newly created tensions of the Cold War world. &amp;nbsp;In a decade when Princess Elizabeth married, we also get the opportunity to re-live the inauguration of the Welfare State and the NHS and witness the nationalisation of core public utilities and industries.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;In a period that took us from post-war austerity to consumer boom, A YEAR TO REMEMBER: THE 1950s looks at a decade which was mainly dominated by the Conservatives, with Winston Churchill, Anthony Eden and Howard Macmillan at the helm leading us through events as diverse as the Suez Canal crisis, the Soviet invasion of Hungary, H-Bomb tests, the Harrow train disaster, the death of King George VI and the coronation of Queen Elizabeth II. &amp;nbsp;Witnessing much scientific and technological progress, A YEAR TO REMEMBER: THE 1950s, takes us back to the introduction of the first Sputnik satellite, the last London tram, Polio vaccinations and the introduction of the parking meter. &amp;nbsp;A YEAR TO REMEMBER: The 1950s also gives us the opportunity to re-live many incredible events such as the 100th Varsity Boat Race and Bing Crosby playing golf in Scotland.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;At a time when renewed optimism arose, A YEAR TO REMEMBER: THE 1960s takes us through the election and untimely assassination of John F. Kennedy. &amp;nbsp;Featuring coverage of the murder of Martin Luther King, the Cuban Missile Crisis, the ongoing bloodshed of the Vietnam War and the erection of the Berlin Wall, A YEAR TO REMEMBER: THE 1960s also reminds us of one of mankind’s greatest triumphs, the Apollo 11 moon landing, alongside England’s Victory in the World Cup, the ‘Swinging Sixties’ and Mary Quant.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Released on DVD for the first time, A YEAR TO REMEMBER: THE 1970s looks at a decade of great transition for the UK. &amp;nbsp;Featuring the political and social unrest in Northern Ireland, the rise of Margaret Thatcher, the ‘three day week’ and the ‘Winter of Discontent’ in 1979, A YEAR TO REMEMBER: THE 1970s also takes us on a journey back through time to the rise of rock music, the breakup of the Beatles and the passing of Elvis Presley.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;A YEAR TO REMEMBER: THE 1980s looks at what was making the news in this most colourful decade. &amp;nbsp;The result is an amazing insight into the decade of Margaret Thatcher and Ronald Regan, the famous Brixton riots, Chernobyl, the Falklands War, Yuppies, big hair, New Romantics, the death of John Lennon and the Royal Wedding.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;A must for history enthusiasts and lovers of archive footage, A YEAR TO REMEMBER is an extraordinary series which provides a unique year by year account of what has been making the news over the last sixty years.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Each YEAR TO REMEMBER series is available from all good retailers, priced at £19.99 each. &amp;nbsp;For more information visit&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.strikeforcetv.com/" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.strikeforcetv.com&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;or follow Strike Force Entertainment on&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.fbook.me/SFE" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;www.fbook.me/SFE&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-457266379708970227?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.strikeforcetv.com' title='A YEAR TO REMEMBER: 1930s – 1980s.'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/457266379708970227/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=457266379708970227&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/457266379708970227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/457266379708970227'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/year-to-remember-1930s-1980s.html' title='A YEAR TO REMEMBER: 1930s – 1980s.'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-7365381963805917547</id><published>2011-12-06T14:02:00.001Z</published><updated>2011-12-06T14:03:34.102Z</updated><title type='text'>MISSION: IMPOSSIBLE – GHOST PROTOCOL THE IMAX EXPERIENCE</title><content type='html'>EXPLODES INTO IMAX® THEATRES ACROSS NORTH AMERICA FIVE DAYS EARLY ON FRIDAY, DECEMBER 16&lt;br /&gt;&lt;br /&gt;Highly Anticipated Fourth Installment Marks the Widest Early IMAX Engagement for a Domestic Feature; Film to Also Release Early in IMAX in Key International Territories&lt;br /&gt;&lt;br /&gt;Film Features Approximately 30 Minutes of Footage Shot with IMAX Cameras&lt;br /&gt;&lt;br /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" flashvars="&amp;amp;controlbar=over&amp;amp;file=http%3A%2F%2Forigin-qps.onstreammedia.com%2Forigin%2Fmultivu_archive%2FMNR%2F53535_c2_1205.mp4&amp;amp;image=http%3A%2F%2Fwww.multivu.com%2Fassets%2F53535%2Fscreenshots%2FMI-4-sg-ss.jpg%3F1323147038&amp;amp;inplay.displayname=Mission%20Impossible%20-%20Ghost%20Protocol&amp;amp;inplay.height=318&amp;amp;inplay.playerid=P-7QJ-OJ3&amp;amp;inplay.pluginmode=FLASH&amp;amp;inplay.publisherid=MultiVu&amp;amp;inplay.trackerids=TR-56E-GIG&amp;amp;inplay.videoid=53535__Mission%20Impossible%20-%20Ghost%20Protocol&amp;amp;inplay.visible=true&amp;amp;inplay.width=512&amp;amp;inplay.x=0&amp;amp;inplay.y=0&amp;amp;plugins=viral-2h%2Cinplay-h&amp;amp;skin=http%3A%2F%2Fwww.multivu.com%2Fswf%2Fjwplayer-2011-09-01%2Fen.xml&amp;amp;viral.functions=All&amp;amp;viral.oncomplete=false&amp;amp;viral.onpause=false&amp;amp;viral.pluginmode=FLASH" height="318" src="http://www.multivu.com/swf/jwplayer-2011-09-01/player.swf?job=53535" width="512"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;Los Angeles, CA — Dec. 6, 2011 /PRNewswire/ — IMAXCorporation (NYSE:IMAX; TSX:IMX) and Paramount Pictures today announced that Mission: Impossible – Ghost Protocol The IMAX Experience will begin previews in IMAX on Friday, Dec. 16, five days in advance of the film’s North American wide release on Dec. 21. Domestically, the film will open in approximately 300 IMAX® theatres and play through the film’s run at the box office.&lt;br /&gt;&lt;br /&gt;Internationally, the film will open on approximately 200 IMAXscreens beginning on Dec. 14, with several markets receiving an early window release in IMAX ahead of their wide release, including six days in the Netherlands, five days in the UK, three days in France and Poland, two days in Korea, Spain and Taiwan, and one day in various other countries worldwide.&lt;br /&gt;&lt;div&gt;&lt;br /&gt;In addition to the early window of engagement, the IMAX release of this fourth installment of Mission: Impossible features approximately 30 minutes of scenes shot with IMAX®cameras. These specific sequences, including the unbelievable stunt performed by Tom Cruise as he scaled the world’s tallest building, the Burj Khalifa Tower in Dubai, will expand to fill the entire screen, exclusively in IMAX, and further immerse the audience in the explosive action and vast scope of the film.&lt;br /&gt;&lt;br /&gt;“We’re excited that audiences will be able to preview this film at its best a full five days in advance,” said IMAX CEO Richard L. Gelfond. “This early engagement demonstrates the confidence that both the studio and filmmakers have in ‘TheIMAX Experience’ to reinforce the event nature of the film and generate positive word-of-mouth to support the wider launch of this favorite franchise.”&lt;br /&gt;&lt;br /&gt;“The edge-of-your-seat, heart-stopping suspense that Brad Bird masterfully delivers in this film is brought to life in IMAX, providing an up-close, you-are-there experience that is unparalleled,” said Greg Foster, Chairman and President, IMAXFilmed Entertainment. “Advance screenings of select film sequences shot with IMAX cameras have received overwhelmingly positive reactions from audiences across the globe.”&lt;br /&gt;&lt;br /&gt;The IMAX release of Mission: Impossible – Ghost Protocol will be digitally re-mastered into the image and sound quality of The IMAX Experience with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images coupled with IMAX’s customized theatre geometry and powerful digital audio create a unique environment that will make audiences feel as if they are in the movie.&lt;br /&gt;&lt;br /&gt;About Mission: Impossible – Ghost Protocol&lt;br /&gt;This holiday season, two-time Academy Award®-winner Brad Bird directs, with producers Tom Cruise and J.J. Abrams, the action-packed spy adventure Mission: Impossible – Ghost Protocol.&lt;br /&gt;&lt;br /&gt;Blamed for the terrorist bombing of the Kremlin, IMF operative Ethan Hunt is disavowed along with the rest of the agency when the President initiates “Ghost Protocol.” Left without any resources or backup, Ethan must find a way to clear his agency’s name and prevent another attack. To complicate matters further, Ethan is forced to embark on this mission with a team of fellow IMF fugitives whose personal motives he does not fully know.&lt;br /&gt;&lt;br /&gt;Tom Cruise returns in the starring role as Ethan Hunt and is joined by an international cast that includes Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, Vladimir Mashkov, Josh Holloway, Anil Kapoor and Léa Seydoux. Mission: Impossible – Ghost Protocol is directed by Brad Bird, in his live action film debut, and written by Josh Appelbaum &amp;amp; André Nemec. Cruise, who produces the Mission: Impossible films, is joined by producers J.J. Abrams and Bryan Burk. The film will be co-financed by Skydance Productions. Jeffrey Chernov, David Ellison, Paul Schwake and Dana Goldberg are the executive producers.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.missionimpossible.com/"&gt;www.missionimpossible.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Mission: Impossible – Ghost Protocol The IMAX Experience is scheduled to play day-and-date at the following IMAX theatres across North America on December 16.&lt;br /&gt;&lt;br /&gt;Mission: Impossible – Ghost Protocol The IMAX Experience is scheduled to play day-and-date at &amp;nbsp;IMAX international theatres beginning on December 14.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-7365381963805917547?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.missionimpossible.com' title='MISSION: IMPOSSIBLE – GHOST PROTOCOL THE IMAX EXPERIENCE'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/7365381963805917547/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=7365381963805917547&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7365381963805917547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/7365381963805917547'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/mission-impossible-ghost-protocol-imax.html' title='MISSION: IMPOSSIBLE – GHOST PROTOCOL THE IMAX EXPERIENCE'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-6895366996895170103</id><published>2011-12-05T18:19:00.000Z</published><updated>2011-12-05T18:19:11.204Z</updated><title type='text'>Wise Cracks: The Comedies Of  WOODY ALLEN</title><content type='html'>at BFI Southbank &lt;br /&gt;&lt;br /&gt;BFI Southbank launches the New Year with an offering of thrills and laughter from Woody&lt;br /&gt;Allen, a most prolific filmmaker whose career has spanned just over six decades and more&lt;br /&gt;than 40 feature films, with a new film made almost every year. A celebration of his classic&lt;br /&gt;comedies will screen throughout January, including Extended Runs of both Zelig (1983) and&lt;br /&gt;the multi-Oscar-winning Hannah and Her Sisters (1986). This retrospective of films presents&lt;br /&gt;a timely reminder of his brilliant and exceptional career as a writer-director of comedy&lt;br /&gt;films, plus the importance of the comedy genre, as BFI Southbank presents the first London&lt;br /&gt;Comedy Film Festival at the end of the month. &lt;br /&gt;&lt;br /&gt;Allen’s career began by writing jokes for a local newspaper before progressing to stand-up&lt;br /&gt;comedy, then to writing gags and scripts for &amp;nbsp;television and eventually screenwriting and&lt;br /&gt;appearing in films, until it was clear, to him, that he needed to direct films himself. This BFI&lt;br /&gt;season starts with &amp;nbsp;Bananas (1971) and the sci-fi &amp;nbsp;Sleeper &amp;nbsp;(1973), where Allen’s trademark&lt;br /&gt;characteristics of a nervous, somewhat pessimistic New York Jew, with a sharp and selfdeprecating banter were first established. &amp;nbsp;Sleeper &amp;nbsp;was the first partnering of Allen and&lt;br /&gt;Diane Keaton, who would go on to star in the period piece Love and Death &amp;nbsp;(1975) and the&lt;br /&gt;Allen classics Annie Hall &amp;nbsp;(1977), for which he won Academy Awards for Best Director and&lt;br /&gt;Best Original Screenplay, and Manhattan (1979) – the latter an unforgettable tribute to New&lt;br /&gt;York.&lt;br /&gt;&lt;br /&gt;Love, and the fathoming of, is a key theme that spans his films, and Allen’s personal&lt;br /&gt;relationships would both inform and inspire his work. By the early 1980s he had met Mia&lt;br /&gt;Farrow &amp;nbsp;and a new on-screen partnership was launched with &amp;nbsp;A Midsummer Nights Sex&lt;br /&gt;Comedy &amp;nbsp;(1982), &amp;nbsp;Broadway Danny Rose &amp;nbsp;(1984) and the Depression-era cinema fantasy &amp;nbsp;The Purple Rose of Cairo &amp;nbsp;(1985), before Hannah and Her Sisters, which earned him another Oscar&lt;br /&gt;for Best Original Screenplay along with a nomination for Best Film. &lt;br /&gt;&lt;br /&gt;With the onset of 1990s, and his ‘middle-period’, Allen performed less in front of the&lt;br /&gt;camera, as with titles such as Bullets Over Broadway (1994), where &amp;nbsp;John Cusack &amp;nbsp;takes the&lt;br /&gt;lead, and Celebrity (1998), starring Kenneth Brannagh and Leonardo DiCaprio. More recent&lt;br /&gt;titles have received mixed reviews, but &amp;nbsp;Vicky Cristina Barcelona (2008) brought a return to&lt;br /&gt;form and his most recent offering, &amp;nbsp;Midnight in Paris &amp;nbsp;(2011), his been biggest box office&lt;br /&gt;success yet. The selection of films offered this month is a great reminder of the amazing&lt;br /&gt;ability that Allen has to find humour in some of the most unusual of circumstances. His&lt;br /&gt;next feature is in post-production and provides &amp;nbsp;proof &amp;nbsp;that &amp;nbsp;he &amp;nbsp;still &amp;nbsp;has &amp;nbsp;much &amp;nbsp;to &amp;nbsp;amuse&lt;br /&gt;audiences with.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;PROGRAMME INFORMATION:&lt;br /&gt;Bananas&lt;br /&gt;USA 1971. With Louise Lasser, Carlos Montalban, Jacobo Morales. 78min. 15&lt;br /&gt;A wonderfully funny ragbag of gloriously absurd gags chronicling a puny, largely petrified New York&lt;br /&gt;Jew’s chaotic involvement with Latin American revolutionaries hoping to topple a dictator. The reason&lt;br /&gt;for Woody’s impulsive altruism? To impress political &amp;nbsp;activist Louise Lasser (Allen’s second wife), of&lt;br /&gt;course. Though the direction is solid rather than &amp;nbsp;flamboyant, the film’s energy and invention more&lt;br /&gt;than compensate. Look out for Sylvester Stallone.&lt;br /&gt;Sun 1 Jan 16:00 NFT3, Sun 8 Jan 20:40 NFT2&lt;br /&gt;&lt;br /&gt;Sleeper&lt;br /&gt;USA 1973. With Diane Keaton, John Beck. 87min. PG&lt;br /&gt;In his engagingly irreverent take on the sci-fi genre, Woody’s Greenwich Village jazz clarinetist does a&lt;br /&gt;Rip Van Winkle through cryogenics and wakes up in a largely sex-free 2174, where rebels enlist his&lt;br /&gt;predictably reluctant help in their struggle against &amp;nbsp;the totalitarian authorities. By now Diane Keaton&lt;br /&gt;had taken over as romantic interest, and she was to prove the perfect comic foil to the writer&lt;br /&gt;director’s on-screen persona.&lt;br /&gt;Sun 1 Jan 18:20 NFT3, Sat 7 Jan 20:50 NFT2, Wed 18 Jan 18:30 NFT1&lt;br /&gt;&lt;br /&gt;Love and Death&lt;br /&gt;USA 1975. With Diane Keaton, Olga Georges-Picot, Harold Gould. 81min. PG&lt;br /&gt;Arguably the most coherent and consistently funny of all Allen’s unrepentantly comic, pre-Annie Hall&lt;br /&gt;films, this remarkably astute parody of Russian literature in all its &amp;nbsp;lugubriously epic splendour finds&lt;br /&gt;his customarily Jewish little-man courting his beloved Keaton amid the turmoil of the Napoleonic&lt;br /&gt;Wars. Eisensteinian montage and philosophical discussions cover a range of topics: love, death, God,&lt;br /&gt;war, honour, string, herrings, and wheat… so much wheat.&lt;br /&gt;Sun 1 Jan 20:30 NFT3, Sat 7 Jan 16:00 NFT2, Thu 12 Jan 18:30 NFT1&lt;br /&gt;&lt;br /&gt;Annie Hall&lt;br /&gt;USA 1977. With Diane Keaton, Tony Roberts, Paul Simon, Carol Kane. 93min. 15 Greeted as a step forward in that the narrative – no &amp;nbsp;longer a string of gags – gained in psychological&lt;br /&gt;coherence, this was also the first of Allen’s films regarded as rooted to some degree in autobiography&lt;br /&gt;(he plays a neurotic New York comic who falls for a ditzy singer) – though in hindsight the film, for all&lt;br /&gt;its humour and romance, feels a little hesitant in places compared to the bold 80s masterworks.&lt;br /&gt;Besides Keaton’s wonderful performance, look out for future stars in minor roles.&lt;br /&gt;Mon 2 Jan 16:15 NFT1, Fri 6 Jan 18:30 NFT1, Fri 13 Jan 20:45 NFT1, Sat 14 Jan 18:30 NFT1&lt;br /&gt;&lt;br /&gt;Manhattan&lt;br /&gt;USA 1979. With Diane Keaton, Michael Murphy, Mariel Hemingway, Meryl Streep. 96min. 12A&lt;br /&gt;With this film, Allen first achieved a fully rewarding balance of comedy &amp;nbsp;and drama, enhancing the&lt;br /&gt;tale of a television comedy-writer’s vacillating relationships with the various women in his life by&lt;br /&gt;framing it as a love letter to New York. The unforgettable opening montage, cut to Gershwin, clearly&lt;br /&gt;signposts his ambitions both as a filmmaker and as a devout celebrant of the city.&lt;br /&gt;Mon 2 Jan 18:30 NFT1, Fri 6 Jan 20:45 NFT1, Tue 10 Jan 20:45 NFT1, Sun 22 Jan 20:45 NFT1&lt;br /&gt;&lt;br /&gt;A Midsummer Night’s Sex Comedy&lt;br /&gt;USA 1982. With Mia Farrow, José Ferrer, Julie Hagerty, Tony Roberts, Mary Steenburgen. 88min. 15&lt;br /&gt;The title may allude to Shakespeare and Bergman, but this warm period comedy, charting the&lt;br /&gt;romantically complicated encounter of three couples at a house in the country, seems as indebted to&lt;br /&gt;Renoir as it is to the Swede. The first of his &amp;nbsp;films with Mia Farrow, it feels suffused with the&lt;br /&gt;enchantment of falling in love, and is perhaps his only film to profess some sort of real belief in the&lt;br /&gt;power of magic&lt;br /&gt;Mon 2 Jan 20:45 NFT1, Sun 8 Jan 18:20 NFT2&lt;br /&gt;&lt;br /&gt;Broadway Danny Rose&lt;br /&gt;USA 1984. With Mia Farrow, Nick Apollo Forte, Sandy Baron. 84min. PG&lt;br /&gt;This delightfully anecdotal tale of a lowly but conscientious theatrical agent (Allen), who acts as a&lt;br /&gt;beard for an adulterous crooner and finds himself pursued by the mobster family of the brassy&lt;br /&gt;mistress (Farrow at her very best), is distinguished by its warm, affectionate tone. Gordon Willis’s&lt;br /&gt;black-and-white camera work lends the troubled fairytale romance the feel of reality, while the expert&lt;br /&gt;sparring between the two leads is both funny and touching.&lt;br /&gt;Tue 3 Jan 20:40 NFT2, Sat 7 Jan 18:40 NFT3, Mon 9 Jan 18:20 NFT2&lt;br /&gt;&lt;br /&gt;The Purple Rose of Cairo&lt;br /&gt;USA 1985. With Mia Farrow, Jeff Daniels, Danny Aiello. 82min. PG&lt;br /&gt;An utterly charming variation on the &amp;nbsp;conceit pioneered by Buster Keaton’s &amp;nbsp;Sherlock Jr, this finds a&lt;br /&gt;downtrodden Depression-era housewife (Farrow) attracting the attention of the leading man (Daniels)&lt;br /&gt;in the ludicrously exotic romance she keeps watching; the escapism escalates when he abandons the&lt;br /&gt;movie to visit her reality – a bewildering crossover &amp;nbsp;for all concerned. Fantasy it may be, but in its&lt;br /&gt;emotional dynamics the film is authentic enough to be genuinely affecting.&lt;br /&gt;Mon 9 Jan 20:45 NFT1, Sat 21 Jan 18:40 NFT2&lt;br /&gt;&lt;br /&gt;Crimes and Misdemeanors&lt;br /&gt;USA 1989. With Mia Farrow, Alan Alda, Claire Bloom, Sam Waterston. 104min. 15&lt;br /&gt;One of Allen’s darkest comedies, this has two loosely linked stories – one about a documentarist&lt;br /&gt;(Allen) falling for the producer (Farrow) of a TV tribute to his despicably successful brother-in-law, the&lt;br /&gt;other about a married ophthalmologist (Martin Landau) deciding to rid himself of a clinging lover&lt;br /&gt;(Anjelica Huston) – which share a concern with guilt, troubled faith and the injustices of life.&lt;br /&gt;Ambitious, complex and beautifully acted by all involved.&lt;br /&gt;Fri 13 Jan 18:30 NFT1, Sun 15 Jan 20:45 NFT1, Sun 22 Jan 15:50 NFT3&lt;br /&gt;&lt;br /&gt;Husbands and Wives&lt;br /&gt;USA 1992. With Mia Farrow, Liam Neeson, Juliette Lewis, Blythe Danner. 108min. 15&lt;br /&gt;An astute examination of the ethics of love and &amp;nbsp;marriage, this sees a seemingly happily married&lt;br /&gt;couple (Allen and Farrow) reassessing their own relationship when their close friends (Judy Davis and&lt;br /&gt;Sydney Pollack) announce an amicable separation. Shot in a hand-held documentary style and boasting terrific performances, this is one of Allen’s most emotionally honest and psychologically&lt;br /&gt;incisive achievements.&lt;br /&gt;Tue 10 Jan 18:30 NFT1, Sat 14 Jan 20:45 NFT1, Sun 22 Jan 18:10 NFT3&lt;br /&gt;&lt;br /&gt;Manhattan Murder Mystery&lt;br /&gt;USA 1993. With Diane Keaton, Anjelica Huston, Alan Alda. 107min. PG&lt;br /&gt;In part a tribute to the cowardly bluster that was Bob Hope’s speciality, this is one of the most&lt;br /&gt;unapologetically escapist of Allen’s middle-period comedies, in which Allen’s panicky protagonist&lt;br /&gt;worries about the keen interest taken by his wife (Keaton) both in one of his friends and in the death&lt;br /&gt;of a neighbour. A bright and pacy blend of suspense and gags, executed with considerable gusto.&lt;br /&gt;Thu 12 Jan 20:40 NFT2, Mon 16 Jan 18:20 NFT2, Tue 17 Jan 20:30 NFT2&lt;br /&gt;&lt;br /&gt;Bullets Over Broadway&lt;br /&gt;USA 1994. With John Cusack, Dianne Wiest, Jim Broadbent, Rob Reiner, Mary Louise Parker. 99min. PG&lt;br /&gt;John Cusack plays a faintly Allenesque young playwright, dealing not only with temperamental stars&lt;br /&gt;(Wiest in fine fettle) but with a bodyguard (Chazz Palminteri) assigned by his gangster backer to keep&lt;br /&gt;an eye on the flapper girlfriend (Jennifer Tilly) he insists has a role. The jazz-age setting allows Allen&lt;br /&gt;some leeway in terms of authenticity, but that &amp;nbsp;doesn’t mean his reflections on the relationship&lt;br /&gt;between life and the theatre don’t have bite.&lt;br /&gt;Sat 14 Jan 16:15 NFT1, Wed 18 Jan 20:45 NFT2, Sat 21 Jan 20:40 NFT2&lt;br /&gt;&lt;br /&gt;Everyone Says I Love You&lt;br /&gt;USA 1996. With Goldie Hawn, Natalie Portman, Drew Barrymore, Billy Crudup. 100min. 12A &lt;br /&gt;Arguably Allen’s most unlikely film – a musical packed with romantic standards, set in New York,&lt;br /&gt;Venice and Paris, and chronicling the complex romantic lives of a large family from Manhattan – and&lt;br /&gt;perhaps, too, his most improbable cast, ranging from Julia Roberts to Tim Roth, Goldie Hawn to&lt;br /&gt;Edward Norton. But it works: the energy and enthusiasm of the cast easily make up for any&lt;br /&gt;shortcomings in their singing and dancing, and the whole has a delicate charm.&lt;br /&gt;Sun 15 Jan 18:30 NFT1, Fri 20 Jan 18:20 NFT3&lt;br /&gt;&lt;br /&gt;Deconstructing Harry&lt;br /&gt;USA 1997. With Robin Williams, Billy Crystal, Judy Davis, Kirstie Alley. 96min&lt;br /&gt;Though clearly inspired by Bergman’s &amp;nbsp;Wild Strawberries, this tale of a blocked, philandering, foulmouthed writer (Allen) driving – along with his best friend, his nine-year-old son and a (black!) hooker&lt;br /&gt;– to receive an award at his &amp;nbsp;alma mater &amp;nbsp;is very funny, and one of Allen’s most inventive films as it&lt;br /&gt;compares and contrasts the realities of the author’s life with their fictionalised versions. Of the&lt;br /&gt;remarkable cast, it is Robin Williams who is perhaps most amusing as an actor literally having trouble&lt;br /&gt;with his focus.&lt;br /&gt;Wed 11 Jan 18:15 NFT1, Sat 28 Jan 18:10 NFT3&lt;br /&gt;&lt;br /&gt;Celebrity&lt;br /&gt;USA 1998. With Kenneth Branagh, Judy Davis, Joe Mantegna, Melanie Griffith, Winona Ryder. 113min&lt;br /&gt;Scumbag journalist Lee (Branagh sporting Allen-ish &amp;nbsp;traits) and Robin (Davis) have just divorced, but&lt;br /&gt;their paths keep crossing at the endless parties, &amp;nbsp;receptions and previews frequented by New York’s&lt;br /&gt;smart set. A jaundiced, often very amusing caricature of the contemporary obsession with fame,&lt;br /&gt;enhanced by some fine performances: Leonardo DiCaprio’s spoilt movie star and Charlize Theron’s&lt;br /&gt;supermodel are stand-outs.&lt;br /&gt;Wed 25 Jan 20:30 NFT2, Sun 29 Jan 18:20 NFT2&lt;br /&gt;&lt;br /&gt;Sweet and Lowdown&lt;br /&gt;USA 1999. With Sean Penn, Samantha Morton, Uma Thurman, Anthony LaPaglia, John Waters. 95min. PG&lt;br /&gt;An arrogant, self-centred, hard-living 30s jazz guitarist (Penn) reluctantly gets involved with a gentle,&lt;br /&gt;generous mute (Morton) and can’t be bothered ever &amp;nbsp;to end the affair properly. A strangely tender,&lt;br /&gt;touching tale of pride, prejudice, self-obsession &amp;nbsp;and redemption, the film impresses for its strong&lt;br /&gt;sense of period and place and its excellent performances; Allen himself appears as one of the jazz&lt;br /&gt;fans reflecting on the couple’s story in documentary style ‘interview’ sequences.&lt;br /&gt;Wed 25 Jan 18:20 NFT2, Sun 29 Jan 20:40 NFT2&lt;br /&gt;&lt;br /&gt;Melinda and Melinda&lt;br /&gt;USA 2004. With Radha Mitchell, Chiwetel Ejiofor, Wallace Shawn, Josh Brolin. 99min. 12A&lt;br /&gt;Is life essentially tragic or comic? Writers in a &amp;nbsp;restaurant debate this question by developing two&lt;br /&gt;versions – one supposedly serious, &amp;nbsp;the other meant to be funny – of a story about the effects of a&lt;br /&gt;woman (Mitchell) turning up unexpectedly at a dinner party given by friends (Chloe Sevigny and&lt;br /&gt;Jonny Lee Miller in the first, Will Ferrell and Amanda Peet in the second). An &amp;nbsp;ingenious reflection on&lt;br /&gt;life and art, and very relevant to Allen’s own work.&lt;br /&gt;Thu 26 Jan 18:10 NFT2, Mon 30 Jan 20:45 NFT2&lt;br /&gt;&lt;br /&gt;Match Point&lt;br /&gt;UK 2005. With Scarlett Johansson, Brian Cox, Penelope Wilton, Ewen Bremner. 124min. 12A&lt;br /&gt;In many respects a London-set reworking of Dreiser’s &amp;nbsp;An American Tragedy, &amp;nbsp;Allen’s first British film&lt;br /&gt;pitches an upwardly mobile tennis player (Jonathan Rhys Meyers) among a wealthy family; after&lt;br /&gt;taking up with the daughter who adores him (Emily Mortimer), he falls for her brother’s actress&lt;br /&gt;fiancée (Johansson)… If the depiction of British society is hardly Loachian in its thrust, that’s not the&lt;br /&gt;point; it is Allen’s interest in ethical dilemmas that lends the film’s dramatic elements some depth.&lt;br /&gt;Thu 26 Jan 20:30 NFT2, Mon 30 Jan 18:20 NFT2&lt;br /&gt;&lt;br /&gt;Vicky Cristina Barcelona&lt;br /&gt;Spain 2008. With Scarlett Johansson, Rebecca Hall, Javier Bardem, Penelope Cruz, Patricia Clarkson. 96min. 12A&lt;br /&gt;While spending the summer in Barcelona, two friends (Hall and Johansson) meet a painter (Bardem)&lt;br /&gt;and react very differently to his seductive charms; the situation is further complicated by the&lt;br /&gt;reappearance of his estranged and very volatile wife (Cruz). While Allen’s Spanish film certainly deals&lt;br /&gt;in cultural and gender stereotypes, a welcome hint of absurdism – most notable in the delicious&lt;br /&gt;performances of Bardem and Cruz – enhances the sunny mood.&lt;br /&gt;Fri 27 Jan 18:10 NFT2, Tue 31 Jan 20:40 NFT2&lt;br /&gt;&lt;br /&gt;Midnight in Paris&lt;br /&gt;France 2011With Owen Wilson, Rachel McAdams, Michael Sheen, Adrian Brody, Kathy Bates 94min Digital 12A&lt;br /&gt;A blocked Hollywood writer (Wilson), visiting Paris, finds that immersing himself – with a vengeance –&lt;br /&gt;in the city’s literary past revitalises him; trouble is, it also causes problems with his fiancée&lt;br /&gt;(McAdams). The appeal of visiting the golden age is not exclusively due to an attractive woman&lt;br /&gt;(Marion Cotillard), given that the Fitzgeralds, Dali, Buñuel (who gives rise to a wonderful gag) and&lt;br /&gt;Gertrude Stein are also around. But, Allen asks, should we really prefer the past? What about the&lt;br /&gt;present?&lt;br /&gt;Fri 27 Jan 20:50 Studio; Sat 28 Jan 16:20, 20:50 Studio; Sun 29 Jan 16:20, 20:50 Studio; Mon 30 Jan&lt;br /&gt;21:00 NFT1; Tue 31 Jan 18:20 NFT2, 20:50 Studio; (continues in February)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Extended Runs: Fri 30 Dec – Thu 19 Jan&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Zelig&lt;br /&gt;&lt;br /&gt;USA 1983 Dir Woody Allen. With Woody Allen, Mia Farrow, Garrett Brown, Mary Louise Wilson 79min&lt;br /&gt;PG. Courtesy of Park Circus&lt;br /&gt;&lt;br /&gt;In part, a comic reworking of the themes of Citizen Kane, Allen’s meticulous mockumentary about a&lt;br /&gt;long-forgotten ‘human chameleon’ may now be celebrated as a masterwork years ahead of its time.&lt;br /&gt;Complete with unseen narrator, archive footage &amp;nbsp;and on-screen comments from Susan Sontag, Saul&lt;br /&gt;Bellow et al, the film deals with the life and times of Leonard Zelig (Allen), an otherwise unremarkable&lt;br /&gt;man who, in the 1920s, became a figure of fame and controversy due to his tendency to take on the&lt;br /&gt;characteristics and appearance of whoever he was &amp;nbsp;with at the time. Allen turns this simple but&lt;br /&gt;ingenious idea into a multilayered – and very funny – meditation on issues of (individual, national and&lt;br /&gt;ethnic) identity, celebrity culture and our need to connect. Expertly manipulating newsreel footage&lt;br /&gt;(long before digital technology) so that Zelig is seen hobnobbing with Hemingway, Fitzgerald, the Pope&lt;br /&gt;and even – irony of ironies! – Hitler), Allen paints a richly resonant portrait of a changing world, while&lt;br /&gt;finding space for a touching tribute to Mia Farrow (playing Zelig’s loyal analyst). Endlessly rewarding.&lt;br /&gt;(Thu 12 Jan 18:40 NFT3 introduced by Geoff Andrew)&lt;br /&gt;&lt;br /&gt;Hannah and Her Sisters&lt;br /&gt;&lt;br /&gt;USA 1986. Dir Woody Allen. With Mia Farrow, Barbara Hershey, Dianne Wiest, Michael Caine, Carrie&lt;br /&gt;Fisher, Max Von Sydow, Maureen O’Sullivan, Lloyd Nolan. 107min 15 Courtesy of Park Circus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Perhaps the warmest and, dramatically, most refined &amp;nbsp;of all Allen’s ensemble dramas, this look at a&lt;br /&gt;year in the life of an extended well-to-do Manhattan family sees him at the peak of his powers – as&lt;br /&gt;writer, director and performer. Next to sisters Lee (Hershey), who lives with a misanthropic painter,&lt;br /&gt;and Holly (Wiest), a neurotic lost in vague dreams of career success, Hannah (Farrow) seems a model&lt;br /&gt;of strength and stability; she’s even remained on good terms with her hypochondriac ex (Allen). What&lt;br /&gt;nobody, Hannah included, knows is that her current husband (Caine) has fallen for Lee… &lt;br /&gt;As Allen traces the many delicate threads of his densely textured narrative, it’s soon clear both that&lt;br /&gt;we’re in Chekhov territory – the transience of life, the irresistibility of desire, the need to keep things&lt;br /&gt;in perspective – and that the perspective here is distinctly and gloriously Allen’s. The performances of&lt;br /&gt;the remarkable cast are uniformly superb, Carlo di Ponti’s images render Manhattan magical, and the&lt;br /&gt;whole is immensely satisfying.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Booking information&lt;br /&gt;The BFI Southbank is open to all. BFI members are entitled to a discount on all tickets. &amp;nbsp;BFI Southbank&lt;br /&gt;Box Office tel: 020 7928 3232. Unless otherwise stated tickets are £9.00, concs £6.65 Members pay £1.40&lt;br /&gt;less on any ticket. Website www.bfi.org.uk/southbank&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-6895366996895170103?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.bfi.org.uk/southbank' title='Wise Cracks: The Comedies Of  WOODY ALLEN'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/6895366996895170103/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=6895366996895170103&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/6895366996895170103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/6895366996895170103'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/wise-cracks-comedies-of-woody-allen.html' title='Wise Cracks: The Comedies Of  WOODY ALLEN'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-230546123505518048</id><published>2011-12-05T18:08:00.000Z</published><updated>2011-12-05T18:08:31.651Z</updated><title type='text'>110th birthday of the late Walter Elias 'Walt' Disney, the American film producer, animator and co-founder of the Walt Disney Company</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://2.gvt0.com/vi/JisOpJbHwVY/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/JisOpJbHwVY&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/JisOpJbHwVY&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Monday 5th December marks the 110th birthday of the late Walter Elias Walt Disney, the American film producer, animator and co-founder of the Walt Disney Company. Web of Stories is proud to present a video recording of the life story of one of Walt Disneys most talented animators, Mr Jules Engel. Here, he talks about his time at Disney, co-founding the United Productions of America (UPA) studio, and Format Films where he produced Mr Magoo and the popular US series The Alvin Show and The Lone Ranger.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;In 1938, Jules Engel was asked by Walt Disney to work with them on what became the much-loved Disney classic, Fantasia. He was appointed the task of storyboarding the final dance sequences of the Russian sprites and Chinese mushrooms to the music of Tchaikovskys Nutcracker Suite. Engels passion for dance and art made him the perfect candidate to choreograph the sequences. Although much controversy still surrounds the fact that Jules Engel was never credited for his work on these sequences, here he describes what it was like working for the Walt Disney Company and meeting Walt Disney himself.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;I remember first time I bumped into him and I said, Mr Disney, how do you... He said, No, its Walt. Well, thats nice, you know, Okay Walt. But the point is that he lived, he ate, he drank, whatever else there is about animation, that was his gut. He was not even a real person, he was so involved with that world. Everything was a dream world, or his dream. And at the same time, he still was a nice person, he had his friends. But in as much as he was responsible of all those early, good films, still he never really took that big credit: Film by Walt Disney. It was always a film of whatever but never by Walt Disney, it was something else.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;After completing work on Fantasia, Jules Engel was asked to work on a sequence in Bambi, where he was able to show his ideas on abstraction. He also gave Bambi a whole new dimension by using colour that was against the norm for an animal at that time.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Aside from Jules Engels early work with Disney, he co-founded the Universal Productions of America studio with a group of animator friends to create and produce Mr Magoo, Madeline and Gerald McBoing Boing. He then went on to launch Format Films producing US television series The Alvin Show and The Lone Ranger, and in 1970 he founded the CalArts Program in Experimental Animation, which to this day is recognised as one of the worlds best schools for animation and arts. Before Engels death in 2003, he set up the Jules Engel Endowed Scholarship Fund to help aspiring students to explore and push the boundaries within animation.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;Web of Stories hosts a video archive of the life story of Jules Engel. We invite everyone to watch these stories, and share them with friends. Approximately six hours of video recording has been divided into individual stories which viewers can watch, listen to, comment on, and share with their friends and colleagues. The videos are also free for embedding into personal blogs and websites.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;We also invite the public to record and share their own stories, not just about how Jules Engels work may have influenced their lives and views on some of the topics raised, but on any other topic.&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;br style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;" /&gt;&lt;a href="http://www.webofstories.com/people/jules.engel" style="background-color: rgba(255, 255, 255, 0.917969); color: #1155cc; font-family: arial, sans-serif; font-size: 13px;" target="_blank"&gt;http://www.webofstories.com/&lt;wbr&gt;&lt;/wbr&gt;people/jules.engel&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-230546123505518048?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.webofstories.com/people/jules.engel' title='110th birthday of the late Walter Elias &apos;Walt&apos; Disney, the American film producer, animator and co-founder of the Walt Disney Company'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/230546123505518048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=230546123505518048&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/230546123505518048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/230546123505518048'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/110th-birthday-of-late-walter-elias.html' title='110th birthday of the late Walter Elias &apos;Walt&apos; Disney, the American film producer, animator and co-founder of the Walt Disney Company'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-6925824301286954209</id><published>2011-12-05T13:47:00.000Z</published><updated>2011-12-05T13:47:11.888Z</updated><title type='text'>Bell Pottinger Launches Free Festive Game</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;Bell Pottinger Group has launched a free mobile and web-based game to kick-off early festive celebrations with its staff and clients.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;Called Festive Dash, the game has been developed in-house and sees a penguin, snowman and elf embark on a quest to save Christmas by collecting presents that fall from a hole in Santa’s sleigh.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;Both the iPhone app and web-based game have been developed by the group’s specialist digital and social media team, Bell Pottinger Digital, which has been busy promoting it at a charity event organised by&amp;nbsp;&lt;strong&gt;&lt;span style="font-family: Calibri, sans-serif; font-weight: normal;"&gt;Richard House Children's Hospice&lt;/span&gt;&lt;/strong&gt;.&amp;nbsp; Aptly called Penguin Dash, the event saw more than 300 people running through Spitalfields in London, all dressed as Penguins. A 10-penguin team from Bell Pottinger Digital raised £500 for&amp;nbsp;&lt;strong&gt;&lt;span style="font-family: Calibri, sans-serif; font-weight: normal;"&gt;Richard House Children's Hospice (&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.richardhouse.org.uk/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="font-size: 12pt;"&gt;http://www.richardhouse.org.&lt;wbr&gt;&lt;/wbr&gt;uk&lt;/span&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 12pt; font-weight: normal;"&gt;)&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 12pt;"&gt;, which cares for children with life-threatening illnesses across the capital.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;Bell Pottinger is also making donations to ShelterBox&amp;nbsp;(&lt;/span&gt;&lt;a href="http://www.shelterbox.org/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="font-size: 12pt;"&gt;http://www.shelterbox.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;)&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;,&amp;nbsp;the international disaster relief charity, and The Calthorpe Project (&lt;/span&gt;&lt;a href="http://www.calthorpeproject.org.uk/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="font-size: 12pt;"&gt;http://www.calthorpeproject.&lt;wbr&gt;&lt;/wbr&gt;org.uk&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;),&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;a community garden and centre in the heart of Kings Cross – both of which are supported by its group companies.&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;David Wilson, Group Managing Director of Bell Pottinger, said: “Festive Dash is a fun game we’ve designed to thank clients and staff for giving us another wonderful year. It will get everyone into the festive spirit, from Chief Executives to children, and having been developed in-house, demonstrates the creative talent that exists within our Bell Pottinger team. Festive Dash replaces our Christmas cards, which quickly become obsolete, enabling us to both donate and raise money for good causes, and reduce our carbon footprint.”&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;Festive Dash is based around an addictive gameplay, where the user controls three characters at the same time, similar to the mechanic of the gaming-phenomena, Guitar Hero.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;To complete the seven-level-challenge, gamers need to collect as many presents as possible, jumping obstacles including wooden hurdles, holly bushes and rocks. The more accurate the jump, the more points earned. To pass the level with three gold stars, all presents must be collected and all obstacles avoided.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;The game’s iPhone app version has been developed natively using Objective-C and is available to download for free in the Apple App Store. A leaderboard is powered by Apple’s Game Centre and keeps a record of highest scores globally or within users’ individual networks. It took just under 10 days to develop, with the design delivered by Naked Penguin Boy, an independent digital creative agency.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;James Thomlinson, Head of Digital at Bell Pottinger Digital, said: “We had great fun developing Festive Dash and wanted to produce a game that uses the latest mobile technology. It is easy to pick-up but hard to master, and will appeal to the mass market. We’ve no expectation on the number of downloads, so spread the word and help us get as many as possible.”&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;Festive Dash can be downloaded via iTunes:&amp;nbsp;&lt;/span&gt;&lt;a href="http://bit.ly/sVYTI2" style="color: #1155cc;" target="_blank"&gt;http://bit.ly/sVYTI2&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;, or played online at&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.festivedash.com/" style="color: #1155cc;" target="_blank"&gt;&lt;span style="font-size: 12pt;"&gt;www.festivedash.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-size: 12pt;"&gt;Festive Dash fans can also check-out Facebook (&lt;/span&gt;&lt;a href="http://www.facebook.com/festivedash" style="color: #1155cc;" target="_blank"&gt;&lt;span style="font-size: 12pt;"&gt;http://www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;festivedash&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;) and Twitter (&lt;/span&gt;&lt;a href="http://www.twitter.com/festivedash" style="color: #1155cc;" target="_blank"&gt;&lt;span style="font-size: 12pt;"&gt;http://www.twitter.com/&lt;wbr&gt;&lt;/wbr&gt;festivedash&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;), where the penguin, snowman and elf will be answering questions about their involvement in Festive Dash and their prospects of getting picked for 2012!&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-6925824301286954209?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.festivedash.com' title='Bell Pottinger Launches Free Festive Game'/><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/6925824301286954209/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=6925824301286954209&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/6925824301286954209'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/6925824301286954209'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/bell-pottinger-launches-free-festive.html' title='Bell Pottinger Launches Free Festive Game'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-6498085931404640628</id><published>2011-12-02T18:06:00.002Z</published><updated>2011-12-02T18:06:17.976Z</updated><title type='text'>Smurfing Heck....</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: BRADDON; font-size: large;"&gt;&lt;span style="font-size: 20pt; font-variant: small-caps;"&gt;THE SMURFS&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;sup&gt;&lt;span style="font-family: BRADDON; font-size: large;"&gt;&lt;span style="font-size: 20pt; font-variant: small-caps;"&gt;™&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;b&gt;&lt;span style="font-family: BRADDON; font-size: large;"&gt;&lt;span style="font-size: 20pt; font-variant: small-caps;"&gt;JUST GOT BIGGER!&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;sup&gt;&lt;span style="font-family: BRADDON; font-size: large;"&gt;&lt;span style="font-size: 20pt; font-variant: small-caps;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;i&gt;&lt;span style="font-family: Calibri; font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;World’s largest inflatable Smurf to appear&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: 'Times New Roman'; font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;i&gt;&lt;span style="font-family: Calibri; font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;next to&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;Tower&lt;u&gt;&lt;/u&gt;&amp;nbsp;&lt;u&gt;&lt;/u&gt;Bridge&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&amp;nbsp;this weekend&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;i&gt;&lt;sup&gt;&lt;span style="font-family: BRADDON; font-size: medium;"&gt;&lt;span lang="EN-GB" style="font-size: 14pt; font-variant: small-caps;"&gt;&lt;img alt="Description: http://www.socaldailyphoto.com/wp-content/uploads/2011/07/giant-smurf-movie.jpg" height="319" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=95097284a7&amp;amp;view=att&amp;amp;th=133ffdbcdfa2e585&amp;amp;attid=0.2&amp;amp;disp=emb&amp;amp;zw" width="293" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/i&gt;&lt;i&gt;&lt;sup&gt;&lt;span style="font-family: BRADDON; font-size: medium;"&gt;&lt;span style="font-size: 14pt; font-variant: small-caps;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/sup&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;The Smurfs are set to take over the Southbank this weekend as the world’s largest inflatable Smurf will appear next to Tower Bridge on Sunday 4th December 2011 at&amp;nbsp;&lt;b&gt;12pm&lt;/b&gt;&amp;nbsp;to promote the launch of&amp;nbsp;&lt;b&gt;&lt;i&gt;The Smurfs ™&lt;/i&gt;&lt;/b&gt;.on Blu-ray 3D™, Blu-ray™ Double Play, DVD and digital.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;Fans of the franchise will get to meet and greet Papa Smurf and Smurfette whilst also having their picture taken next to the giant, 40 foot inflatable structure.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 12pt; line-height: 24px;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 19px;"&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt; line-height: 22px;"&gt;Sony Pictures Animation’s live-action animated feature, which stars Neil Patrick Harris, Hank Azaria, Sofia Vergara, Jayma Mays and the voices of Katy Perry, George Lopez and Jonathan Winters, is&amp;nbsp; available on Blu-ray 3D™, Blu-ray™ Double Play, DVD and digital on 5&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;December 2011.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-6498085931404640628?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/6498085931404640628/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=6498085931404640628&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/6498085931404640628'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/6498085931404640628'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/smurfing-heck.html' title='Smurfing Heck....'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-5514371297247302615</id><published>2011-12-02T14:07:00.000Z</published><updated>2011-12-02T14:07:34.150Z</updated><title type='text'>Eureka Entertainment announce their line up for 2012</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-size: 13px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Following the announcement earlier this year of&amp;nbsp;&lt;i&gt;Touch of Evil&lt;/i&gt;&amp;nbsp;and&amp;nbsp;&lt;i&gt;Silent Running&lt;/i&gt;&amp;nbsp;as Blu-ray special editions,&amp;nbsp;&lt;b&gt;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment&amp;nbsp;&lt;/b&gt;would like to announce the forthcoming blu-ray release of&amp;nbsp;&lt;b&gt;&lt;i&gt;Repo Man&lt;/i&gt;&lt;/b&gt;, the feature debut from director Alex Cox starring Emilio Estevez, and the melancholy open-road epic&amp;nbsp;&lt;b&gt;&lt;i&gt;Two-Lane Blacktop&lt;/i&gt;&lt;/b&gt;&amp;nbsp;(dir. Mante Hellman) amongst their Q1 2012 line up.&amp;nbsp; Both titles are part of a&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment/The Masters of Cinema Series agreement with Universal Pictures to release several high-profile catalogue titles throughout 2011 and 2012 to celebrate Universal's centenary.&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Here is the full line up of releases from&amp;nbsp;&lt;b&gt;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment&lt;/b&gt;&amp;nbsp;and its UK distributed labels&amp;nbsp;&lt;b&gt;Bounty Films &amp;amp; ISIS&amp;nbsp;&lt;/b&gt;for January, February &amp;amp; March 2012.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;January&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;TWO-LANE BLACKTOP (Masters of Cinema),&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, Blu-ray &amp;amp; Limited Edition Blu-ray Steelbook, 23 January 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Perhaps the greatest road movie ever made, Monte Hellman's counter-culture masterpiece from the early 1970s, starring James Taylor, Dennis Wilson, and Warren Oates, on Blu-ray for the first time anywhere in the world.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;LE SILENCE DE LA MER (Masters of Cinema),&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, Dual Format: Blu-ray/DVD, 23 January 2012&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;One of the most important French films to deal with World War II, and a landmark in Melville’s distinguished oeuvre,&amp;nbsp;&lt;em&gt;Le Silence de la mer&lt;/em&gt;&amp;nbsp;is a lyrical, timeless depiction of the experiences and struggles of occupation and resistance available for the first time on Blu-ray in the UK.&lt;b&gt;&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;PUNISHMENT PARK (Masters of Cinema),&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, Dual Format: Blu-ray/DVD, 23 January 2012&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Both controversial and relentless in its depiction of suppression and brutality,&amp;nbsp;&lt;em&gt;Punishment Park&lt;/em&gt;&amp;nbsp;was heavily attacked by the mainstream press and permitted only the barest of releases in 1971.&amp;nbsp; The Masters of Cinema Series is proud to celebrate&amp;nbsp;&lt;em&gt;Punishment Park&lt;/em&gt;’s 40th anniversary with its first ever release on Blu-ray.&lt;b&gt;&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;WHO PAYS THE FERRYMAN?,&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, DVD, 23 January 2012&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Much loved 1977 BBC British drama series, created by Michael J. Bird, set on the Mediterranean island of Crete starring Jack Hedley as Alan Haldane.&lt;b&gt;&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;TOMIE:UNLIMITED (Monster Pictures), Bounty Films,&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&amp;nbsp;&lt;b&gt;Blu-ray &amp;amp;&lt;/b&gt;&amp;nbsp;&lt;b&gt;DVD, 23 January 2012&lt;/b&gt;&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Noboru Iguchi (The Machine Girl, Mutant Girls Squad) brings his brand of mayhem to the Japanese cult&amp;nbsp;&lt;i&gt;Tomie&lt;/i&gt;&amp;nbsp;series.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;ZIFT, I.S.I.S. Ltd, DVD, 23 January 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;"Zift" is a genre mixture of neo-noir and soviet non-conformist art from director Javor Gardev&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;CANO DORADO, I.S.I.S. Ltd, DVD, 23 January 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;The story of Panceta, a young labourer from one of the poorer suburbs in Buenos Aires, whose unbounded ambition for money leads him to manufacture and sell home–made arms in the neighbourhood.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;February&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;REPO MAN (Masters of Cinema),&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, Blu-ray &amp;amp; Limited Edition Blu-ray Steelbook, 20 February 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Alex Cox's legendary cult classic debut - a post-punk, sci-fi, crime-ridden, apocalyptic comedy - returns for the first time anywhere in the world as a glorious, new special edition Blu-ray&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;THE INSECT WOMAN/ NISHI-GINZA STATION (Masters of Cinema),&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, Dual Format: Blu-ray/DVD, 20 February 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Shohei Imamura's epic spans 40 years in the life of a working class woman ever-adapting to a changing Japan, alongside an earlier Imamura feature&amp;nbsp;&lt;b&gt;&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;THE YELLOW SEA (Monster Pictures), Bounty Films,&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&amp;nbsp;&lt;b&gt;Blu-ray &amp;amp;&lt;/b&gt;&amp;nbsp;&lt;b&gt;DVD, 20 February 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Korean crime drama starring&amp;nbsp;Yun-seok Kim&amp;nbsp;and&amp;nbsp;directed by&lt;/span&gt;&amp;nbsp;&lt;span style="font-family: Arial, sans-serif;"&gt;Hong-jin Na&amp;nbsp;who won critical acclaim for his previous film&amp;nbsp;&lt;i&gt;The Chaser&lt;/i&gt;.&amp;nbsp;&amp;nbsp;&amp;nbsp;Premiered at this year’s Cambridge Film Festival and to be released theatrically on 21 October 2011.&lt;/span&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;March&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;YAKUZA WEAPON (Monster Pictures), Bounty Films,&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&amp;nbsp;&lt;b&gt;Blu-ray &amp;amp;&lt;/b&gt;&amp;nbsp;&lt;b&gt;DVD, 26 March 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;A wild combination of hard-boiled gangster action, manga-style comedy and splatterific special effects, from director and star Tak Sakaguchi.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;DEADBALL (Monster Pictures), Bounty Films,&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&amp;nbsp;&lt;b&gt;DVD, 26 March 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Hilariously offensive, politically incorrect sports splatter comedy,&amp;nbsp;&lt;i&gt;Deadball&amp;nbsp;&lt;/i&gt;is director Yudai Yamaguchi’s follow-up to his earlier zombie baseball classic Battlefield Baseball, and once again features action star Tak Sakaguchi (&lt;i&gt;Versus&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Be a Man! Samurai School&lt;/i&gt;)&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;THE GOSPEL ACCORDING TO &amp;nbsp;MATTHEW (Masters of Cinema),&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, Dual Format: Blu-ray/DVD, 26 March 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Pasolini's masterpiece is one of the most revered and influential religious films ever made, now fully restored in HD&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;ACCATTONE (Masters of Cinema),&amp;nbsp;&lt;span class="il" style="background-attachment: initial; background-clip: initial; background-color: #ffffcc; background-image: initial; background-origin: initial;"&gt;Eureka&lt;/span&gt;&amp;nbsp;Entertainment, Dual Format: Blu-ray/DVD, 26 March 2012&lt;u&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Pasolini's gritty study of a pimp in the slums of Rome is one of the most explosive debuts in world cinema, now fully restored in HD&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5104696-5514371297247302615?l=talkingpix.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://talkingpix.blogspot.com/feeds/5514371297247302615/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5104696&amp;postID=5514371297247302615&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5514371297247302615'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5104696/posts/default/5514371297247302615'/><link rel='alternate' type='text/html' href='http://talkingpix.blogspot.com/2011/12/eureka-entertainment-announce-their.html' title='Eureka Entertainment announce their line up for 2012'/><author><name>Nigel</name><uri>http://www.blogger.com/profile/09678222810941587337</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://www.selfhelpguides.com/authors/nigel_watson/photo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5104696.post-4576177576030897383</id><published>2011-12-02T14:05:00.002Z</published><updated>2011-12-02T14:05:42.999Z</updated><title type='text'>TWO-LANE BLACKTOP</title><content type='html'>&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;span style="color: red;"&gt;To be released in the UK on Blu-ray &amp;amp; Ltd Edition Blu-ray Steelbook on 23 January 2012&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;img alt="026_TWO-LANE_BLACKTOP_BD_2D_packshot_72dpi_v2.jpg" height="189" src="https://mail.google.com/mail/?ui=2&amp;amp;ik=95097284a7&amp;amp;view=att&amp;amp;th=133e9f630e5952dc&amp;amp;attid=0.0.1&amp;amp;disp=emb&amp;amp;zw" width="146" /&gt;&amp;nbsp;&amp;nbsp;&lt;br clear="all" /&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="color: #1f497d; font-family: Arial, sans-serif;"&gt;&lt;hr align="center" size="2" width="100%" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;SYNOPSIS:&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;With the melancholy open-road epic&amp;nbsp;&lt;i&gt;Two-Lane Blacktop&lt;/i&gt;, American&amp;nbsp;auteur&amp;nbsp;Monte Hellman (&lt;i&gt;The Shooting&lt;/i&gt;,&amp;nbsp;&lt;i&gt;Cockfighter&lt;/i&gt;,&amp;nbsp;and the recent&amp;nbsp;&lt;i&gt;Road&amp;nbsp;to&amp;nbsp;Nowhere&lt;/i&gt;) poeticised the beautiful, terrible rootlessness of his nation in the era of Vietnam.&amp;nbsp;Funded by Universal in a bid to recreate the success of&amp;nbsp;&lt;i&gt;Easy Rider&lt;/i&gt;&amp;nbsp;– by giving a number of filmmakers $1m and final cut – Hellman's effort&amp;nbsp;is now&amp;nbsp;regarded as one of the key films of the New Hollywood renaissance of the early 1970s.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;br /&gt;While driving eastward on Route 66, two rival car owners – The Driver (singer-songwriter James Taylor) and The Mechanic (Dennis Wilson of The&amp;nbsp;Beach Boys) in a souped-up, drag-racing '55 Chevy, and a middle-aged braggart (Warren Oates) in a gleaming GTO – begin to race for each other's "pink slips" and the affections of the listless female hitchhiker (Laurie Bird) who joins them on the road.&lt;br /&gt;&lt;br /&gt;Scripted by esteemed novelist Rudy Wurlitzer, and featuring the only screen performances of Taylor and Wilson,&amp;nbsp;&lt;i&gt;Two-Lane Blacktop&lt;/i&gt;&amp;nbsp;remains a timeless, existential portrait of lives in transit and of a country questioning its identity.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="color: red; font-family: Arial, sans-serif;"&gt;"The film is immaculately crafted, funny and quite beautiful, resonant with a lingering mood of loss and loneliness." - Jay Cocks,&amp;nbsp;&lt;i&gt;Time&lt;/i&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="color: red; font-family: Arial, sans-serif;"&gt;"&lt;i&gt;Two-Lane Blacktop&lt;/i&gt;&amp;nbsp;is a movie of achingly eloquent landscapes and absurdly inert characters." - J. Hoberman,&amp;nbsp;&lt;i&gt;Village Voice&lt;/i&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;span style="color: red; font-family: Arial, sans-serif;"&gt;"Self-enclosed, self-absorbed, and self-destructive, it's absolutely riveting." - Tom Milne,&amp;nbsp;&lt;i&gt;Time Out&lt;/i&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Two-Lane Blacktop is&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;one of the most popular car-fetishist / petrolhead movies ever made and&amp;nbsp; listed as one of the 50 greatest independent films of all time by&amp;nbsp;&lt;i&gt;Empire Magazine.&amp;nbsp;&lt;/i&gt;The Masters of Cinema&amp;nbsp;Series is proud to present Hellman's iconic film on blu-ray and ltd Edition Blu-ray Steelbook for the first time ever anywhere in the world&amp;nbsp;on its 40th birthday, released on 23 January 2012.&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;&lt;span style="color: #1f497d; font-family: Arial, sans-serif;"&gt;&lt;hr align="center" size="2" width="100%" /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&lt;b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;SPECIAL DIRECTOR-APPROVED&amp;nbsp;BLU-RAY FEATURES:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• New restored high-definition master, supervised and approved by Monte Hellman&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• Original mono soundtrack and optional newly remastered 5.1 mix&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• Optional English subtitles for the deaf and hearing-impaired&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• Audio commentary by Monte Hellman and associate producer Gary Kurtz&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;•&amp;nbsp;&lt;i&gt;On The Road Again: Two-Lane Blacktop Revisited&lt;/i&gt;, a 43-minute video piece in which&amp;nbsp;Monte&amp;nbsp;Hellman revisits the film's locations&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;•&amp;nbsp;&lt;i&gt;Somewhere Near Salinas&lt;/i&gt;, a 28-minute interview by Monte Hellman with singer-songwriter Kris Kristofferson&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;•&lt;i&gt;&amp;nbsp;Sure Did Talk To You&lt;/i&gt;, a 24-minute video piece by&amp;nbsp;Monte&amp;nbsp;Hellman, interviewing producer Michael Laughlin, production manager Walter Coblenz,&amp;nbsp;and the director's son Jared Hellman&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• Rare archival screen-test footage of James Taylor and Laurie Bird&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• Original theatrical trailer&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• Optional music and effects track&amp;nbsp;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;• A lavish 36-page booklet featuring rare production imagery,&amp;nbsp;the words of Monte Hellman,&amp;nbsp;and more!&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="background-color: rgba(255, 255, 255, 0.917969); color: #222222; font-family: arial, sans-serif; font-size: 13px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style="color: #1f497d; font-f
